Plantin is an old-style serif typeface named after the printer Christophe Plantin. It was first cut in 1913 by Fritz Stelzer under the guidance of Frank Hinman Pierpont for the Monotype Corporation, and is based on a Gros Cicero face cut in the 16th century by Robert Granjon. Plantin is one of the typefaces that influenced the creation of Times New Roman in the 1930s.
The intention behind the design of Plantin was to create a font with thicker letterforms than had typically been used until that time: previous type designers had reduced the weight of their fonts to make up for the effect of ink spread, but by 1913 innovations in smoothing and coating paper had led to reduced ink spread. Pierpont was inspired to use Granjon's designs by a visit to the Plantin-Moretus Museum in Antwerp, Belgium, which had them on display. The Granjon font on which Pierpont's design was based was listed as one of the types used by the Plantin-Moretus Press beginning in the 17th century, long after Plantin had died and his press had been inherited by the Moretus family, but Plantin himself had used a few letters of the font to supplement another font, a Garamond. The design for Plantin preserved the large x-height of Granjon's designs, but shortened the ascenders and descenders and enlarged the counters of the lowercase letters a and e.
In typography, a typeface (also known as font family) is a set of one or more fonts each composed of glyphs that share common design features. Each font of a typeface has a specific weight, style, condensation, width, slant, italicization, ornamentation, and designer or foundry (and formerly size, in metal fonts). For example, "ITC Garamond Bold Condensed Italic" means the bold, condensed-width, italic version of ITC Garamond. It is a different font from "ITC Garamond Condensed Italic" and "ITC Garamond Bold Condensed," but all are fonts within the same typeface, "ITC Garamond." ITC Garamond is a different typeface from "Adobe Garamond" or "Monotype Garamond." (These are all alternative updates or digitisations of the typeface Garamond, originally created in the 16th century.) There are thousands of different typefaces in existence, with new ones being developed constantly.
The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundries. In digital typography, type designers are sometimes also called font developers or font designers.
Spider-Man is a fictional superhero in the Marvel Universe debuting in the anthology comic book series issue Amazing Fantasy #15 (August 1962) in the Silver Age of Comics published by Marvel Comics. After his debut he would get his own comic book entitled The Amazing Spider-Man. The comic book series would introduce many of what would become his major supervillain adversaries. Spider-Man would then be popular enough for more Spider-Man comic spinoffs (The Spectacular Spider-Man, Marvel Team-Up, Web of Spider-Man, Peter Parker: Spider-Man etc.) which potentially introduced more recurring antagonists of the web-slinger.
As with Spider-Man, the theme behind the villains' powers originate with scientific accidents or the misuse of scientific technology and also tend to have animal-themed costumes or powers (Vulture, Doctor Octopus, Lizard, Rhino, Scorpion, Jackal and Black Cat). There also consists supervillains with the powers of the elements (Sandman, Electro, Molten Man and Hydro-Man), some that are horror-themed (the Goblins, Morbius, the Symbiotes and Morlun) and some that are crime lords (Kingpin, Hammerhead and Silvermane). His rogue also consisted of some that are masters of trickery and deception such as the Chameleon and Mysterio. These villains oftentimes form teams such as the Sinister Six and the Sinister Syndicate to oppose the superhero.
Typeface is an independent documentary film, produced by Kartemquin Films, about visual culture, technology and graphic design, centered on the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. Typeface the film focuses on a rural Midwestern museum and print shop where international artists meet retired craftsmen and together navigate the convergence of modern design and traditional technique. Directed by Justine Nagan, it was released in 2009 after two sold-out sneak previews at the Walker Art Center in Minneapolis, MN.
Its international premiere was at the Breda International Film Festival in The Netherlands. Since that time, the film has toured around the world for screenings in select theatres, museums, universities and film festivals, including the Yerba Buena Center for the Arts in San Francisco, The Alamo Drafthouse Cinema in Austin, a sold-out week run at the Gene Siskel Film Center in Chicago, and the Denver Art Museum in Denver. Musician Josh Ritter provided the film’s soundtrack. Typeface won “Best Documentary” at the Flyway Film Festival in October 2009. The film was a 2010 Regional Emmy (Chicago/Midwest Chapter of the Academy of Arts and Sciences) nominee for Best Documentary.