BLEU (bilingual evaluation understudy) is an algorithm for evaluating the quality of text which has been machine-translated from one natural language to another. Quality is considered to be the correspondence between a machine's output and that of a human: "the closer a machine translation is to a professional human translation, the better it is" – this is the central idea behind BLEU. BLEU was one of the first metrics to achieve a high correlation with human judgements of quality, and remains one of the most popular automated and inexpensive metrics.
Scores are calculated for individual translated segments—generally sentences—by comparing them with a set of good quality reference translations. Those scores are then averaged over the whole corpus to reach an estimate of the translation's overall quality. Intelligibility or grammatical correctness are not taken into account.
BLEU is designed to approximate human judgement at a corpus level, and performs badly if used to evaluate the quality of individual sentences.
Play may refer to:
Play is a 2002 album by Joanna MacGregor. The album was released on the SoundCircus label and was a nominee for the Mercury Music Prize.
"Play" is a song by Swedish recording artist Robyn from her second studio album My Truth (1999). Robyn wrote the track in collaboration with Ulf Lindström and Johan Ekhé, who also helmed production. BMG Sweden released it as the album's second single on 21 July 1999 with the non-album song "Good Thang" as its B-side. Musically, "Play" contains some world music influences and a "playful" vibe.
"Play" received positive critical response and became Robyn's seventh consecutive top 40 entry on the Sverigetopplistan singles chart, where it peaked at number 31. The singer performed the song live while promoting the parent album, but the single itself received limited promotion. As with the album, "Play" was not serviced outside of Sweden.
"Play" was written by Robyn, Ulf Lindström and Johan Ekhé. Lindström and Ekhé recorded Robyn's vocals and produced the track at Lifeline Studios in Stockholm, Sweden. Almnils Erson, Pär-Ola Claesson, Gunilla Markström and Olle Markström played the strings and Niklas Gabrielsson provided handclaps, while Lindström and Ekhé played all other instruments. The duo also managed arrangement and mixing; both these tasks were done at Lifeline Studios. Britta Bergström and Angela Holland sang backing vocals alongside Robyn. Björn Engelmann and Henrik Jonsson were enlisted to master the track at Cutting Room Studios in Stockholm.
It's a little bit fUnny Lord, this feeling inside
I'm not one of those who can easily hide
I don't have much money but, boy, if I did
I'd buy a big mansion where we both could live
If, if, if I was a sculpture Lord, honey, but then again, no
(then again no, no)
Or a man who makes potions in a travelin' show
I know it's not much, I know it's not much, but it's the best I can do
You gave me a gift Lord, and I'm gonNA sing it for you
And you can tell everybody that this is your song
(this is your song)
It may be a quite, quite simple, but that's how it's done
I hope you don't mind, I hope you don't mind
What I wrote down in words, words
How wonderful life is when you're in the world, world, world
If, if, (if), if I was on a rooftop
I'd kick off my shoes (kick off my shoes , kick my shoes off)
I'll write a few verses and then I get the blues
But the sun's been quite, quite kind while I wrote this song
It's for people like you and people like me
I wanna, I wanna keep turnin' on
So excuse me, so excuse me
So excuse me forgetting, but these things I do Lord
(these things I do Lord)
You see, you see I've forgotten if they're green or blue
Anyway the thing is, anyway the thing is, what I really mean
You've got the sweetest eyes, you've got the sweetest eyes
The clearest eyes I've ever seen, I hope you got back
I hope you, I hope you got back and tell everybody
That this is your song (this is your song)
It may be quite, quite simple, but now that's how it's done
I hope you don't mind, I hope you don't mind
But I wrote down in words Lord, words
I'm doin' it for how wonderful it is when you're in the world, world, world
If, if, (if), if I sat upon a rooftop I'd kick off my shoes, oh yeah
(kick off my shoes, kick my shoes off)
I'll write a few verses and then I get the blues
But the sun's been quite, quite kind while I wrote this song
It's for people like you, people like me
I wanna, wanna keep turnin' on, so escuse me, so escuse me
So escuse me forgetting, but these things I do
(these things I do Lord)
You see, you see I've forgotten if they're green or blue, baby
And anyway the thing is, anyway the thing is, what I really mean
You are the sweetest eyes, the sweetest eyes
The sweetest eyes I've ever seen
I want you to go back, go back and and tell everybody
That Billy Paul's got a song (Billy Paul's got a song)
I'm, I'm gonna sit upon a, a rooftop and kick off my shoes
I'm gonna write it (write it), write it (write it), write it (write it)
I might come out with the Gospel (Gospel), the blues (blues),
The jazz (jazz), the rock and roll
I'm gonna, got to, got to write me a simple song for everybody
Because this is my song (this is my song)
It may be quite, quite simple but that's the way it's done
I hope you don't mind, I hope you don't mind
What I wrote down in words, words
You come back, you try to try again, try again
Tell everybody that Billy Paul's got a song
(Billy Paul's got a song)
It may be quite, quite simple but that's how it's done, baby
I hope you don't mind, I hope you don't mind
what I wrote down in words
Hold it, hold it, hold it, hold it ooooh