A Cambodian Shiva head showing a third eye.

The third eye (also known as the inner eye) is a mystical and esoteric concept referring in part to the ajna (brow) chakra in certain dharmic spiritual traditions, in particular Hinduism. This concept was later adopted by Christian mystics and spiritualists as well as people from other religious faiths. It is also spoken of as the gate that leads within to inner realms and spaces of higher consciousness. Among Christian mystics, the term is used in a broad sense to indicate a non-dualistic perspective. In New Age spirituality, the third eye may symbolize a state of enlightenment or the evocation of mental images having deeply personal spiritual or psychological significance. The third eye is often associated with visions, clairvoyance (which includes the ability to observe chakras and auras),[1] precognition, and out-of-body experiences. People who have allegedly developed the capacity to utilize their third eyes are sometimes known as seers.

Contents

In the Western Wisdom Teachings [link]

According to Max Heindel's Rosicrucian writings, called Western Wisdom Teachings, the third eye is localized in the pituitary body and the pineal gland. It was said that in the far past, when man was in touch with the inner worlds, these organs were his means of ingress thereto.

Christian teachings [link]

According to the teaching of Fr. Richard Rohr the concept of the 'third eye' is a metaphor for non-dualistic thinking, the way the mystics see. In Rhohr's concept, mystics employ the 'first eye' (sensory input such as sight) and the second eye (the eye of reason, meditation, and reflection), "but they know not to confuse knowledge with depth, or mere correct information with the transformation of consciousness itself. The mystical gaze builds upon the first two eyes—and yet goes further."

"It happens whenever, by some wondrous “coincidence,” our heart space, our mind space, and our body awareness are all simultaneously open and nonresistant. I like to call it presence. It is experienced as a moment of deep inner connection, and it always pulls you, intensely satisfied, into the naked and undefended now, which can involve both profound joy and profound sadness at the very same time." Rohr refers to this level of awareness as "having the mind of Christ".[2]

Gnostic teachings [link]

According to the gnostic teachings of Samael Aun Weor, the third eye is referenced symbolically and functionally several times in the Book of Revelation,[which?] which as a whole he sees as a work describing Kundalini and its progression upwards through three and a half turns and seven chakras. This interpretation equates the third eye with the sixth of the seven churches of Asia detailed therein, the Church of Philadelphia.[3]

Taoism [link]

In Taoism and many traditional Chinese religious sects such as Chan (a cousin to the Zen school), "third eye training" involves focusing attention on the point between the eyebrows with the eyes closed in various qigong postures. The goal of this training is to allow students to tune into the correct "vibration" of the universe and gain a solid foundation into more advanced meditation levels.

In this theory, the third eye, also called the mind's eye, is situated between the two eyes, and expands up to the middle of the forehead when opened. Taoism says it is one of the main energy centers of the body located at the sixth chakra, with the third eye forming a part of the main meridian, the line separating left and right hemispheres of the body.[4]

Other interpretations [link]

The third eye is used in many meditation schools and arts, such as in yoga, qigong, Aikido.

In terms of Kabbalah, the Ajna chakra is attributed to the sphere of Chokmah,[5] or Wisdom, although others regard the third eye as corresponding to the non-emanated sephirah of da'ath (knowledge).

Some writers and researchers, including H.P. Blavatsky[6] and Rick Strassman, have suggested that the third eye is in fact the partially dormant pineal gland, which resides between the two hemispheres of the brain. Various types of lower vertebrates, such as reptiles and amphibians, can actually sense light via a third parietal eye—a structure associated with the pineal gland—which serves to regulate their circadian rhythms, and for navigation, as it can sense the polarization of light.

C.W. Leadbeater claimed that by extending an "etheric tube" from the third eye, it is possible to develop microscopic and telescopic vision.[1] It has been asserted by Stephen Phillips that the third eye's microscopic vision is capable of observing objects as small as quarks.[7]

Notes [link]

  1. ^ a b Leadbeater, C.W. The Chakras Wheaton, Illinois, USA:1927 Theosophical Publishing House Page 79
  2. ^ Rohr, Richard "The Naked Now: Learning to See as the Mystics See", The Crossroad Publishing Company, 2009, ISBN 0-8245-2543-4, ISBN 978-0-8245-2543-9
  3. ^ "Transcriptions of gnostic lectures on the Book of Revelation". Gnosticteachings.org. https://gnosticteachings.org/courses/the-book-of-revelation/. Retrieved 2009-09-16. 
  4. ^ The doctrine of the elixir by R.B. Jefferson Coombe Springs Press 1982 chapter 4. The Archaic Anatomy of Individual Organs
  5. ^ Liber 777
  6. ^ H.P. Blavatsky, The Secret Doctrine, Vol. 2, 1888, ISBN 1-55700-124-3, pp. 289-306
  7. ^ Phillips, Stephen Extrasensory Perception of Quarks Wheaton, Illinois, USA 1980 Theosophical Publishing House ISBN 978-0-8356-0227-3

References [link]

  • Hale, Teresa (1999). The Book of Chakra Healing. New York: Sterling Publishing Company. ISBN 0-8069-2097-1.
  • Radha, Siviananda (2004). Kundalini Yoga for the West. New York: Shambhala. ISBN 1-932018-04-2.
  • Sagan, Samuel, M.D. (2007). Awakening the Third Eye (3rd ed). Roseville, N.S.W., Australia: Clairvision. ISBN 0-9586700-5-6.
  • Sharp, Dr. Michael (2005). Dossier of the Ascension: A Practical Guide to Chakra Activation and Kundalini Awakening. St. Albert, Alberta: Avatar Publications. ISBN 0-9735379-3-0.

https://wn.com/Third_eye

The Third Eye (serial)

The Third Eye is a 1920 American film serial directed by James W. Horne. The film is considered to be lost.

Plot

As described in a film publication, Curtis Steele (Oland), a society man at a film studio, has been pursuing actress Rita Moreland (Percy) and confronts her at the studio with the intention of making love to her. She repulses him and during the struggle shoots him. Steele staggers forward and collapses. She is terrified as she thought that the revolver had been loaded with blanks. As she bends over him, he leaps to his feet and with a sneering remark leaves. Later that night Rita is informed that Steele was found at the studio shot through the heart, and that there is a film showing Steel chasing her and then her shooting him. The serial then develops around Rita, her sweetheart, a villain, and the mystery of who killed Steele, who made the film, and attempts to obtain the film.

Cast

  • Warner Oland - Curtis Steele / Malcolm Graw
  • Eileen Percy - Rita Moreland
  • Jack Mower - Dick Keene
  • Third Eye (Monsoon album)

    Third Eye is a studio album by Monsoon.

    Track listing

  • "Wings of the Dawn (Prem Kavita)" (Steve Coe, Martin Smith, Jhalib) – 3:56
  • "Tomorrow Never Knows" (John Lennon, Paul McCartney) – 4:01
  • "Third Eye and Tikka T.V." (Coe) – 2:53
  • "Eyes" (Coe, Smith) – 3:41
  • "Shakti (The Meaning of Within)" (Coe) – 4:04
  • "Ever So Lonely" (Coe) – 6:12
  • "You Can't Take me With You" (Coe, Smith) – 3:04
  • "And I You" (Coe) – 3:28
  • "Kashmir" (Coe, Smith) – 4:00
  • "Watchers of the Night" (Coe, Smith) – 3:47
  • Monsoon featuring Sheila Chandra

    In 1995, the album was re-released under the above title with the following extra tracks:

  • "Indian Princess" – 3:20
  • "Sunset over the Ganges" – 3:16
  • "Ever So Lonely (Hindi Version)" – 5:55
  • "Wings of the Dawn (Prem Kavita) (Hindi Version)" – 4:02
  • "Ever So Lonely (Ben Chapman Remix)" – 6:24
  • "Ever So Lonely (Ben Chapman Instrumental Remix)" – 6:21
  • Personnel

  • Sheila Chandralead vocal, backing vocals
  • Steve Coe – pianos, celeste, swarmandel, gong, organ, cabasa, backing vocals
  • Martin Smith – 8-string bass guitar, 4-string bass guitar, accordion, tamboura, piano, sitar, tabla, ektara, backing vocals
  • Eye

    Eyes are the organs of vision. They detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.

    The simplest "eyes", such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. From more complex eyes, retinal photosensitive ganglion cells send signals along the retinohypothalamic tract to the suprachiasmatic nuclei to effect circadian adjustment and to the pretectal area to control the pupillary light reflex.

    Eye (magazine)

    For the Toronto-based weekly see Eye Weekly.

    Eye magazine, the international review of graphic design, is a quarterly print magazine on graphic design and visual culture.

    History

    First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990-1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1-26, Nick Bell was art director from issues 27-57, and Simon Esterson has been art director since issue 58.

    Frequent contributors include Phil Baines, Steven Heller, Steve Hare, Richard Hollis, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O’Reilly, Rick Poynor, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson and many others.

    Other contributors have included Nick Bell (creative director from issues 27-57), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.

    Higher Learning

    Higher Learning is a 1995 American drama film written and directed by John Singleton, and starring an ensemble cast. The film follows the changing lives of three incoming freshmen at the fictional Columbus University: Malik Williams (Omar Epps), a black track star who struggles with academics; Kristen Connor (Kristy Swanson), a shy and naive girl; and Remy (Michael Rapaport), a lonely and confused man seemingly out of place in his new environment.

    The film also featured Tyra Banks' first performance in a theatrical film. Laurence Fishburne won an NAACP Image Award for "Outstanding Supporting Actor in a Motion Picture"; Ice Cube was also nominated for the award. This was the last film appearance of Dedrick D. Gobert, who was shot dead in 1994 prior to the film's release.

    The exterior shots and outdoor scenes were shot on the campus of University of California, Los Angeles (UCLA) while the interiors were shot at Sony Pictures Studios.

    Plot

    At (fictitious) Columbus University, students Malik Williams, a black track athlete, Kristen Connor, a white woman, and Remy, a white man, are starting their freshman year.

    Third (chord)

    In music, the third factor of a chord is the note or pitch two scale degrees above the root or tonal center. When the third is the bass note, or lowest note, of the expressed triad, the chord is in first inversion  Play .

    Conventionally, the third is third in importance to the root and fifth, with first inversion being the second strongest inversion and the third in all primary triads (I, IV, V and i, iv, v) being variable, major or minor. In jazz chords and theory, the third is required due to it determining chord quality.

    The third in both major and augmented chords is major (E in C) and the third in both minor and diminished chords is minor (E in C).

    Tenth

    In music and music theory, a tenth is the note ten scale degrees from the root of a chord and also the interval between the root and the tenth.

    Since there are only seven degrees in a diatonic scale the tenth degree is the same as the mediant and the interval of a tenth is a compound third.

    See also

  • List of third intervals
  • Podcasts:

    PLAYLIST TIME:

    Real Boy

    by: La Sera

    Real boy, I've got something to say to you
    Real boy, I've got something to swear to you
    Won't hurt your heart, if you don't break my heart and that's the truth
    Real boy, I've got something to share with you
    And that's my heart (2x)
    Real boy, I've got blood inside my veins
    Real boy, I've got soul goes on for days
    I'll be your girl and take on the world we live today
    Real boy, I've got something to give away
    And that's my heart
    It's yours, won't you take my hand
    I'm yours
    Yours if you want (3x)
    Real boy, I've got time to spend with you
    Real boy, I've got dreams that will come true
    You'll be my guy and we travel through time and start anew
    Real boy, I've got something that beats for you




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