Polyamory

Polyamory (from Greek πολύ poly, "many, several", and Latin amor, "love") is the practice of, or desire for, intimate relationships involving more than two people, with the knowledge and consent of everyone involved. It has been described as "consensual, ethical, and responsible non-monogamy". The term should not be confused with polysexuality (attraction towards multiple genders or sexes), although the two may overlap in individuals.

The term "polyamorous" can refer to the nature of a relationship at some point in time or to a philosophy or relationship orientation (much like gender or sexual orientation). The word is sometimes used in a broader sense, as an umbrella term that covers various forms of multiple relationships, or forms of sexual or romantic relationships that are not sexually exclusive. Polyamorous arrangements are varied, reflecting the choices and philosophies of the individuals involved, though there is disagreement on how broadly the concept of polyamory applies. An emphasis on ethics, honesty, and transparency all around is widely regarded as the crucial defining characteristic. As of July 2009, it was estimated that more than 500,000 polyamorous relationships existed in the United States.

Polyamorous (song)

"Polyamorous" is the first single by American post-grunge/alternative metal band Breaking Benjamin from their debut album Saturate.

History

The song was the first known Breaking Benjamin song. The song was first recorded in 2000, but without the tremolo-effect in the intro. It appeared on the band's EP in 2001 before serving as the lead single on their debut album, Saturate, in 2002.

After being played by 97.9 X DJ, and now Breaking Benjamin road manager, Freddie Fabbri, "Polyamorous" gained the attention of Hollywood Records who signed Breaking Benjamin the following year. As the band's debut single, it gained significant national radio play and became Breaking Benjamin's first hit song.

Musically, "Polyamorous" features elements of alternative metal with its long-drawn, growled vocals and chunky metallic guitars. The song begins with guitar notes played with a staccato delay effect which quickly swells into a heavy intro. The verses feature palm muted guitar and creeping vocals that suddenly charge into a heavy, shouted chorus. Bass popping and modest guitars are featured in the interlude which gradually build back into the roaring chorus.