The third eye (also known as the inner eye) is a mystical and esoteric concept referring in part to the ajna (brow) chakra in certain dharmic spiritual traditions, in particular Hinduism. This concept was later adopted by Christian mystics and spiritualists as well as people from other religious faiths. It is also spoken of as the gate that leads within to inner realms and spaces of higher consciousness. Among Christian mystics, the term is used in a broad sense to indicate a non-dualistic perspective. In New Age spirituality, the third eye may symbolize a state of enlightenment or the evocation of mental images having deeply personal spiritual or psychological significance. The third eye is often associated with visions, clairvoyance (which includes the ability to observe chakras and auras),[1] precognition, and out-of-body experiences. People who have allegedly developed the capacity to utilize their third eyes are sometimes known as seers.
Contents |
According to Max Heindel's Rosicrucian writings, called Western Wisdom Teachings, the third eye is localized in the pituitary body and the pineal gland. It was said that in the far past, when man was in touch with the inner worlds, these organs were his means of ingress thereto.
According to the teaching of Fr. Richard Rohr the concept of the 'third eye' is a metaphor for non-dualistic thinking, the way the mystics see. In Rhohr's concept, mystics employ the 'first eye' (sensory input such as sight) and the second eye (the eye of reason, meditation, and reflection), "but they know not to confuse knowledge with depth, or mere correct information with the transformation of consciousness itself. The mystical gaze builds upon the first two eyes—and yet goes further."
"It happens whenever, by some wondrous “coincidence,” our heart space, our mind space, and our body awareness are all simultaneously open and nonresistant. I like to call it presence. It is experienced as a moment of deep inner connection, and it always pulls you, intensely satisfied, into the naked and undefended now, which can involve both profound joy and profound sadness at the very same time." Rohr refers to this level of awareness as "having the mind of Christ".[2]
According to the gnostic teachings of Samael Aun Weor, the third eye is referenced symbolically and functionally several times in the Book of Revelation,[which?] which as a whole he sees as a work describing Kundalini and its progression upwards through three and a half turns and seven chakras. This interpretation equates the third eye with the sixth of the seven churches of Asia detailed therein, the Church of Philadelphia.[3]
In Taoism and many traditional Chinese religious sects such as Chan (a cousin to the Zen school), "third eye training" involves focusing attention on the point between the eyebrows with the eyes closed in various qigong postures. The goal of this training is to allow students to tune into the correct "vibration" of the universe and gain a solid foundation into more advanced meditation levels.
In this theory, the third eye, also called the mind's eye, is situated between the two eyes, and expands up to the middle of the forehead when opened. Taoism says it is one of the main energy centers of the body located at the sixth chakra, with the third eye forming a part of the main meridian, the line separating left and right hemispheres of the body.[4]
The third eye is used in many meditation schools and arts, such as in yoga, qigong, Aikido.
In terms of Kabbalah, the Ajna chakra is attributed to the sphere of Chokmah,[5] or Wisdom, although others regard the third eye as corresponding to the non-emanated sephirah of da'ath (knowledge).
Some writers and researchers, including H.P. Blavatsky[6] and Rick Strassman, have suggested that the third eye is in fact the partially dormant pineal gland, which resides between the two hemispheres of the brain. Various types of lower vertebrates, such as reptiles and amphibians, can actually sense light via a third parietal eye—a structure associated with the pineal gland—which serves to regulate their circadian rhythms, and for navigation, as it can sense the polarization of light.
C.W. Leadbeater claimed that by extending an "etheric tube" from the third eye, it is possible to develop microscopic and telescopic vision.[1] It has been asserted by Stephen Phillips that the third eye's microscopic vision is capable of observing objects as small as quarks.[7]
![]() |
Wikimedia Commons has media related to: Ajna chakra (third eye) |
|
|
The Third Eye is a 1920 American film serial directed by James W. Horne. The film is considered to be lost.
As described in a film publication, Curtis Steele (Oland), a society man at a film studio, has been pursuing actress Rita Moreland (Percy) and confronts her at the studio with the intention of making love to her. She repulses him and during the struggle shoots him. Steele staggers forward and collapses. She is terrified as she thought that the revolver had been loaded with blanks. As she bends over him, he leaps to his feet and with a sneering remark leaves. Later that night Rita is informed that Steele was found at the studio shot through the heart, and that there is a film showing Steel chasing her and then her shooting him. The serial then develops around Rita, her sweetheart, a villain, and the mystery of who killed Steele, who made the film, and attempts to obtain the film.
Third Eye is a studio album by Monsoon.
In 1995, the album was re-released under the above title with the following extra tracks:
Eyes are the organs of vision. They detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.
The simplest "eyes", such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. From more complex eyes, retinal photosensitive ganglion cells send signals along the retinohypothalamic tract to the suprachiasmatic nuclei to effect circadian adjustment and to the pretectal area to control the pupillary light reflex.
For the Toronto-based weekly see Eye Weekly.
Eye magazine, the international review of graphic design, is a quarterly print magazine on graphic design and visual culture.
First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990-1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1-26, Nick Bell was art director from issues 27-57, and Simon Esterson has been art director since issue 58.
Frequent contributors include Phil Baines, Steven Heller, Steve Hare, Richard Hollis, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O’Reilly, Rick Poynor, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson and many others.
Other contributors have included Nick Bell (creative director from issues 27-57), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.
Higher Learning is a 1995 American drama film written and directed by John Singleton, and starring an ensemble cast. The film follows the changing lives of three incoming freshmen at the fictional Columbus University: Malik Williams (Omar Epps), a black track star who struggles with academics; Kristen Connor (Kristy Swanson), a shy and naive girl; and Remy (Michael Rapaport), a lonely and confused man seemingly out of place in his new environment.
The film also featured Tyra Banks' first performance in a theatrical film. Laurence Fishburne won an NAACP Image Award for "Outstanding Supporting Actor in a Motion Picture"; Ice Cube was also nominated for the award. This was the last film appearance of Dedrick D. Gobert, who was shot dead in 1994 prior to the film's release.
The exterior shots and outdoor scenes were shot on the campus of University of California, Los Angeles (UCLA) while the interiors were shot at Sony Pictures Studios.
At (fictitious) Columbus University, students Malik Williams, a black track athlete, Kristen Connor, a white woman, and Remy, a white man, are starting their freshman year.
In music, the third factor of a chord is the note or pitch two scale degrees above the root or tonal center. When the third is the bass note, or lowest note, of the expressed triad, the chord is in first inversion Play .
Conventionally, the third is third in importance to the root and fifth, with first inversion being the second strongest inversion and the third in all primary triads (I, IV, V and i, iv, v) being variable, major or minor. In jazz chords and theory, the third is required due to it determining chord quality.
The third in both major and augmented chords is major (E♮ in C) and the third in both minor and diminished chords is minor (E♭ in C).
In music and music theory, a tenth is the note ten scale degrees from the root of a chord and also the interval between the root and the tenth.
Since there are only seven degrees in a diatonic scale the tenth degree is the same as the mediant and the interval of a tenth is a compound third.
Real boy, I've got something to say to you
Real boy, I've got something to swear to you
Won't hurt your heart, if you don't break my heart and that's the truth
Real boy, I've got something to share with you
And that's my heart (2x)
Real boy, I've got blood inside my veins
Real boy, I've got soul goes on for days
I'll be your girl and take on the world we live today
Real boy, I've got something to give away
And that's my heart
It's yours, won't you take my hand
I'm yours
Yours if you want (3x)
Real boy, I've got time to spend with you
Real boy, I've got dreams that will come true
You'll be my guy and we travel through time and start anew
Real boy, I've got something that beats for you