Prema (English: Love) is a 1988 Telugu Musical Romance film produced by D. Ramanaidu on Rajeswari Films banner, directed by Suresh Krishna. Starring Venkatesh, Revathi played the lead roles, with original soundtrack by Ilaiyaraaja. The film was a musical blockbuster of the time, but recorded as Average at the box-office. It was dubbed in Tamil as Anbu Chinnam. Suresh remade the film in Hindi as Love with Salman Khan and Revathi.
Pruthvi (Venkatesh) was an orphan and tries hard to become a great singer. One day he comes across with a beautiful, naughty young girl Maggi (Revathi Menon) and they both fall in love. But when he approached Maggi's parents to ask her hand in marriage, his criminal background comes in between and they disagree. In past Pruthvi has killed his father as his father was the reason for his mother's suicide.
He tries hard to get Maggi's parents consent and at last they agree. But on altar Maggi loses her consciousness while kissing Pruthvi. In hospital, doctors tell him that she has taken too many medicines for small problems and now they have poisoned her vital organs. Meanwhile he gets a chance to participate in a singing competition. Maggi, after regaining her consciousness, knows about that and sends him to sing. Pruthvi sings and wins the competition and comes back to Maggi with trophy. By that time Maggi's condition becomes critical and she dies in the hands of Pruthvi saying that she will always be alive in his heart.
The year 1989 involved many significant films.
The top ten films released in 1989 by worldwide gross are as follows:
Prema (Kannada: ಪ್ರೇಮ) is a 2002 Indian Kannada film written and directed by Suresh Raj. It stars Prema as the titular protagonist, and Shivadhwaj in the lead roles. The supporting cast features Lakshmi, Vijay, and Dharma.
The soundtrack and film score were composed by K. Kalyan, who also wrote lyrics for the tracks. The soundtrack album consists of six tracks.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.