A pocket is a bag- or envelope-like receptacle either fastened to or inserted in an article of clothing to hold small items. Pockets may also be attached to luggage, backpacks, and similar items. In older usage, a pocket was a separate small bag or pouch.
In European clothing pockets began by being hung like purses from a belt, which could be concealed beneath a coat or jerkin to discourage pickpocketing and reached through a slit in the outer garment.
The word appears in Middle English as pocket, and is taken from a Norman diminutive of Old French poke, pouque, modern poche, cf. pouch. The form "poke" is now only used dialectically, or in such proverbial sayings as "a pig in a poke".
Historically, the term "pocket" referred to a pouch worn around the waist by women in the 17th to 19th centuries, mentioned in the rhyme Lucy Locket.
A watch pocket or fob pocket is a small pocket designed to hold a pocket watch, sometimes found in men's trousers and waistcoats and in traditional blue jeans. However, due to the decline in popularity of pocket watches, these pockets are rarely used for their intended purpose.
Pockets is an album by Karate. Their jazz influences can be heard more so on than on any other Karate album.
Vulture Street is the fifth studio album by Australian alternative rock band Powderfinger, released by Universal Music on 29 July 2003.Produced by Nick DiDia, Vulture Street was certified platinum, and spent 47 weeks on the ARIA Charts and peaked at #1. Singles from the album included "(Baby I've Got You) On My Mind", "Since You've Been Gone", "Love Your Way" and "Sunsets".
The album received nominations for ARIA Awards in five different categories in 2003, which included "Album of the Year", "Best Group" and "Best Rock Album". Vulture Street also received the award for "Best Cover Art", which featured Czech supermodel Eva Herzigová.
Vulture Street was described by certain critics as "a rawer, louder, but by no means unrefined" album. The title of the album was taken from an iconic street in the inner southern suburbs of Brisbane, Queensland, the city in which all Powderfinger members grew up.
Following their last record, the highly successful Odyssey Number Five, the band agreed that they wanted to continue in their musical careers, but wanted to have more fun with it. They were no longer dole reliant, as they had been when they made their debut album, Parables for Wooden Ears. Drummer Jon Coghill told The Sydney Morning Herald "we wanted to have more fun and enjoy that we were a band, rather than chase what you're supposed to do", and guitarist Ian Haug said "We all found that this is really important to us, but we wanted to make it more fun".
(Heaton/Rotheray)
Here comes Pockets
His trousers hold a thousand deadly sins
The maddest things we ever found in bins
He clutches them and looks at you and grins
Here comes Pockets
The children wary of what they may contain
The linen may have changed, the contents same
A trouser-treasure island with no name
And socially at the platform that the timetable forgot
Picking up used tickets in a station of have-nots
When you're on that train of thought
You pass some pretty funky stops
When you're on that train of thought
You pass some pretty funky stops
That's the Pocket, let him be
That's the Pocket, let him be
Here comes Pockets
Picking up the things we cannot see
A bicycle, a dame, a Christmas tree
Things of no value to you or me
Here comes Pockets
Reduced through history to just a crawl
History turns the tall into the small
But natural born trawlers love to trawl
And the guitar of his dreams hangs upon some wall
Or laying underneath the staircase in a hall
We can carry dreams but we can't hold them all
That's why we learn the Blues before we actually fall
That's the Pocket, let him be
That's the Pocket, let him be
And he's clinging on to hope
Like the oak tree to the gale
'Cause finding one love letter in a sky high jumble sale