The Era is a river in Tuscany in Italy. It rises near Volterra and flows into the Arno river at Pontedera.
The Era is 54 km long, and its main tributaries are: (to the left) Cascina river, Ragone torrent, Sterza torrent, and (to the right) Capriggine torrent and Roglio torrent.
In 1966 the river flooded the town of Pontedera.
A geologic era is a subdivision of geologic time that divides an eon into smaller units of time. The Phanerozoic Eon is divided into three such time frames: the Paleozoic, Mesozoic, and Cenozoic represent the major stages in the macroscopic fossil record. These eras are separated by catastrophic extinction boundaries, the P-T boundary between the Paleozoic and the Mesozoic and the K-T boundary between the Mesozoic and the Cenozoic. There is evidence that catastrophic meteorite impacts played a role in demarcating the differences between the eras.
The Hadean, Archean and Proterozoic eons were as a whole formerly called the Precambrian. This covered the four billion years of Earth history prior to the appearance of hard-shelled animals. More recently, however, those eons have been subdivided into eras of their own.
Adjusted ERA+, often simply abbreviated to ERA+ or ERA plus, is a pitching statistic in baseball. It adjusts a pitcher's earned run average (ERA) according to the pitcher's ballpark (in case the ballpark favors batters or pitchers) and the ERA of the pitcher's league. Average ERA+ is set to be 100; a score above 100 indicates that the pitcher performed better than average, below 100 indicates worse than average.
For instance, if the average ERA in the league is 4.00, and the pitcher is pitching in a ballpark that favors hitters, and his ERA is 4.00, then his ERA+ will be over 100. Likewise, if the pitcher is pitching in a ballpark favoring pitchers, then the pitcher's ERA+ will be below 100.
As a result, ERA+ can be used to compare pitchers across different run environments. In the above example, the first pitcher may have performed better than the second pitcher, even though his ERA is higher. ERA+ can be used to account for this misleading impression.
Pedro Martínez holds the modern record for highest ERA+ in a single season; he posted a 1.74 ERA in the 2000 American League, which had an average ERA of 4.92, which gave Martínez an ERA+ of 291. While Bob Gibson has the lowest ERA in modern times (1.12 in the National League in 1968), the average ERA was 2.99 that year (the so-called Year of the Pitcher) and so Gibson's ERA+ is 258, sixth highest since 1900. 1968 was the last year that Major League Baseball employed the use of a pitcher's mound greater than 10 inches.
Prayer is an important activity in Christianity, and there are several different forms of Christian prayer.
Christian prayers are diverse: they can be completely spontaneous, or read entirely from a text, like the Anglican Book of Common Prayer. The most common prayer among Christians is the "Lord's Prayer", which according to the gospel accounts (e.g. Matthew 6:9-13) is how Jesus taught his disciples to pray. "The Lord's Prayer" is a model for prayers of adoration, confession and petition in Christianity.
A broad, three stage characterization of prayer begins with vocal prayer, then moves on to a more structured form in terms of meditation, then reaches the multiple layers of contemplation, or intercession.
There are two basic settings for Christian prayer: corporate (or public) and private. Corporate prayer includes prayer shared within the worship setting or other public places. These prayers can be formal written prayers or informal extemporaneous prayers. Private prayer occurs with the individual praying either silently or aloud within a private setting. Prayer exists within multiple different worship contexts and may be structured differently. These types of contexts may include:
Prayer is the active effort to communicate with a deity or higher being.
Prayer or Prayers may also refer to:
In music:
Other uses:
Coppélia is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll). In Greek, κοπελιά means girl, young lady. Coppélia premiered on 25 May 1870 at the Théâtre Impérial l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilde. Its first flush of success was interrupted by the Franco-Prussian War and the Siege of Paris (which also led to the early death of Giuseppina Bozzacchi, on her 17th birthday), but eventually it became the most-performed ballet at the Opéra.
Modern-day productions are traditionally derived from the revivals staged by Marius Petipa for the Imperial Ballet of St. Petersburg in the late 19th century. Petipa's choreography was documented in the Stepanov method of choreographic notation at the turn of the 20th century. These notations were later used to stage the St. Petersburg version for such companies as the Vic-Wells Ballet (precursor of today's Royal Ballet).
I'm a king among men down at the 'Just Say When'
My loyal subjects raise a glass and send a pint my way
But when I leave my throne to the castle I go home
I stroll across the drawbridge and this is what I say
You are the queen and you're the only queen
That there has ever been
You rule my very soul, I'm worthless on my own
Your majesty will always be supreme
And I don't deserve the pleasure and the privilege to serve
Yeah, they might call me king but that don't mean a thing
'Cause you are the queen
In ol' Egypt, the pharaoh had to walk the straight and narrow
Back when Cleopatra had her day
'Cause he wouldn't get no kissin' until he'd sit and listen
To every word ol' Cleo had to say
Said, mighty Samson to Delia and Arthur, Guenevere
I'll tell you everything you wanna hear
But like any other king just don't mean a thing
'Til I can see the kingdom as I whisper in your ear
Oh, baby
You are the queen, you're reigning down all over everything
Your highness's devine, you use it all the time
Your humble servant I'll always be
So please judge me fair
And from your darkened dungeon I'll be spared
I've laid my armor down, I thrown away my crown