Noise (のいず, Noizu) was a Fuji TV late night anime programming block, broadcast each Wednesday night from 26:08 to 26:38. It is Fuji TV's second late night anime-themed time block, after noitaminA, which airs every Thursday night. It first began on October 15, 2008, with Michiko to Hatchin. After broadcasting three anime series, the block was cancelled on favor of extending noitaminA which started airing two productions at once instead of only one.
In radio reception, noise is the superposition of white noise and other disturbing influences on the signal, caused either by thermal noise and other electronic noise from receiver input circuits or by interference from radiated electromagnetic noise picked up by the receiver's antenna. If no noise were picked up with radio signals, even weak transmissions could be received at virtually any distance by making a radio receiver that was sensitive enough. In practice, this doesn't work, and a point is reached where the only way to extend the range of a transmission is to increase the transmitter power.
Thermal noise can be made lower by cooling the circuits, but this is only usually worthwhile on radio telescopes. In other applications the limiting noise source depends on the frequency range in use. At low frequencies (longwave or mediumwave) and at high frequencies (shortwave), interference caused by lightning or by nearby electrical impulses in electrical switches, motors, vehicle ignition circuits, computers, and other man-made sources tends to swamp transmissions with thermal noise. These noises are often referred to as static. Atmospheric noise is radio noise caused by natural atmospheric processes, primarily lightning discharges in thunderstorms. At very high frequency and ultra high frequency these sources can still be important, but at a much lower level, such that thermal noise is usually the limiting factor. Cosmic background noise is experienced at frequencies above about 15 MHz when highly directional antennas are pointed toward the sun or to certain other regions of the sky such as the center of the Milky Way Galaxy.
Mika Horiuchi (born April 22, 1986) is a Japanese-American musician. Mika is known as bassist for the bands Cellador, Falling in Reverse, and Rob the Cartel. Since April he has been working on his solo project called "Starstruck for Stereo". He is the current bassist in the band NOISE.
Mika Horiuchi was born on April 22, 1986 in Seattle, Washington.
At 9 years old, Mika learned to play guitar. He started playing the guitar and the trumpet and took part in classical music and jazz bands. As a teenager, Mika learned to play bass, forming his first band in 2001, at age 16.
Mika joined the band Cellador in early 2007. His first show with the group was in his hometown, Nebraska, alongside the band Unearth. In April, the band was called to join the tour of the band All That Remains headlining tour, after that Mika became the permanent bass guitarist. Mika left the band in mid-2009, for no apparent reason and was replaced by James Pickett in 2011
Cut is the seventh studio album by Australian rock band, Hunters & Collectors. It was mostly produced by American Don Gehman with the group and issued by White Label/Mushroom on 5 October 1992. It reached No. 6 on the ARIA Albums Chart and No. 17 on the New Zealand Albums Chart. The band were nominated for Best Group at the 1992 ARIA Music Awards and Album of the Year for Cut in the following year.
"Where Do You Go" was co-produced with Nick Sansano and released as a single in September 1991, prior to commencing the rest of the album with Gehman, but it was included on Cut. Subsequent singles were "Head Above Water" (July 1992), "We the People" (September), "True Tears of Joy" (November), "Holy Grail" (March 1993) and "Imaginary Girl" (August), all appeared on the ARIA Singles Chart Top 100.
Hunters & Collectors' seventh studio album, Cut, was recorded from late 1991 and into 1992. The line-up of the group was John Archer on bass guitar; Doug Falconer on drums, backing vocals, programming, percussion and tape loops; Jack Howard on trumpet, keyboards and backing vocals; Robert Miles on live sound and art design; Barry Palmer on lead guitar; Mark Seymour on lead vocals and guitar,; Jeremy Smith on French horn, keyboards, guitars and backing vocals; and Michael Waters on keyboards and trombone.
Censorship is the suppression of speech, public communication or other information which may be considered objectionable, harmful, sensitive, politically incorrect or inconvenient as determined by governments, media outlets, authorities or other groups or institutions.
Governments, private organizations and individuals may engage in censorship. When an individual such as an author or other creator engages in censorship of their own works or speech, it is called self-censorship. Censorship may be direct or it may be indirect, in which case it is called soft censorship. It occurs in a variety of different media, including speech, books, music, films, and other arts, the press, radio, television, and the Internet for a variety of claimed reasons including national security, to control obscenity, child pornography, and hate speech, to protect children or other vulnerable groups, to promote or restrict political or religious views, and to prevent slander and libel.
Direct censorship may or may not be legal, depending on the type, place, and content. Many countries provide strong protections against censorship by law, but none of these protections are absolute and frequently a claim of necessity to balance conflicting rights is made, in order to determine what can and cannot be censored. There are no laws against self-censorship.
The following is a glossary of the terminology currently used in the sport of golf. Where words in a sentence are also defined elsewhere in this article, they appear in italics. Old names for clubs can be found at Obsolete golf clubs.
A poor golfer who often becomes frustrated or quits.
Hooks are often called the "better player's miss", thanks to the fact that many of the game's greatest players (Ben Hogan, for instance) have been plagued by the hook at one time or another in their careers. A shot that follows the same trajectory but to a lesser degree is referred to as a 'draw'. A draw is often intentionally used by above-average players to achieve a certain type of spin. The curved shape ball-flight is the result of sideways spin. A draw/ hook travels further than a fade/ slice due to the fact that the closed face reduces loft and decreases backspin. A draw often is considered the "ideal" flight of the ball and implies that the spin is intentional, whereas a hook is an overly spun "draw" which is often a miss or out of control (unintentional).
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
[Jay-Z]
Is this thing on?
Oh, I thought they silenced us, Ye
Power to the people
We livin' in that 31st century, futuristic fly shit
The penthouse is the projects and everybody flies private
New watch, know what time it is, watch us (You see us)
They can't stop us, prophets, beyotches
[Kanye West]
No one man should have all that power (Yeah)
The clock's tickin', I just count the hours (Yeah)
Stop trippin', I'm trippin' off the power
(No one man should have all that power)
[Jay-Z]
Rumble, young man, rumble
Life is a trip, so sometimes, we gon' stumble
You gotta go through pain in order to become you
But once the world numbs you, you'll feel like it's only one you
Now you got the power to do anything you want to
Until you ask yourself, "Is this what it's all come to?"
Lookin' at life through sunglasses and a sunroof
But do you have the power to get out from up under you
F-ck Rollies, labels, f-ck what everybody wants from you
They tryna Axl Rose you, welcome to the jungle
To be continued, we on that Norman Mailer shit
In search of the truth, even if it goes through Taylor Swift
Tell her this
No one man should have all that power
(Power-power-power-power-power)
And then they
And then they
And then they
And then they
[Kanye West]
Now when I walk in, everybody do the "Power" clap
Clap, clap, clap
Fresh for the club, I just took a half an hour nap
Clap, clap, clap
I seen people go crazy on the whole world, an hour lap
Clap, clap, clap
My socket was out the plug, now it's time to get the power back
Clap, clap
I seen people abuse power, use power, misuse and then lose power
Power to the people at last, it's a new hour
Now we all ain't gon' be American Idols
But you can least grab a camera, shoot a viral
Huh? Take the power in your own hands
I'm a grown man, doin' my grown dance
I don't stop until I see the end, my vision clear, bitch
I'm on my Van Gogh, I don't hear shit
[Chorus]
No one man should have all that power
The clock's tickin', I just count the hours
Stop trippin', I'm trippin' off the power
'Til then, f-ck that, the world's ours
And then they say
And then they say
And then they say
And then they say
And then they say
And then they say
Now everything I'm rhymin' on cause a Ramadan
Been a don, prayin' for the families lost in the storm
Bring our troops back from Iraq, keep our troops out of Iran
So the next couple bars, I'ma drop them in Islam
They say assalamu alaikum, say wa alaikum asalaam
That's no Oscar Mayer bacon, you should run and tell your moms
Now the question is, how we gon' stop the next Vietnam?
Keep Flex out of Korea, 'cause you know he drop bombs
[Swizz Beatz]
Showtime!
Hey, yo, Yeezy, stop playin' with these people, man
They want see you act all crazy in this muf-cka, man
Take that jacket off and go crazy on them niggas, man
You know what I'm talkin' 'bout?
[Kanye West]
What do it mean to be the boss?
It mean second place is the first one who lost
The crucifixion, the being nailed to the cross
Truth or fiction, it's a hell of a cost, do the dishes
I'm 'bout to hit that Jeff Gordon
Michael Jordan, the only one more important
But I be feelin' like Jordan when I'm recordin'
'Cause every time I record, I duck to slap the boards
I don't know what these rappers gon' do after wars
Prolly spaz like I might do at the awards
Huh, I got the whole crowd goin' crazy
Homie, I should be rewarded
Gettin' money, Yeezy, Yeezy, how you do it, huh?
Eatin' Wheaties, drinkin' Fiji, bein' greedy, huh?
Don't even think you can allude to the rumors
I'm immune to the booze, I'm a prude to you losers
It's all in time, my nigga
See, I dreamed my whole life that I could rhyme with Jigga
Now Jay my big brother and Bey my lil sister
And excuse me, but, you can't see my lil sister
Number one sound across the board, hey
Number one now and forevermore, hey
Number one rule is n-ggas don't hate
Maybe I'll drop the album, nah, all y'all gotta wait
And on the 'Net they showin' pictures of my Cali place
My Maybach in NY, but it still got the Cali plates
All my old girls know that I'm the one that got away
I think about at Christmas, and play some Donny Hathaway
And keep my bulletproof hater coat on
Lookin' at some photos that I'm lookin' crazy dope on
Hand up, talkin' sh-t, yeah, I get my Pope on
And go home wit something to poke on
That's what Dre said, but this what 'Ye said
How 'Ye doin'? Who 'Ye screwin'?
That's for my dick to know, before you get to know em
She ain't give you ass? That pussy fictional
I gotta give her the eviction note
'Tis "Get yo' ass out, bitch, vamonos"
Five seconds to the song, and we gettin' close
I got the power, muf-cka, if you didn't know
[Swizz]
Chill, chill, chill, chill, man
Chill, 'Ye, chill
Sh-t's burnt up already