Pop rock

Pop rock is a fusion genre that mixes a catchy pop style and light lyrics in its (typically) guitar-based rock songs. There are varying definitions of the term, ranging from a slower and mellower form of rock music to a subgenre of pop music. The detractors of pop rock often deride it as a slick, commercial product, less authentic than rock music.

Characteristics

Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop-rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Pop-rock has been defined as an "upbeat variety of rock music" represented by artists such as Elton John, Paul McCartney, The Everly Brothers, Rod Stewart, Chicago, and Peter Frampton.

Debates

Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims in the US, pop has roots in white crooners such as Perry Como, whereas rock is rooted in African-American music influenced by forms like such as rock and roll. Auslander points out that the concept of pop rock, which blends pop and rock is at odds with the typical conception of pop and rock as opposites. Auslander and several other scholars such as Simon Frith and Grossberg argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial" and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of music, which emphasizes song writing by the singers and bands, instrumental virtuosity, and a "real connection with the audience".

Rock music

Rock music is a genre of popular music that originated as "rock and roll" in the United States in the 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and the United States. It has its roots in 1940s' and 1950s' rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical sources.

Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar and drums. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. The dominance of rock by white, male musicians has been seen as one of the key factors shaping the themes explored in rock music. Rock places a higher degree of emphasis on musicianship, live performance, and an ideology of authenticity than pop music.

Rock music (disambiguation)

Rock music is a form of popular music that normally includes the electric guitar, bass guitar and drums.

Rock music may also refer to:

See also

Bossanova

Bossanova is the third studio album by the American rock band Pixies. It was released in August 13, 1990 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. All of Bossanova's original material was written by the band's frontman Black Francis; this was a first for a Pixies album, but he has written all of their songs since. The album's sound, inspired by surf rock and space rock, complements its lyrical focus on outer space, which references subjects such as aliens and unidentified flying objects.

Because of 4AD's independent status, major label Elektra Records handled distribution in the United States; Bossanova reached number 70 on the Billboard 200. The album peaked at number three in the UK Albums Chart. Two singles were released from Bossanova, "Velouria" and "Dig for Fire"; both charted on the US Modern Rock Tracks chart, at #4 and #11, respectively.

Background and recording

After Pixies finished touring obligations for their second album Doolittle (1989) in January 1990, band members Black Francis, Joey Santiago, and David Lovering moved from Boston to Los Angeles. Bassist Kim Deal meanwhile stayed in the UK to record the first Breeders album during January with producer Steve Albini. Deal ultimately decided to travel out to Los Angeles with the rest of the group. Lovering stated that he, Santiago, and Black Francis moved to Los Angeles because that's where they intended to record. The three band members lived in the Oakwood apartments, along with comic Garrett Morris and members of the band White Lion. Producer Gil Norton also moved into the apartment complex.