Happy Rhodes (born Kimberley Tyler Rhodes on August 9, 1965) is an American singer, songwriter, instrumentalist and electronic musician with a four-octave vocal range.
Born Kimberley Tyler Rhodes but called "Happy" since infancy, she legally changed her name to Happy Tyler Rhodes at age 16. Through her father, Vernon H. Rhodes Jr., Rhodes is a distant relative of Cecil Rhodes and her first name "Kimberley" is after the Kimberley diamond mines. Her middle name "Tyler" is after the American actress Mary Tyler Moore, who was a friend of Rhodes' mother, Susan D. Stamper, while both took dance classes at the New York City Ballet. Rhodes' maternal grandfather Dave Stamper wrote songs for the Ziegfeld Follies of 1913 through 1931 and composed the music for several other Broadway shows. A family legend claims that Stamper wrote the well-known song "Shine On, Harvest Moon" in 1903 for Nora Bayes when he was working as her Vaudeville piano accompanist, but sold the rights and credit to Bayes and her husband Jack Norworth. Rhodes' parents divorced when she was young. Rhodes has two brothers who are twins.
Poetic justice is a literary device in which ultimately virtue is rewarded and vice punished. In modern literature it is often accompanied by an ironic twist of fate related to the character's own action.
English drama critic Thomas Rymer coined the phrase in The Tragedies of the Last Age Considere'd (1678) to describe how a work should inspire proper moral behaviour in its audience by illustrating the triumph of good over evil. The demand for poetic justice is consistent in Classical authorities and shows up in Horace, Plutarch, and Quintillian, so Rymer's phrasing is a reflection of a commonplace. Philip Sidney, in Defense of Poetry, argued that poetic justice was, in fact, the reason that fiction should be allowed in a civilized nation.
Notably, poetic justice does not merely require that vice be punished and virtue rewarded, but also that logic triumph. If, for example, a character is dominated by greed for most of a romance or drama; he cannot become generous. The action of a play, poem, or fiction must obey the rules of logic as well as morality. During the late 17th century, critics pursuing a neo-classical standard would criticize William Shakespeare in favor of Ben Jonson precisely on the grounds that Shakespeare's characters change during the course of the play. (See Shakespeare's reputation for more on the Shakespeare/Jonson dichotomy.) When Restoration comedy, in particular, flouted poetic justice by rewarding libertines and punishing dull-witted moralists, there was a backlash in favor of drama, in particular, of more strict moral correspondence.
Poetic justice is a literary device in which virtue is ultimately rewarded or vice punished.
Poetic justice may also refer to:
"Poetic Justice" is a song by American hip hop recording artist Kendrick Lamar, from his major-label debut studio album Good Kid, M.A.A.D City (2012). The song, produced by American record producer Scoop DeVille, features a verse from Canadian recording artist Drake. The song was released as the album's fourth official single, due to its positive response.
The song was produced by Scoop DeVille, who Lamar had previously worked with on his debut single "The Recipe". DeVille sampled Janet Jackson's "Any Time, Any Place." Lamar and DeVille chose to sample the record after it came on the radio during their studio session. In an interview, DeVille recalled several artists wanting the song, including American rapper 50 Cent, before he ended up giving it to Lamar. On January 26, 2013, Lamar performed the song on Saturday Night Live, as well as his previous single "Swimming Pools (Drank)."
In a December 2012 interview, Lamar stated that the music video would be filmed "soon." Although he expressed interest in having American recording artist and actress Janet Jackson, who starred in the 1993 film from which the song takes its name, to appear in the video, she did not make an appearance.
I learn I learn
I learn I learn
Many things Many things
The hard way The easy way
I know many things about you
You never knew I knew
I want to be I want to be
Wise enough Closer to
To see ahead Lying dead
I don't need to live the same pain
Over and over again
Because I learn
once is enough
once is enough
once is enough
because I learn
once is enough
once is enough
oh once is quite enough
oh once is enough
once is quite
once is quite enough
I love I've made
I love My heart
Harder than Painfully
Most do Too true
I take my lessons well
And so when
They lie to me
I can tell
Because I learn
once is enough
once is enough
once is enough
because I learn
once is enough
once is enough
oh once is quite enough
oh once is enough
once is quite
once is quite enough
I take my lessons well
And so when
They lie to me
I can tell
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