Presence is the seventh studio album by the English rock band Led Zeppelin, released by Swan Song Records on 31 March 1976. The album was a commercial success, reaching the top of both the British and American album charts, and achieving a triple-platinum certification in the United States, despite receiving mixed reviews from critics and being the slowest-selling studio album by the band (other than the outtake album Coda).
It was written and recorded during a tumultuous time in the band's history, as singer Robert Plant was recuperating from serious injuries he had sustained the previous year in a car accident. Nevertheless, guitarist Jimmy Page describes Presence as the band's "most important" album, proving they would continue and succeed despite their turmoil.
Jimmy Page made the decision to record the album after Robert Plant sustained serious injuries from a car accident on the Greek island of Rhodes on 5 August 1975, which forced the band to cancel a proposed world tour that was due to commence on 23 August. At this point, Led Zeppelin were arguably at the height of their popularity. When he was taken to a Greek hospital after the accident, Plant recalled:
The Presence is a fictional representation of God, and is a character in comic books published by DC Comics. The character debuted in More Fun Comics #52 (February 1940), and was created by Jerry Siegel and Bernard Baily.
The presence first appears in More Fun Comics #52 as The Voice, the disembodied "Voice of the Presence" who empowers Jim Corrigan as the Spectre. It was created in this story by Jerry Siegel and Bernard Baily.
The religious cosmology of the DC Universe is complex with many pantheons of deities co-existing alongside each other. It involves elements from multiple religions, mythologies, and modern created concepts such as the Endless. It is not always clear how the Abrahamic God fits into this — for example, one particular Wonder Woman storyline by Eric Luke featured the Greek Titans fighting Judeo-Christian angels and Hindu Gods. According to writer Greg Rucka in an interview about his Final Crisis: Revelations miniseries, "The sort of unspoken rule in the DCU is that God sits above all others."
Sergei Krylov is a fictional character in the Marvel Comics Universe.
As a younger man, Sergei was a Russian nuclear physicist born in Minsk, Soviet Union. His twin children, Nikolai Krylenko and Laynia Petrovna were taken from birth by the Soviet government to be trained as soldiers, after their mutant natures manifested.
Sergei eventually became one of the most influential men behind the scenes of the Soviet government. However, despite being a scientific genius, he was also quite mad. He caused a Chernobyl-like nuclear disaster in the "Forbidden Zone" using cobalt radiation baths and a nuclear blast, which transformed Tania Belinsky into his super-powered thrall as the second Red Guardian. The nuclear energy transformed Sergei into a superhuman being as well, and he could now generate nuclear energy within his own body for various uses. Sergi began calling himself "The Presence". The Presence and Red Guardian battled the Defenders when they came to find her. The Presence left when she regained her free will and spurned him. Soon after, the Presence battled a giant mutated amoeba in the "Forbidden Zone", and was then reunited and reconciled with Red Guardian.
In religious terms, divinity or godhead is the state of things that come from a supernatural power or deity, such as a god, supreme being, Creator-God or spirits, and are therefore regarded as sacred and holy. Such things are regarded as "divine" due to their transcendental origins, and/or because their attributes or qualities are superior or supreme relative to things of the Earth. Divine things are regarded as eternal and based in truth, while material things are regarded as ephemeral and based in illusion. Such things that may qualify as "divine" are apparitions, visions, prophecies, miracles, and in some views also the soul, or more general things like resurrection, immortality, grace, and salvation. Otherwise what is or is not divine may be loosely defined, as it is used by different belief systems.
The root of the word "divine" is literally "godly" (from the Latin deus, cf. Dyaus, closely related to Greek zeus, div in Persian and deva in Sanskrit), but the use varies significantly depending on which deity is being discussed. This article outlines the major distinctions in the conventional use of the terms.
Harris Glenn Milstead, better known by his stage name Divine (October 19, 1945 – March 7, 1988), was an American actor, singer and drag queen. Closely associated with the independent filmmaker John Waters, Divine was a character actor, usually performing female roles in cinematic and theatrical appearances, and adopted a female drag persona for his music career.
Born in Baltimore, Maryland to a conservative middle-class family, Milstead developed an early interest in drag while working as a women's hairdresser. By the mid-1960s he had embraced the city's countercultural scene and befriended Waters, who gave him the name "Divine" and the tagline of "the most beautiful woman in the world, almost." Along with his friend David Lochary, Divine joined Waters' acting troupe, the Dreamlanders, and adopted female roles for their experimental short films Roman Candles (1966), Eat Your Makeup (1968), and The Diane Linkletter Story (1969). Again in drag, he took a lead role in both of Waters' early full-length movies, Mondo Trasho (1969) and Multiple Maniacs (1970), the latter of which began to attract press attention for the group. Divine next starred in Waters' Pink Flamingos (1972), which proved a hit on the U.S. midnight movie circuit, became a cult classic, and established Divine's fame within the American counterculture.
A Divine Double Feature is a collection of two video segments, both starring Divine.
This 110 minute video is split into two segments. The first, directed by John Waters, is a 16mm black and white short film titled The Diane Linkletter Story which stars Divine as a troubled young teen who is driven to suicide by her horrible parents. It was loosely based on the true suicide of Diane Linkletter. The Neon Woman, the second short, is a live recording of the off-Broadway play by the same title, with Divine in the starring role as a strip club owner who faces many difficult problems. This video is somewhat rare and is intended more for John Waters and Divine enthusiasts than casual fans.
Enter my Delorean time machine
back to the future we go
to explore the rock scene
all the while
my style's McFly
even when I die
big props to L.I.
South Bronx
Bedstuy
Bacdaf*cup
this ain't Onyx
pave the way for Dr. Dre and his Chronic
the Gravediggaz ebonically demonic
Nasty Nas and his supersonic phonic
K-R-S-One Attack
with the Boom Bap
on the scene in Queens with Kool G Rap
LA back in the day
a Hundred Miles And Runnin
forever gunnin with NWA
Who says rock is dead
are you ready to bang your head
c'mon yeah
who says rock is dead
bang your head
enough said
Imagination is the key to be
I let my mind fly free
the second coming of the white emcee
settin forth a prerequisite
I know you're tryin to get with this
amazin caucasian persuasion
always on some next shit
perpetual rhyme delivery
an enigmatic mystery
you know I'm fit to be
goin down in history
Biggie Smalls and Tupac we mourn
now behold Jay Slim
another legend is born
Headbangin and slangin as I enter the Wu-Tang
Hoo-Bangin with the Westside Connect gang
Respect is Hard To Earn like my paycheck
Protect Ya Neck
from the blast of the Tek & Steele
Bucktown
Duck Down
just tryin to B-Real like Cypress Hill
with my License To Ill
I Kill At Will
word to Rakim
yo it's Time To Build
I flow about what I know
in the process try to grow
no I've never been to the ghetto
and I'll probably never go
the wrath of an intelligent white kid with a mic gripped tight
a lyrical fight ensues
you lose
gave ya brain blacks & blues
knocked ya out
stole ya shoes
hit a spliff and took another sip of the booze
shut yer yapper
I'm the cracker rapper that's makin all the rules
refuse and I'll prepare your moms for the bad news
Some call it a fad
it's a natural evolution of music
a few abuse it
I refuse to lose it
it's part of my heart
it's for the kids
not the music critics to tear it apart
I'm calling it the Peter Pan Theory
you can keep that lo-fi throwback crap 'cause I don't want it near me
and if ya can't hear me/start a band with "t-h-e" and you too can be a flash in the pan … can't forget the Outkast
Goodie Mo-B
the D-O-double-G
so shall I Proceed
to rock the mic like MOP
Run-DMC
a Tribe called Hip-Hop will always run through me