Blur may refer to:
Blur are an English rock band, formed in London in 1988. The group consists of singer/keyboardist Damon Albarn, guitarist/singer Graham Coxon, bassist Alex James and drummer Dave Rowntree. Their debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). In the process, the band helped establish the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rivals Oasis in 1995 dubbed the "Battle of Britpop".
In recording their follow-up, Blur (1997), the band underwent another reinvention, showing influence from the lo-fi style of American indie rock groups. The album, including the "Song 2" single, brought Blur mainstream success in the United States. Their next album, 13 (1999) saw the band members experimenting with electronic and gospel music, and featured more personal lyrics from Albarn. In May 2002, Coxon left Blur during the recording of their seventh album Think Tank (2003). Containing electronic sounds and more minimal guitar work, the album was marked by Albarn's growing interest in hip hop and African music. After a 2003 tour without Coxon, Blur did no studio work or touring as a band, as members engaged in other projects.
Circus is the sixth studio album by American recording artist Britney Spears. It was released on November 28, 2008, by JIVE Records. Looking to transition from her "darker and more urban" fifth studio album Blackout (2007), Spears wanted to make her next project "a little bit lighter", incorporating electropop and dance-pop styles. Spears recorded the record during the summer of 2008, after her much-publicized personal struggles saw her placement under a temporary conservatorship earlier that year. As executive producers, Larry Rudolph and Teresa LaBarbera Whites enlisted collaborators including Spears' longtime colleague Max Martin and Nate "Danja" Hills.
Upon its release, Circus received generally favorable reviews from music critics, who complimented its production but were ambivalent towards its lyrical content. It debuted at number one on the US Billboard 200 with first-week sales of over 505,000 copies, making it her fifth album to reach the top of the chart. The album topped charts in nine additional countries. The record eventually exceeded sales of 3.5 million copies and 15 million digital tracks, in doing so it became Spears' best-selling album since her fourth studio album In the Zone (2003). The project was promoted through a series of television performances and Spears' fifth concert tour The Circus Starring Britney Spears. The latter generated controversy during the Australian leg after accusations of lip-syncing surfaced.
"Popscene" is a song by English alternative rock band Blur, released as a non-album single on 30 March 1992. Despite its relatively low chart placing, it has since become critically praised and regarded as one of the pioneering songs of the Britpop genre.
The song was first played live in Autumn 1991, and recorded at Matrix Studios in Holborn with producer Steve Lovell. The lyrics showed frontman Damon Albarn's distaste for the music business, complaining that there were too many insignificant indie bands.
Musically, it was different to the style seen on the group's first album Leisure and featured heavily flanged guitars, a Can influenced drumbeat, and brass from session players the Kick Horns. The band considered "Popscene" to be the loudest and best thing they had worked on at that point.
The single reached No. 32 in the UK charts, and was panned by both Melody Maker and NME. The Beastie Boys, guest reviewing for NME, suggested the record would sound better played at 33rpm instead of 45. The low chart placing came as a confidence blow for the band, who were £60,000 in debt.Food Records boss Andy Ross later said "we were totally devastated ... we thought it was a brilliant single." The band have since complained that the popularity of American grunge music contributed to the single's failure, as they felt the song had a very British feel. Guitarist Graham Coxon said "It was Nirvana that really fucked "Popscene" up."
Popscene was the pioneering UK "indie dance" club of the 1990 Brit Pop movement. It created a template that was successfully copied around the world in many clubs over subsequent years.
The founders of Popscene were Dave McCarthy and Mac Be who were the promoters and DJs for its entire run. "It was myself and Dave at first, then Dave's girlfriend Jenny started doing a bit in the later years before we parted company in May 2000," Be explained on a dedicated fan forum.
The pair had previously run "Happy," a successful, pre-Britpop night at The Clapham Grand for the Mean Fiddler organisation. "Happy" featured the first major live London appearances by bands such as The Verve, and was contained within a club night structure along the lines of the acid house 'PA' appearance model.
In 1995 the owners of the Astoria in London's Charing Cross Road asked the duo to produce Friday nights at the LA2 club within the Astoria complex. The club's opening night featured free entry, leading to a capacity crowd. Under a strict policy of "no live bands," the club went on to run with weekly capacity crowds for the next five years. The club attracted more than 300,000 customers over its lifespan; hours-long entry queues of hundreds of people were common. Popscene's DJ sets laid the foundations for the rock/dance crossover of the next decade; the tagline on many of the distinctive (and now highly collectable) flyers was "the dance club for people who like bands".
A FERVORED IMAGE OF ANOTHER WORLD
IS NOTHING IN PARICULAR NOW
AND IMITATION COMES NATURALLY
BUT I NEVER REALLY STOP TO THINK HOW
AND EVERYONEIS A CLEVER CLONE
A CHROME COVERED CLONE AMI
SO IN THE ABSENCE OF A WAY OF LIFE
JUST REPEAT THIS AGAIN AND AGAIN AND AGAIN
HEY HEY COME OUT TONIGHT
HEY HEY COME OUT TONIGHT
POPSCENE
ALRIGHT
I'M LEAVING TOWN TO RUN AWAY
RUN INTO YOUR TWISTED ARMS
NO QUEUES AND THERE'S NO PANIC THERE
JUST DANGLING MY FEET IN THE GRASS
MY LACK OF NATURAL LUSTRE NOW
SEEMS TO BE LOOSING ME FRIENDS
SO IN THE ABSENCE OF A WAY OF LIFE