Gaetano Pugnani (27 November 1731 – 15 July 1798, full name: Giulio Gaetano Gerolamo Pugnani) was an Italian composer and violinist.
Gaetano Pugnani was born in 1731 in Turin, the city where he spent most of his life, son of Giovanni Battista Pugnani, secretary in the office of the Director of the Settlement of Turin. The Pugnani originate from the comune of Cumiana, where they held a common farm and where the musician returned often. He trained on the violin under Giovanni Battista Somis, founder of the Piedmontese school of violin playing. In 1752, Pugnani became the first violinist of the Royal Chapel of Turin. Then he went on a large tour that granted him great fame for his extraordinary skill on the violin. In 1754, he was very well received at the Concert Spirituel in Paris, but in 1768 he had an even more successful musical encounter in London, directing the King's Theatre from 1767 to 1769. During these years Pugnani worked closely with Johann Christian Bach and Carl Friedrich Abel.
Riccardo Eugenio Drigo (ru. Риккардо Эудженьо Дриго), (30 June 1846 – 1 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist.
Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of St. Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in St. Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage.
Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores, such as his 1895 edition of Tchaikovsky's score for Swan Lake. Many pieces set to the music of Drigo are still performed today, and are considered cornerstones of the classical ballet repertory.
You don't have to justify
Anything you say or do
And you don't have to testify to
Anything I hold as true
And you don't have to mystify me
Oh but, darlin' you do
And if, you won't be here anymore
Then I won't be around at all
You don't have to be like anyone I've ever known before
You just have to come in here and
Darlin' please, shut the door
I said, I can't stand it anymore
Justine come in and shut the door
You don't have to realize
Anything I'm trying to do
And I don't wanna criticize
Anything you hold as true
And I don't have to idolize you
Oh but, darlin' I do
And if, you won't be here anymore
Then I won't be alive at all
So you don't have to justify
Anything you say or do
And you don't have to mystify me
Oh but, darlin' you do
Justine ya do