Danny Elfman | |
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![]() Danny Elfman at ComicCon 2010 promoting The Danny Elfman & Tim Burton 25th Anniversary Music Box. |
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Background information | |
Birth name | Daniel Robert Elfman |
Born | Los Angeles, California, U.S. |
May 29, 1953
Genres | New Wave, alternative rock, film music |
Occupations | Composer, singer, record producer, actor, voice actor |
Years active | 1972–present |
Associated acts | Oingo Boingo, The Mystic Knights of the Oingo Boingo |
Daniel Robert "Danny" Elfman (born May 29, 1953) is an American composer, best known for scoring music for television and film and creating The Simpsons main title theme as well as the 1989 Batman movie theme. He was the lead singer and songwriter for the rock band Oingo Boingo, from 1976 to 1995. He has scored the majority of the films for his long-time friend Tim Burton.
Born in Los Angeles, he entered the film industry in 1976, initially as an actor. He made his film scoring début in in 1980 for the film Forbidden Zone directed by his older brother Richard Elfman. He has since been nominated for four Academy Awards and won a Grammy Award for Tim Burton's Batman and an Emmy Award[1] for his Desperate Housewives theme. Elfman was honored with the prestigious Richard Kirk award at the 2002 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.[2]
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Elfman was born in Los Angeles, California, the son of Blossom Elfman (née Bernstein), a writer and teacher, and Milton Elfman, a teacher who was in the Air Force.[3] Elfman grew up in a racially mixed community in the Baldwin Hills area of Los Angeles.[4] He spent much of his time in the local movie theatre, adoring the music of such film composers as Bernard Herrmann and Franz Waxman.
Stating that he hung out with the "band nerds" in high school, he started a ska band. After dropping out of high school, he followed his brother Richard to France,[5] where he performed with Le Grand Magic Circus, an avant-garde musical theater group. Violin in tow, Elfman next journeyed to Africa where he traveled through Ghana, Mali, and Upper Volta, absorbing new musical styles, including the Ghanaian highlife genre which would eventually influence his own music.[citation needed] Elfman contracted malaria during his one-year stay and was often sick. Eventually he returned home to the United States, where he began to take Balinese music lessons at the CalArts. During this time, he was romantically involved with Kim Gordon, who would later go on to form Sonic Youth. He was never officially a student at the institute, nonetheless, the instructor encouraged him to continue learning. Elfman stated, "He just laughed, and said, 'Sit. Play.' I continued to sit and play for a couple years."[6] At this time, his brother was forming a new musical theater group, The Mystic Knights of the Oingo Boingo.
In 1972 Richard Elfman founded the American New Wave band/performance art group, originally called The Mystic Knights of the Oingo Boingo. The group performed the music for Richard's debut feature film, Forbidden Zone. Danny Elfman composed his first score for the film and played the role of Satan. By the time the movie was completed, they had taken the name Oingo Boingo and begun recording and touring as a rock group. From 1976 and on it was led by Danny Elfman, until 1995 when they suddenly retired. The semi-theatrical music and comedy troupe transformed into a ska-influenced new wave band in 1979, and then changed again towards a more guitar-oriented rock sound, in the late 1980s.
In 1985, Tim Burton and Paul Reubens invited Elfman to write the score for their first feature film, Pee-wee's Big Adventure. Elfman was apprehensive at first because of his lack of formal training, but with orchestration assistance from Oingo Boingo guitarist and arranger Steve Bartek, he achieved his goal of emulating the mood of such composers as Nino Rota and Bernard Herrmann.[7] In the booklet for the first volume of Music for a Darkened Theatre, Elfman described the first time he heard his music played by a full orchestra as one of the most thrilling experiences of his life.[citation needed] Elfman immediately developed a rapport with Burton[7] and has gone on to score all but two of Burton's major studio releases: Ed Wood which was under production while Elfman and Burton were having a fight,[8] and Sweeney Todd.
Burton has said of his relationship with Elfman: "We don't even have to talk about the music. We don't even have to intellectualize – which is good for both of us, we're both similar that way. We're very lucky to connect" (Breskin, 1997).
Elfman cited his first time noticing film music being when he heard Bernard Hermann's score to The Day the Earth Stood Still as an eleven-year-old and being a fan of film music since then. Nino Rota also served as a significant influence and was the main inspiration for Elfman's score to Pee-Wee's Big Adventure.[9] Other notable influences based in film music include Erich Wolfgang Korngold, Max Steiner, David Tamkin and Franz Waxman.[9][10] Elfman's classical influences include Béla Bartók, Philip Glass, Lou Harrison, Carl Orff, Harry Partch, Sergei Prokofiev, Maurice Ravel, Erik Satie, Igor Stravinsky and Pyotr Ilyich Tchaikovsky.[10]
When asked during a 2007 phone-in interview on XETRA-FM if he ever had any notions of performing in an Oingo Boingo reunion, Elfman immediately rejected the idea and stated that in the last few years with the band he had begun to develop significant and irreversible hearing damage as a result of his continuous exposure to the high noise levels involved in performing in a rock band. He went on to say that he believes his hearing damage is partially due to a genetic predisposition to hearing loss, and that he will never return to the stage for fear of worsening not only his condition but also that of his band mates.
Elfman has recently composed the music for the Cirque Du Soleil Show, IRIS, which is being performed at the Hollywood and Highland Center in Hollywood. The production began its year-long run on July 21, 2011, but it is predicted that it may run for the coming decade. This is Elfman's most notable non-film work (although IRIS is based upon the history of the film industry) since he composed Serenada Schizophrana for the American Composers Orchestra. It was conducted by John Mauceri on its recording and by Steven Sloane at its premiere at Carnegie Hall in New York City on February 23, 2005. After its premiere, it was recorded in studio and released onto SACD on October 3, 2006. The meeting with Mauceri proved fruitful as the composer was encouraged then to write a new concert piece for Mauceri and the Hollywood Bowl Orchestra. Elfman composed an "overture to a nonexistent musical" and called the piece "The Overeager Overture." He also continues to compose his film scores in addition to these other projects.
In November 2010, it was reported that Danny Elfman is writing the music for a planned musical based on the life of Houdini.[11]
Elfman has three children: Lola, born in 1979; Mali, born in 1984; and Oliver, born in 2005. On November 29, 2003, Elfman married film actress Bridget Fonda. In 1997 he scored A Simple Plan – his only score for one of her films to date (although he did compose a cue for the film Army of Darkness, in which Fonda has a cameo). He is the uncle of actor Bodhi Elfman who is married to actress Jenna Elfman, known most notably in her role as Dharma in the TV series Dharma and Greg.
Appearances by Elfman as an actor, or as a member of Oingo Boingo:
Year | Film | Role/Directed by | Notes |
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1977 | I Never Promised You a Rose Garden | Yri drummer | Also featured Richard Elfman |
Hot Tomorrows | Singer | Directed by Martin Brest | |
1980 | Forbidden Zone | Satan | Directed by Richard Elfman |
1981 | Urgh! A Music War | Himself | Part of Oingo Boingo |
1984 | Good Morning, Mr. Orwell | Himself | Part of Oingo Boingo |
1985 | Pee-wee's Big Adventure | Tim Burton | |
1986 | Back to School | Himself | Part of Oingo Boingo |
1987 | Summer School | Carl Reiner | Soundtrack (includes one Elfman song; no score) |
Wisdom | Emilio Estevez, Robert Wise | Soundtrack released by Varèse Sarabande | |
1988 | Beetlejuice | Tim Burton | Soundtrack |
Midnight Run | Martin Brest | Soundtrack released by MCA | |
Big Top Pee-wee | Randal Kleiser | Soundtrack (including dialogue) released by Arista, reissued by PEG | |
Hot to Trot | Michael Dinner | Suite included on Music for a Darkened Theatre, Vol. 1 | |
Scrooged | Richard Donner | Suite included on Music for a Darkened Theatre, Vol. 1; complete score released by La-La Land Records | |
1989 | Batman | Tim Burton | Soundtrack (re-released with complete score from La-La Land Records); Nominated for 32nd Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media |
Nightbreed | Clive Barker | Soundtrack released by MCA | |
1990 | Dick Tracy | Warren Beatty | Soundtrack; Nominated for 33rd Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television |
Darkman | Sam Raimi | Soundtrack | |
Edward Scissorhands | Tim Burton | Soundtrack; Nominated for 34th Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television | |
1992 | Article 99 | Howard Deutch | Soundtrack released by Varèse Sarabande |
Batman Returns | Tim Burton | Soundtrack released by Warner Bros. Records; re-released with complete score from La-La Land Records | |
1993 | Sommersby | Jon Amiel | Soundtrack released by Elektra |
Army of Darkness | Sam Raimi | "March of the Dead" theme by Danny Elfman, rest of the score by Joseph LoDuca | |
The Nightmare Before Christmas | Henry Selick | Soundtrack; Written, composed and produced by Tim Burton; released by Walt Disney Records | |
1994 | Black Beauty | Caroline Thompson | Soundtrack |
1995 | Dolores Claiborne | Taylor Hackford | Soundtrack released by Varèse Sarabande |
Dead Presidents | Albert Hughes, Allen Hughes | Soundtrack (one Elfman track; suite also included on Music for a Darkened Theatre Vol. 2) | |
To Die For | Gus Van Sant | Soundtrack released by Varèse Sarabande (score + songs) | |
1996 | Mission: Impossible | Brian De Palma | Soundtrack (songs + three brief Elfman suites); Score album |
The Frighteners | Peter Jackson | Soundtrack | |
Freeway | Matthew Bright | Suite included on Music for a Darkened Theatre Vol. 2 | |
Extreme Measures | Michael Apted | Soundtrack released by Varèse Sarabande | |
Mars Attacks! | Tim Burton | Soundtrack released by Atlantic; expanded edition released by La-La Land Records | |
1997 | Men in Black | Barry Sonnenfeld | Soundtrack (two Elfman cues); Score album; Nominated for 70th Academy Award for Best Original Musical or Comedy Score & for 40th Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television |
Flubber | Les Mayfield | Soundtrack released by Walt Disney Records | |
Good Will Hunting | Gus Van Sant | Soundtrack (two Elfman cues); Nominated for 70th Academy Award for Best Original Dramatic Score | |
1998 | A Simple Plan | Sam Raimi | Soundtrack released by Compass III |
A Civil Action | Steven Zaillian | Soundtrack | |
1999 | Instinct | Jon Turteltaub | Soundtrack |
Anywhere But Here | Wayne Wang | Soundtrack released by Atlantic (includes one score suite) | |
Sleepy Hollow | Tim Burton | Soundtrack released by Hollywood Records | |
2000 | Proof of Life | Taylor Hackford | Soundtrack released by Varèse Sarabande |
The Family Man | Brett Ratner | Soundtrack released by Sire Records (two Elfman cues) | |
2001 | Planet of the Apes | Tim Burton | Soundtrack released by SME |
2002 | Spider-Man | Sam Raimi | Score album; Song album; Nominated for 45th Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media |
Men in Black II | Barry Sonnenfeld | Soundtrack released by Columbia Records | |
Red Dragon | Brett Ratner | Soundtrack released by Decca Records | |
Chicago | Rob Marshall | Soundtrack (two Elfman tracks) | |
2003 | Hulk | Ang Lee | Soundtrack released by Columbia Records |
Big Fish | Tim Burton | Soundtrack; Nominated for 76th Academy Award for Best Original Score, for 61st Golden Globe Award for Best Original Score & for 47th Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media | |
2004 | Spider-Man 2 | Sam Raimi | Soundtrack; Score album |
2005 | Charlie and the Chocolate Factory | Tim Burton | Soundtrack; Nominated for 48th Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media (Wonka's Welcome Song) |
Corpse Bride | Tim Burton | Soundtrack | |
2006 | Deep Sea 3D | Howard Hall | Serenada Schizophrana |
Nacho Libre | Jared Hess | Soundtrack (score suite) | |
Charlotte's Web | Gary Winick | Soundtrack | |
2007 | Meet the Robinsons | Stephen Anderson | Soundtrack |
The Kingdom | Peter Berg | Soundtrack released by Varèse Sarabande | |
2008 | Standard Operating Procedure | Errol Morris | Soundtrack |
Wanted | Timur Bekmambetov | Soundtrack | |
Hellboy II: The Golden Army | Guillermo del Toro | Soundtrack released by Varèse Sarabande | |
Milk | Gus Van Sant | Soundtrack released by Decca Records; Nominated for 81st Academy Award for Best Original Score & for 52nd Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media | |
2009 | Notorious | George Tillman, Jr. | Soundtrack (one Elfman track) |
Terminator Salvation | McG | Soundtrack released by Warner Bros. Records | |
Taking Woodstock | Ang Lee | Song soundtrack on Rhino Records with four Elfman cues; score album on La-La Land Records | |
9 | Shane Acker | Soundtrack with Deborah Lurie and produced by Tim Burton released by Focus Features ; Nominated for Washington D.C. Area Film Critics Association for Best Animated Film & for Producers Guild of America Awards for Producer of the Year in Animated Motion Picture | |
2010 | The Wolfman | Joe Johnston | Soundtrack released by Varèse Sarabande |
Alice in Wonderland | Tim Burton | Soundtrack released by Walt Disney Records; Nominated for 68th Golden Globe Award for Best Original Score & for 53rd Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media | |
The Next Three Days | Paul Haggis | Soundtrack released by Lionsgate | |
2011 | Restless | Gus Van Sant | |
Real Steel | Shawn Levy | Song album on Interscope with one Elfman cut; score album released by Varèse Sarabande | |
2012 | Dark Shadows | Tim Burton | Soundtrack |
Men in Black 3 | Barry Sonnenfeld | Soundtrack | |
Frankenweenie | Tim Burton | Soundtrack | |
2013 | Oz, The Great and Powerful | Sam Raimi | Soundtrack |
Leafmen | Chris Wedge | Soundtrack |
In addition, he has supplied thematic material - except where noted - for movies scored by others (names in brackets):
Elfman also composed the music for the Hollywood Pictures logo (an excerpt from his main title for Sommersby was subsequently used as the logo music for Regency, the company that made it).
He has also written the theme music and occasional episodic scores for several television series, including:
His other work includes:
BMI Film & Television Awards | 24 | 24 |
British Academy Film Awards | 0 | 1 |
Emmy Awards | 1 | 2 |
Golden Globe Awards | 0 | 3 |
Grammy Awards | 1 | 13 |
Phoenix Film Critics Society Awards | 0 | 1 |
Satellite Awards | 1 | 6 |
Saturn Awards | 5 | 12 |
Sierra Awards | 1 | 2 |
World Soundtrack Awards | 0 | 4 |
Total | 33 | 79 |
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Elfman's scores for Batman and Edward Scissorhands were nominated for AFI's 100 Years of Film Scores:
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Danny Swain, better known by his mononymous stage name Danny! (/ˈdæniˈ/ dan-EE), is an American recording artist and record producer.
Danny! is a former student of the Savannah College of Art & Design; he often wears a wool necktie and an Australian rounded crown boss-of-the-plains hat, and has gained notoriety for prank-calling celebrities. Danny! rose to prominence shortly following the proclamation by The Roots drummer Questlove that there was strong interest from JAY Z; he was subsequently signed as the flagship artist to Questlove's re-launched Okayplayer Records after years of being loosely affiliated with the company. In support of the new venture Danny! made his television debut on Late Night With Jimmy Fallon, premiering his song "Evil" alongside The Roots.
Danny! would field praise for his concept records Charm and And I Love H.E.R., the latter named by ABC News as one of the best 50 albums released that year, before releasing the "anti-album" Where Is Danny?. After signing to Okayplayer Records in late 2012 Danny! completed his trilogy of conceptual albums with Payback, cited by Allmusic as one of the best hip-hop releases of the year. Ebony Magazine has listed Danny! among other rising artists in their "Leaders of the New School" piece, calling Danny! one of a handful of "innovators";GQ would later reiterate the same regarding Danny!'s music production. Currently Danny! is a songwriter/composer for Extreme Music, the production library music subsidiary of Sony/ATV Music Publishing.
Danny may refer to:
Danny is an American television sitcom that aired on CBS. The series was created, executive produced and starred Daniel Stern.
It was one of the last comedies to aired to air on CBS's Friday night lineup airing along with The Ellen Show which premiered at the same time. The series premiered on September 28, 2001 and was canceled on October 5, 2001 after only two episodes aired, making it the first series to be canceled in the 2001 Fall TV season.
Danny is recently separated father struggling to raise his two teenage kids. Despite just turning 40, He still wants to pursue his lifelong dreams all while running the town's local community center.
[JACK]
There were object so peculiar
They were not to be believed
All around, things to tantalize my brain
It's a world unlike anything I've ever seen
And as hard as I try
I can't seem to describe
Like a most improbable dream
But you must believe when I tell you this
It's as real as my skull and it does exist
Here, let me show you
This is a thing called a present
The whole thing starts with a box
[DEVIL]
A box?
Is it steel?
[WEREWOLF]
Are there locks?
[HARLEQUIN DEMON]
Is it filled with a pox?
[DEVIL, WEREWOLF, HARLEQUIN DEMON]
A pox
How delightful, a pox
[JACK]
If you pleae
Just a box with bright-colored paper
And the whole thing's topped with a bow
[WITCHES]
A bow?
But why?
How ugly
What's in it?
What's in it?
[JACK]
That's the point of the thing, not to know
[CLOWN]
It's a bat
[CREATURE UNDER THE STAIRS]
Will it bend?
[CLOWN]
It's a rat
[CREATURE UNDER THE STAIRS]
Will it break?
[UNDERSEA GAL]
Perhaps it's the head that I found in the lake
[JACK]
Listen now, you don't understand
That's not the point of Christmas land
Now, pay attention
Now we pick up an over-sized sock
And hang it like this on the wall
[MR. HYDE]
Oh, yes! Does it still have a foot?
[MEDIUM MR. HYDE]
Let me see, let me look
[SMALL MR. HYDE]
Is it rotted and covered with gook?
[JACK]
Hmm, let me explain
There's no foot inside, but there's candy
Or sometimes it's filled with small toys
[MUMMY AND WINGED DEMON]
Small toys
[WINGED DEMON]
Do they bite?
[MUMMY]
Do they snap?
[WINGED DEMON]
Or explode in a sack?
[CORPSE KID]
Or perhaps they just spring out
And scare girls and boys
[MAYOR]
What a splendid idea
This Christmas sounds fun
Why, I fully endorse it
Let's try it at once
[JACK]
Everyone, please now, not so fast
There's sometihng here that you don't quite grasp
Well, I may as well give them what they want
And the best, I must confess, I have saved for the last
For the ruler of this Christmas land
Is a fearsome King with a deep mighty voice
Least that's what I've come to understand
And I've also heard it told
That's he's something to behold
Like a lobster, huge and red
And sets out to slay with his rain gear on
Carting bulging sacks with his big great arms
That is, so I've heard it said
And on a darkm cold night
Under full moonlight
He flies into a fog
Like a vulture in the sky
And they call him Sandy Claws
Well, at least they're excited
Though they don't understand
That special lind of feeling in Christmas land