Contra

Contra is a Latin preposition (also used in English as a prefix) meaning "against". It may also refer to:

  • Contra (citation signal), a term used in legal citations
  • Contras, Nicaraguan counter-revolutionaries opposed to the Sandinistas
  • Iran–Contra affair, the Reagan administration selling weapons to Iran to fund the Contras
  • Finance

  • Contra account or contra amount
  • Media

  • Contra (Swedish magazine), an anti-socialist magazine in Sweden
  • Music

  • Contra (album), the second album by Vampire Weekend
  • Contra dance, several folk dance styles in which couples dance in two facing lines of indefinite length
  • Contra-alto and Contrabass clarinets
  • Contrabass bugle, the lowest-pitched instrument in the drum and bugle corps hornline
  • Contrabass saxophone and Subcontrabass saxophones
  • Contrabassoon, or double bassoon, a larger version of the bassoon sounding an octave lower
  • Video games

  • Contra, a Command & Conquer: Generals – Zero Hour modification
  • Contras

    The contras (some references use the capitalized form, "Contras") is a label given to the various U.S.-backed and funded rebel groups that were active from 1979 through to the early 1990s in opposition to the left-wing, socialist Sandinista Junta of National Reconstruction government in Nicaragua. Among the separate contra groups, the Nicaraguan Democratic Force (FDN) emerged as the largest by far. In 1987, virtually all contra organizations were united, at least nominally, into the Nicaraguan Resistance.

    From an early stage, the rebels received financial and military support from the United States government, and their military significance decisively depended on it. After US support was banned by Congress, the Reagan administration covertly continued it. These covert activities culminated in the Iran–Contra affair.

    The term "contra" comes from the Spanish contra, which means against but in this case is short for la contrarrevolución, in English "the counter-revolution". Some rebels disliked being called contras, feeling that it defined their cause only in negative terms, or implied a desire to restore the old order. Rebel fighters usually referred to themselves as comandos ("commandos"); peasant sympathizers also called the rebels los primos ("the cousins"). From the mid-1980s, as the Reagan administration and the rebels sought to portray the movement as the "democratic resistance," members started describing themselves as la resistencia.

    Contra (video game series)

    Contra (Japanese: 魂斗羅 Hepburn: Kontora) is a video game series produced by Konami composed primarily of run and gun-style shoot-'em-ups. The series debuted in 1987 as a coin-operated arcade game simply titled Contra, which was followed by the release of Super Contra in 1988 and several sequels produced for various home platforms.

    The in-universe use of the term "Contra" is first explained within the Japanese instruction card of the arcade version of Contra, and reiterated in most games (including Contra: Shattered Soldier), as "a title awarded to a superior soldier possessing almost super human drive and ability, while excelling in guerrilla tactics".

    In Japanese, the title is spelled with the kanji characters 魂斗羅 or Kontora. This is a form of ateji, in which the characters are used for their phonetic pronunciations rather than any inherent meaning they may have.

    The arcade version of Contra was released on February 1987, a few months after the Iran–Contra affair was made public. While it is unclear whether the game was deliberately named after the Nicaraguan Contra rebels, the ending theme of the original game was titled "Sandinista" (サンディニスタ Sandinisuta), after the adversaries of the real-life Contras.

    Presence

    Presence may refer to:

    Technology

  • Presence (sound recording), also known as room tone
  • Presence (amplification), used in four band equalisation
  • Presence (telepresence), the scientific and technological field
  • Immersion in virtual reality environments
  • Presence information, indicating availability of people on a telecommunications network
  • Presence service, a network service which accepts, stores and distributes presence information
  • Presence: Teleoperators & Virtual Environments, a bimonthly journal dedicated to electromechanical and computer systems
  • Distributed presence, a digital marketing term
  • Web presence, the appearance of a person or organization on the World Wide Web
  • Entertainment

  • Presence (DC Comics), a fictional comic book representation of the Abrahamic God of Judeo-Christian theology
  • Presence (Marvel Comics), or Sergei Krylov, a fictional character in the Marvel Comics universe
  • "Presence", an episode from the second season of NewsRadio, an American sitcom, originally broadcast from 1995 to 1999 on NBC
  • Presence (album)

    Presence is the seventh studio album by the English rock band Led Zeppelin, released by Swan Song Records on 31 March 1976. The album was a commercial success, reaching the top of both the British and American album charts, and achieving a triple-platinum certification in the United States, despite receiving mixed reviews from critics and being the slowest-selling studio album by the band (other than the outtake album Coda).

    It was written and recorded during a tumultuous time in the band's history, as singer Robert Plant was recuperating from serious injuries he had sustained the previous year in a car accident. Nevertheless, guitarist Jimmy Page describes Presence as the band's "most important" album, proving they would continue and succeed despite their turmoil.

    Background

    Jimmy Page made the decision to record the album after Robert Plant sustained serious injuries from a car accident on the Greek island of Rhodes on 5 August 1975, which forced the band to cancel a proposed world tour that was due to commence on 23 August. At this point, Led Zeppelin were arguably at the height of their popularity. When he was taken to a Greek hospital after the accident, Plant recalled:

    Presence (play)

    Presence is the third full-length play by Scottish playwright David Harrower. It portrays a fictionalised account of the Beatles' first residency in Hamburg.

    Plot

    Pete Best, George Harrison and Paul McCartney share a room as they play the Indra Club (John Lennon and Stuart Sutcliffe are off-stage characters). Pete, newly joined to the group, is shown as an outside, the diffident George, the youngest of the group, contrasts to the domineering Paul. The play ends as George is arrested for being out after the curfew imposed on minors in Hamburg (in real life he had lied to the German authorities about his age in order to be allowed to stay in Hamburg). The group play to dwindling audiences until Paul, angry at the band's lack of success and at being told that club owner Bruno Koschmider was in the Panzer division, begins sending up Nazism – wearing jackboots and crying “Sieg Heil” – which attracts a young audience to the club. That the Beatles are reported actually to have done this, coupled with Harrower's desire to write about the dynamics of a band were the origins of the play. The play alludes to events that followed this – Pete and Paul raised a small fire in their room – by having an older German woman, whose knowledge of the Nazi past counterpoints the young men's ignorance, set fire to a jacket hanging on the wall.

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