Foley may refer to:
United States
Canada
Northern Ireland
Joseph McCreary, Jr., known professionally as Foley, is an American composer, musician, and photographer who is best known as the "lead bassist" with trumpeter Miles Davis from 1987 until 1991. With his custom-made Blue Marble bass, tuned nearly an octave higher than a standard bass guitar and processed through various effects, Foley was able to create the illusion of a lead guitarist.
Foley spent his early years playing in Columbus, Ohio, where he was born and raised, composing and recording his own music.
Foley is featured on the Miles Davis albums Amandla, Dingo, Live Around the World, The Complete Miles Davis at Montreux, and countless live bootleg recordings. He also plays a lead bass solo on Mint Condition's R&B Top 40 hit "So Fine" and the interlude track "Gumbo" from their CD From the Mint Factory.
In 1993, during his time at Motown, Foley released 7 Years Ago....Directions In Smart-Alec Music. The album featured the AIDS-related song "If It's Positive," which is widely regarded as the first in a long line of AIDS awareness songs during the early 1990s. Foley performed this song live on BET's award-winning show Teen Summit, in which then-host Belma Johnson had taken an AIDS/HIV test and revealed the results live on the air. That episode, featuring "If It's Positive" and Foley's AIDS awareness concerns, helped BET to win their first NAACP Image Award. The video features guest appearances from Speech and Aerle Taree of Arrested Development. The video had heavy rotation on BET as well. Foley later joined Arrested Development and can be seen in the group's "Ease My Mind" video and their Arsenio Hall appearance in which he served as music arranger. He toured with Arrested Development from 1993 to 1994, alternately playing bass with Arrested Development and drums with Fishbone, during Lollapalooza '93.
Foley is the reproduction of everyday sound effects that are added to film, video, and other media in post-production to enhance audio quality. These reproduced sounds can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. The best Foley art is so well integrated into a film that it goes unnoticed by the audience. It helps to create a sense of reality within a scene. Without these crucial background noises, movies feel unnaturally quiet and uncomfortable.
Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.
The term "Foley" is also used to describe a place, such as Foley-stage or Foley-studio, where the Foley process takes place.
A preface (/ˈprɛfᵻs/) or proem (/ˈproʊɛm/) is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a foreword and precedes an author's preface. The preface often closes with acknowledgments of those who assisted in the literary work.
A preface generally covers the story of how the book came into being, or how the idea for the book was developed; this is often followed by thanks and acknowledgments to people who were helpful to the author during the time of writing.
A preface is usually signed (and the date and place of writing often follow the typeset signature); a foreword by another person is always signed. Information essential to the main text is generally placed in a set of explanatory notes, or perhaps in an "Introduction" that may be paginated with Arabic numerals, rather than in the preface. The term preface can also mean any preliminary or introductory statement. It is sometimes abbreviated pref.
Evenings on a Farm Near Dikanka (Russian: Вечера́ на ху́торе близ Дика́ньки) is a collection of short stories by Nikolai Gogol, written from 1831–1832. They appeared in various magazines and were published in book form when Gogol, who had spent his life in today's Ukraine up to the age of nineteen, was twenty-two. He put his early impressions and memories of childhood into these pictures of peasant life. In a series of letters to his mother, he asked her to write down descriptions of village customs, dress, superstitions, and old stories. These were also used as primary sources.
Evenings on a Farm Near Dikanka is separated into two volumes of four stories each:
Часть первая [Chast' pervaya], Part One
'Preface may refer to:
Everytime I see you with that guy, it blows my mind,
How someone like that could get a girl so fly,
I could see it if he'd only treat you right,
But he don't, so let's not trip on him tonight.
I don't really need the time to think about it,
All I know is that you're here for me and that's it,
In a minute you're gonna be, right here instead of there with him.
I can see that your body's reading my mind,
Every move that you make is dropping on time,
Baby come on and dance with me - and let the music play.
Turn the volume up,
Listen babygirl I like your stuff,
Come up close to me, I see,
How we gonna get some privacy?
Get on up,
Listen babygirl you are the one,
Think it's time for us to leave,
Can we get some privacy?
I don't know why,
And what it is you're tryin' to deny,
Cuz when I look at you, I see it in your eyes.
The way we fit together you and me,
And you would know,
If we could get some privacy.
I don't really need the time to think about it,
All I know is that you're here for me and that's it,
In a minute you're gonna be, right here instead of there with him.
I can see that your body's reading my mind,
Every move that you make is dropping on time,
Baby come on and dance with me - and let the music play.
Turn the volume up,
Listen babygirl I like your stuff,
Come up close to me, I see,
How we gonna get some privacy?
Get on up,
Listen babygirl you are the one,
Think it's time for us to leave,
Can we get some privacy?
I wouldn't go with him if I were you,
Cause anything you need I got it,
I'm not just anybody.
I'm gonna make your wildest dreams come true,
And I don't wanna play with your emotions,
Your love is my devotion now.
Now. Right now, right now.
Turn the volume up,
Listen babygirl I like your stuff,
Come up close to me, I see,
How we gonna get some privacy?
Get on up,
Listen babygirl you are the one,
Think it's time for us to leave,
Can we get some privacy?
Turn the volume up,
Listen babygirl I like your stuff,
Come up close to me, I see,
How we gonna get some privacy?
Get on up,
Listen babygirl you are the one,
Think it's time for us to leave,