A pornographic parody film is a subgenre of the pornographic film industry genre where the basis for the production's story or plotline is the parody of a mainstream television show, feature film, public figure, video game or literary works. This subgenre also includes parody of historical or contemporary events such as political scandals. The subgenre has gained acceptance by the adult industry to the extent that major awards are presented in this category by organizations such as AVN and XRCO.
Starting as far back to the 1990s, porn parodies have been experiencing a popular resurgence during the 2000s and 2010s. One particularly successful parody that was credited with seeding this rise in popularity was a film called Not the Bradys XXX which was produced in 2007. The adult film spoofed the popular family television show The Brady Bunch. One of the earliest porn parodies was the 1973 German made animated short-film called Snow White and the Seven Perverts. The eleven minute piece was based on Disney's Snow White and the Seven Dwarfs.
ICM Registry operates the .xxx (pronounced "dot triple-X") sponsored top-level domain (sTLD) registry, which is designed for pornography. The ICM Registry operates from Palm Beach Gardens, Florida. It is owned by Stuart Lawley.
In 2005, the Bush Administration pressured ICANN not to adopt a .xxx rating on ideological grounds.
On 18 March 2011, the ICANN Board voted to approve the .xxx sTLD, which later went into operation on 15 April 2011.
On 12 April 2012, the ICM Registry announced their applications for additional sTLDs .SEX, .PORN and .ADULT.
Pornography (often abbreviated as "porn" or "porno" in informal usage) is the portrayal of sexual subject matter for the purpose of sexual arousal. Pornography may be presented in a variety of media, including books, magazines, postcards, photographs, sculpture, drawing, painting, animation, sound recording, film, video, and video games. The term applies to the depiction of the act rather than the act itself, and so does not include live exhibitions like sex shows and striptease. The primary subjects of pornographic depictions are pornographic models, who pose for still photographs, and pornographic actors or porn stars, who perform in pornographic films. If dramatic skills are not involved, a performer in a porn film may also be called a model.
Various groups within society have considered depictions of a sexual nature immoral, addictive and noxious, labeling them pornographic, and attempting to have them suppressed under obscenity and other laws, with varying degrees of success. Such works have also often been subject to censorship and other legal restraints to publication, display or possession. Such grounds and even the definition of pornography have differed in various historical, cultural, and national contexts.
Porn is a common short form for pornography. It may also refer to:
A parody (/ˈpærədi/; also called spoof, send-up, take-off or lampoon), in use, is a work created to imitate, make fun of, or comment on an original work, its subject, author, style, or some other target, by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming and film.
The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas or lyrics, or copying the peculiar style of a composer or artist, or even a general style of music. Although the intention of a musical parody may be humour (as in burlesque), it is the re-use of music that is the original defining feature.
In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect.
Examples of musical parody with wholly serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect by composers from Bach to Sondheim and performers from Spike Jones to "Weird Al" Yankovic.
I am a child without you near
My strongest love reduced to fear
For when you’re gone I’m a severed soul
My poor heart bleeds from a gaping hole
Love please don’t leave me evermore
With you I see what life is for
If you should go where would I be
There’d be no joy in life for me
Lord lift me up from this cold earth
Let judgment day declare my worth
For if my love should not want me