Popularity or social status is the quality of being well-liked or well-known.
Popular may also refer to:
Hook Me Up is the second studio album by Australian duo The Veronicas, which was released on 3 November 2007 (see 2007 in music) by Sire Records. It debuted on the Australian ARIA Albums Chart at number two and has since been certified double platinum. The singles issued from the album were "Hook Me Up", "Untouched", "This Love", "Take Me on the Floor", and "Popular". For the album, The Veronicas were nominated for three awards at ARIA Music Awards of 2008: "Highest Selling Album", "Highest Selling Single" and "Best Pop Release".
The album was mainly written and recorded in the girls' home in Los Angeles with German songwriter Toby Gad. Jessica Origliasso states "It was really great. Toby works on a simplified set-up on his Mac computer. It takes all the pressure out of being in a recording studio. We were able to take our time and get it right and not stress about time ticking." When working on the album the girls knew exactly which songwriters they wanted to work with including Billy Steinberg (who has worked with Madonna) and John Feldmann (who has worked with Good Charlotte and The Used). The songwriting saw the girls write about personal things in life mainly to do with love. The song "Revenge Is Sweeter (Than You Ever Were)" is about a person who Lisa Origliasso dated overseas, she states "When it comes down to it, that song's about cheating. A lot of people have been through it, like I've been through it, so it was very easy to relate to that situation. And I saw that whole situation go on, so it wasn't hard to write that song with her." Another personal song includes "In Another Life", is the most emotional song they've ever written. Lisa states that "While recording this song we couldn't sing it properly because we were bawling our eyes out". Jess says, "You actually hear me sniffing in the background".
"Popular" (stylized Pop!ular) is the first single released from Australian singer-songwriter Darren Hayes' second solo album, The Tension and the Spark. The lyrics are a tongue-in-cheek send-up of celebrities and wannabes. The song reached the top of the Billboard Hot Dance Club Play chart in March 2005. This was Hayes' first #1 on the US Dance chart, either as a solo artist or with his former group, Savage Garden. A radio edit was made which omits the instrumental section after the second chorus and also adds several new drumbeats to the second verse.
Caldera OpenLinux (COL) is a defunct Linux distribution that was originally introduced by Caldera in 1997 based on the German LST Power Linux distribution, and then taken over and further developed by Caldera Systems (now SCO Group) since 1998. A successor to the Caldera Network Desktop put together by Caldera since 1995, OpenLinux was an early "business-oriented distribution" and foreshadowed the direction of developments that came to most other distributions and the Linux community generally.
Corsair, a user interface for NetWare, was a project run by Novell corporation's Advanced Technology Group (ATG) between 1993 and 1995. Novell wanted an internet desktop and conducted research on how to better and more easily integrate and manage network access for users. Windows's own support for connecting to Novell networks would not be improved until later releases and the Internet was dominated by Unix-based operating systems. Relative to their needs, Novell deemed the Unixes of the day were too hardware intensive, too large, and charged too much in license fees.
Caldera is an 11-minute computer animated short film released in 2012. It was directed by Evan Viera, co-written by Chris Bishop, co-produced by Chris Perry, and created in conjunction with Bit Films, the computer animation incubator program at Hampshire College in Amherst, Massachusetts.
Caldera received a Prix Ars Electronica Award of Distinction in the Computer Animation category in 2012.
Caldera is about a young girl who goes off her medication and leaves a bleak metropolis to immerse herself in a vibrant oceanic cove. Ultimately, the story is about the young girl’s impossible predicament, where she can not live in either the fantastical and haunting world of psychosis or in the marginalizing society that mandates her medication.
DR-DOS (DR DOS, without hyphen up to and including v6.0) is an operating system of the DOS family, written for IBM PC-compatible personal computers. It was originally developed by Gary Kildall's Digital Research and derived from Concurrent PC DOS 6.0, which was an advanced successor of CP/M-86. As ownership changed, various later versions were produced as Novell DOS, Caldera OpenDOS, etc.
Digital Research's original CP/M for the 8-bit Intel 8080 and Z-80 based systems spawned numerous spin-off versions, most notably CP/M-86 for the Intel 8086/8088 family of processors. Although CP/M had dominated the market, and was shipped with the vast majority of non-proprietary-architecture personal computers, the IBM PC in 1981 brought the beginning of what was eventually to be a massive change.
IBM originally approached Digital Research, seeking an x86 version of CP/M. However, there were disagreements over the contract, and IBM withdrew. Instead, a deal was struck with Microsoft, who purchased another operating system, 86-DOS, from Seattle Computer Products. This became Microsoft MS-DOS and IBM PC DOS. 86-DOS' command structure and application programming interface imitated that of CP/M. Digital Research threatened legal action, claiming PC DOS/MS-DOS to be too similar to CP/M. IBM settled by agreeing to sell their x86 version of CP/M, CP/M-86, alongside PC DOS. However, PC DOS sold for $40, while CP/M-86 had a $240 price tag. The proportion of PC buyers prepared to spend six times as much to buy CP/M-86 was very small, and the availability of compatible application software, at first decisively in Digital Research's favor, was only temporary.
Let me tell you a thing
On popular culture
American swing
The British add sulphur
I'll buy you a beer
If you can compete from here
They throw you a line
Let me see it you catch it
And they'll give you some time, sure
If you got something to match it
Just as long as you know
Who is running that show, oooohhhh
And I was thinking, well hey
I'm gonna throw it away
Throwing out my popular culture
Cause now you know it's not great
If you don't come from the states
You will always be late to be in popular culture
From western slang
To showbiz spells
You'd almost think
There's nothing else
Can you give me the news
On the romantic actor
No, I don't really care but his blues
Is for me a distractor
Through his eyes I can see
What is wrong with me… oooooh…
And I was thinking, well hey
I'm gonna throw it away
Throwing out my popular culture
Cause now you know it's not great
If you don't come from the states
You will always be late to be in popular culture
From western slang
To showbiz spells
You'd almost think
There's nothing else
And I was thinking, well hey
Well what the hell is my place
If someone else will dictate
My singular culture
Cause everybody's a star
And if you don't think too far
You can define who you are
Through popular culture
It's like you're not really seen
Without a fashionable spleen
That is so much alike the one
Your heroes suffered
And so you gotta be strong
You've got to just speak in tongues
About how you belong