Posthuman or post-human is a concept originating in the fields of science fiction, futurology, contemporary art, and philosophy that literally means a person or entity that exists in a state beyond being human. The concept addresses questions of ethics and justice, language and trans-species communication, social systems, and the intellectual aspirations of interdisciplinarity. Posthumanism is not to be confused with transhumanism (the nanobiotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality.
In critical theory, the posthuman is a speculative being that represents or seeks to re-conceive the human. It is the object of posthumanist criticism, which critically questions Renaissance humanism, a branch of humanist philosophy which claims that human nature is a universal state from which the human being emerges; human nature is autonomous, rational, capable of free will, and unified in itself as the apex of existence. Thus, the posthuman position recognizes imperfectability and disunity within him or herself, and understands the world through heterogeneous perspectives while seeking to maintain intellectual rigour and a dedication to objective observations. Key to this posthuman practice is the ability to fluidly change perspectives and manifest oneself through different identities. The posthuman, for critical theorists of the subject, has an emergent ontology rather than a stable one; in other words, the posthuman is not a singular, defined individual, but rather one who can "become" or embody different identities and understand the world from multiple, heterogeneous perspectives.
Posthuman is primarily a duo of Richard Bevan and Joshu Doherty. Known mainly for multi-layered electronic music, with heavy emphasis on intricate drum programming. A signature to their sound is the extensive use of Roland 808 and 909 drum machines.
Although the bulk of their early releases fall within the IDM genre, Posthuman have been known to widely experiment, their 2002 self-titled EP combined hip hop and Heavy Metal with electronica, and their 2006 album The People's Republic was heavily influenced by post-rock. Nearly all of their output since 2007 has been techno and electronica, with much of it still being released physically on vinyl or CD.
Richard and Joshu are cousins, and claim to have first written music together as teenagers. In 1999, they sent their first demo CD to Skam Records, resulting in a release on the first SMAK series.
In 2000, the duo moved to London and began running a series of electronic music clubnights called 'Seed'. These nights increased in size and soon relocated to Aldwych tube station, a disused underground train station. A number of these events took place between 2001 and 2004, and amongst the artists who appeared were Aphex Twin, Alison Goldfrapp, Richard X, Plaid, Luke Vibert, and Funkstörung.
Brian Hugh Warner (born January 5, 1969), known professionally as Marilyn Manson, is an American musician, songwriter, actor, painter, multimedia artist, and former music journalist. He is known for his controversial stage personality and image as the lead singer of the band Marilyn Manson, which he co-founded with Daisy Berkowitz and of which he remains the only constant member. His stage name was formed by juxtaposing the names of two American cultural icons, namely actress Marilyn Monroe and murderer Charles Manson.
He is best known for his band's records released in the 1990s, most notably Antichrist Superstar and Mechanical Animals, which along with his public image earned him a reputation in the mainstream media as a controversial figure and an allegedly negative influence on young people. In the U.S. alone, three of the band's albums have been awarded platinum and three more went gold, and the band has had eight releases debut in the top ten, including two number-one albums. Manson has been ranked number 44 in the Top 100 Heavy Metal Vocalists by Hit Parader, and has been nominated for four Grammy Awards.
Mayhem may refer to:
Mayhem was a professional wrestling pay-per-view (PPV) produced by World Championship Wrestling (WCW) that replaced the promotion's November PPV event World War 3 which was held from 1995 to 1998 and was held in the month of November in 1999 and 2000. It is noted for being the first wrestling pay-per-view named after a video game, rather than the video game named after a pay-per-view. The 1999 match between Bret Hart vs Chris Benoit was featured in the opening credits of the TV Show Malcolm in the Middle. The rights to the event is now owned by the WWE since 2001.
Mayhem 1999 took place on November 21, 1999 from the Air Canada Centre in Toronto, Ontario.
During the WCW World Heavyweight Championship tournament semi-final match between Bret Hart and Sting, The Total Package interfered by attacking Sting with a baseball bat. This led to Hart being announced as the winner via disqualification. Not wanting to win in this manner, Hart demanded the match be restarted, and ultimately forced Sting to submit with the Sharpshooter. Scott Hall was originally supposed to face Rick Steiner for the WCW World Television Championship, but Steiner was too injured to compete. Hall was awarded the title by forfeit and immediately had to defend it against Booker T instead.
Mayhem is the third studio album by Irish rockabilly musician Imelda May, released on 3 September 2010 on Decca Records.
Three years prior to the release of Mayhem, in 2007, Imelda May received a recording contract with Ambassador Records, a sublabel of Universal Music Ireland, and recorded her second studio album, the highly acclaimed Love Tattoo. Reaching No.1 in Ireland, the album caught the attention of Jools Holland, whom she later supported on tour, which led him to request that she appear on his well-known music show Later... with Jools Holland. Performing to an audience that included Jeff Beck, Elbow and Roots Manuva, May gained further recognition in the United Kingdom. The following year also saw May release her first two singles, "Johnny Got a Boom Boom" and "Big Bad Handsome Man", appear on several talk shows, win Female Artist of the Year 2009 at the 2009 Meteor Awards and also tour the United States.
After touring throughout the world promoting Love Tattoo, May took a short break before entering the studio to record Mayhem. Choosing Embassy Studios, a sixteen-track analogue recording studio in a converted cow shed, May's record label Decca were "freaking out" and "drove all the way to the middle of nowhere to have a look" after hearing the studio was a cowshed. The recording of the album took two weeks in total and production was completed in late summer 2010 at Electric Mastering.