Other names | SEK3 |
---|---|
Born | Saskatchewan, Canada |
July 8, 1947
Died | February 23, 2004 West Los Angeles, California |
(aged 56)
Main interests | Economics, Political economy, Anarchism, Natural law |
Notable ideas | Founder of Agorism |
Samuel Edward Konkin III (aka SEK3) (8 July 1947 – 23 February 2004) was the author of the New Libertarian Manifesto and a proponent of the political philosophy which he called agorism. In the introduction to New Libertarian Manifesto he credited Murray Rothbard, Robert LeFevre, and Ludwig von Mises as influences.
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Konkin was born in Saskatchewan, Canada to Samuel Edward Konkin II and Helen. He had one brother, Alan. He married Sheila Wymer in 1990 and had one son, Samuel Evans-Konkin IV. The marriage ended shortly thereafter.[1] Konkin was also notable for his style of dress: "To show his anarchist beliefs, he dressed completely in black, a color associated with that movement since the late nineteenth century."[2]
On 23 February 2004, Konkin died in his apartment in West Los Angeles, California of "natural causes". He was buried alongside his father in Edmonton, Alberta. A memorial held a month later in Torrance, California was attended by friends and family, including Republican congressperson Dana Rohrabacher, author Victor Koman, author Brad Linaweaver, and journalist Jeff Riggenbach.[3]
Like Rothbard in the late 1960s and early 70s, Konkin saw libertarianism as a movement of the radical left. He was a founder of the Agorist Institute and the Movement of the Libertarian Left.
Konkin rejected voting, believing it to be inconsistent with libertarian ethics. He likewise opposed involvement in the Libertarian Party, which he regarded as a statist co-option of libertarianism. He was an opponent of influential minarchist philosopher Robert Nozick, and referred to Nozick's followers as "Nozis."[2]
Konkin presents his strategy for achieving a libertarian society in his aforementioned manifesto. Since he rejected voting and other means by which people typically aim to change, reform, or "fight the system from the inside," his approach necessarily aimed at fighting "the system" from without. Specifically, he encouraged people to withdraw their consent from the state by moving their economic activities into the black market and grey market where they would be untaxed and unregulated. "Konkin called transactions on these markets, as well as other activities that bypassed the State, 'counter-economics.' Peaceful transactions take place in a free market, or agora: hence his term 'agorism' for the society he sought to achieve."[2] He also strongly opposed intellectual property.[2] [4]
Konkin was interested in TSR's role-playing game Dungeons & Dragons, and contributed a newsletter to the role-playing fanzine 'Alarums and Excursions' for many years, starting in the late 1970's. He described the ongoing adventures of his group of characters in a D&D universe. One copy of the newsletter's cover featured them hanging D&D co-author and president of TSR Gary Gygax from a tree limb over a rule dispute.[citation needed]
Konkin was editor and publisher of the irregularly produced New Libertarian Notes (1971-1975), the New Libertarian Weekly (1975-1978), and finally New Libertarian magazine (1978-1990), the last issue of which was a special science fiction tribute featuring a Robert A. Heinlein cover (issue 187, 1990).
Political theorist Ulrike Heider criticized Konkin in his book Anarchism: Left, Right, and Green for supporting historical revisionism. Konkin personally rejected Holocaust denial, but supported the Institute for Historical Review on the grounds that their freedom of speech was under attack.[5]
SEK may stand for:
Sek may refer to:
Generic term used in the case of polymeric material that may contain other substances
to improve performance and/or reduce costs.
Note 1: The use of this term instead of polymer is a source of confusion and thus is
not recommended.
Note 2: This term is used in polymer engineering for materials often compounded that
can be processed by flow.
Plastic is a material consisting of any of a wide range of synthetic or semi-synthetic organics that are malleable and can be molded into solid objects of diverse shapes. Plastics are typically organic polymers of high molecular mass, but they often contain other substances. They are usually synthetic, most commonly derived from petrochemicals, but many are partially natural.Plasticity is the general property of all materials that are able to irreversibly deform without breaking, but this occurs to such a degree with this class of moldable polymers that their name is an emphasis on this ability.
Due to their relatively low cost, ease of manufacture, versatility, and imperviousness to water, plastics are used in an enormous and expanding range of products, from paper clips to spaceships. They have already displaced many traditional materials, such as wood, stone, horn and bone, leather, paper, metal, glass, and ceramic, in most of their former uses. In developed countries, about a third of plastic is used in packaging and another third in buildings such as piping used in plumbing or vinyl siding. Other uses include automobiles (up to 20% plastic), furniture, and toys. In the developing world, the ratios may be different - for example, reportedly 42% of India's consumption is used in packaging. Plastics have many uses in the medical field as well, to include polymer implants, however the field of plastic surgery is not named for use of plastic material, but rather the more generic meaning of the word plasticity in regards to the reshaping of flesh.
Plastic is the third studio album by guitarist Joey Tafolla, released on July 16, 2001 through Mascot Records.
All songs written and composed by Joey Tafolla and Ken Tamplin.
Plastic, stylised as PLASTIC, is the second album by the Japanese artist Mitsuki Aira. It was released July 22, 2009, and contains the singles "Robot Honey", "Sayonara Technopolis" and "Barbie Barbie". This is her current best-selling album according to Oricon.
The album was released as a regular album and two special editions, one of which contains a live DVD and the other a remix CD. Both additional discs contain eight tracks.
The tracks "Robot Honey", "Sayonara Technopolis" and "Barbie Barbie" were released as singles prior to Plastic, while "Knee-high Girl", "Change My Will", "High Speed Sneaker" and "Distant Stars" appeared as b-sides.