Plug Me In is an album by American jazz saxophonist Eddie Harris recorded in 1968 and released on the Atlantic label.
The Allmusic review calls it "One of Eddie Harris's more underrated sessions... The only real fault to this enjoyable set is that the playing time is under 27 minutes". The record was arranged by another Chicago musician, Charles Stepney, who was mainly associated with Chess Records as a staff writer, arranger and producer at the time. Atlantic's Joel Dorn produced the set.
All compositions by Eddie Harris except as indicated
Plug Me In is a DVD box set released on 16 October 2007 by Australian hard rock group AC/DC. It includes rare performances of the band. The standard two disc set contains one disc of performances from the Bon Scott era and one from the Brian Johnson era. The three disc set includes Between the Cracks, featuring performances from both eras. The performance of "Shoot to Thrill" from the Summit, Houston, TX, October 1983 is on both disc two and three.
In November 2008, Plug Me In won a Classic Rock Roll of Honour Award for DVD of the Year.
All Things Must Pass is a triple album by English musician George Harrison. Recorded and released in 1970, the album was Harrison's first solo work since the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that were turned down by the Beatles. The album reflects the influence of his musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, as well as Harrison's growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. All Things Must Pass introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled Apple Jam. Commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.