Pound is a 1970 film directed and written by Robert Downey, Sr., it was based on The Comeuppance, an Off-Off Broadway play written by Downey in 1961. It is about several dogs, along with a Siamese cat and a penguin, at a pound, as they await being put to sleep; the animals are played by human actors. It was the film debut of Robert Downey, Jr., the director's 5-year-old son, as a puppy.
A fist bump (also called power five,dap, fist pound, or brofist) is a gesture similar in meaning to a handshake or high five. A fist bump can also be a symbol of giving respect. It can be followed by various other hand and body gestures and may be part of a dap greeting. It is commonly used in baseball and hockey as a form of celebration with teammates, and with opposition players at the end of a game. In cricket it is a common celebratory gesture between batting partners.
Merriam Webster Dictionary: a gesture in which two people bump their fists together (as in greeting or celebration)
The gesture is performed when two participants each form a closed fist with one hand and then lightly tap the front of their fists together. The participant's fists may be either vertically oriented (perpendicular to the ground) or horizontally oriented. Typically performed only with each participants' right hand, since a fist bump performed using the left hand is considered disrespectful.
Pound is the surname of:
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.