Positive
Positive is a property of positivity and may refer to:
Mathematics and science
Philosophy and humanities
Positive (photography)
A positive is a film or paper record of a scene that represents the color and luminance of objects in that scene with the same colors and luminances (as near as the medium will allow). Color transparencies are an example of positive photography: the range of colors presented in the medium is limited by the tonal range of the original image (dark and light areas correspond). It is opposed to a negative where colors and luminances are reversed: this is due to the chemical or electrical processes involved in recording the scene. Positives can be turned into negatives by appropriate chemical or electronic processes. Often, with the use of digital imaging, computers can automatically complete this process.
image area : light transfer from image area & non image area are opaque .<positive>
-ve making : image area are opaque and non image transparent .<negative>
Positivism
Positivism is a philosophical theory stating that positive knowledge is based on natural phenomena and their properties and relations. Thus, information derived from sensory experience, interpreted through reason and logic, forms the exclusive source of all authoritative knowledge. Positivism holds that valid knowledge (certitude or truth) is found only in this derived knowledge.
Verified data (positive facts) received from the senses are known as empirical evidence; thus positivism is based on empiricism.
Positivism also holds that society, like the physical world, operates according to general laws. Introspective and intuitive knowledge is rejected, as is metaphysics and theology. Although the positivist approach has been a recurrent theme in the history of western thought, the modern sense of the approach was formulated by the philosopher Auguste Comte in the early 19th century. Comte argued that, much as the physical world operates according to gravity and other absolute laws, so does society, and further developed positivism into a Religion of Humanity.
KMFDM
KMFDM (from Kein Mitleid Für Die Mehrheit [sic], translated by the band as "no pity for the majority" [sic]) is an industrial band led by German multi-instrumentalist Sascha Konietzko, who founded the group in 1984 as a performance art project. KMFDM has released nineteen studio albums and two dozen singles, with sales of more than two million records worldwide.
The band has undergone many line-up changes and featured dozens of guest musicians. Its earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin), and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway.
Critics consider KMFDM to be one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, singly or working with each other and others, have recorded under many other names, primarily Watts' Pig in 1988, Konietzko's Excessive Force in 1991, and Esch and Schulz's Slick Idiot in 2001.
