Butthole Surfers is an American rock band formed by Gibby Haynes and Paul Leary in San Antonio, Texas in 1981. The band has had numerous personnel changes, but its core lineup of Haynes, Leary, and drummer King Coffey has been consistent since 1983. Teresa Nervosa served as second drummer from 1983 to 1985, 1986 to 1989, and 2009. The band has also employed a variety of bass players, most notably Jeff Pinkus.
Rooted in the 1980s hardcore punk scene, Butthole Surfers quickly became known for their chaotic and disturbing live shows, black comedy, and a sound that incorporated elements of psychedelia, noise, punk rock and, later, electronica, as well as their use of sound manipulation and tape editing. Butthole Surfers have a well-reported appetite for recreational drugs, an evident influence on their sound.
Although they were respected by their peers and attracted a devoted fanbase, Butthole Surfers had little commercial success until 1996's Electriclarryland. The album contained the hit single "Pepper" which climbed to number one on Billboard's Modern Rock Tracks chart that year.
Butthole Surfers is the debut studio EP by American punk band Butthole Surfers, released in July 1983. It is also known as Brown Reason to Live and Pee Pee the Sailor (see "Title controversy"). All songs were written and produced by Butthole Surfers.
The album was originally released on Alternative Tentacles. Butthole Surfers and 1984's Live PCPPEP were reissued as Butthole Surfers/Live PCPPEP CD on Latino Buggerveil in 2003. The 12-inch vinyl version is still available from Alternative Tentacles, and is listed as Brown Reason to Live.
The center label on Butthole Surfers' vinyl printings invites listeners to erroneously play the record at "69 RPM," a joke referencing the famous sex position. The album's back cover features a mildly distorted image of famed Mexican luchador Santo. Kurt Cobain listed the EP in his top fifty albums of all time.
Butthole Surfers introduced themselves to the world with seven songs full of throbbing bass, crashing drums, and heavily distorted guitar topped off with largely nonsensical, barely intelligible lyrics, alternately sung by lead vocalist Gibby Haynes and guitarist Paul Leary. Haynes also plays saxophone and drums on some tracks. Unlike later Butthole Surfers albums, no electronic instrumentation is present.
Coordinates: 33°50′N 35°50′E / 33.833°N 35.833°E / 33.833; 35.833
Lebanon (i/ˈlɛbənɒn/ or /ˈlɛbənən/; Arabic: لبنان Libnān or Lubnān; Lebanese Arabic: [lɪbˈneːn]; Aramaic: לבנאן; French: Liban), officially the Lebanese Republic (Arabic: الجمهورية اللبنانية al-Jumhūrīyah al-Lubnānīyah; Lebanese Arabic: [elˈʒʊmhuːɾɪjje l.ˈlɪbneːnɪjje]; French: République libanaise), is a country in Western Asia. It is bordered by Syria to the north and east and Israel to the south. Lebanon's location at the crossroads of the Mediterranean Basin and the Arabian hinterland facilitated its rich history and shaped a cultural identity of religious and ethnic diversity.
The earliest evidence of civilization in Lebanon dates back more than seven thousand years, predating recorded history. Lebanon was the home of the Canaanites/Phoenicians and their kingdom, a maritime culture that flourished for over a thousand years (c. 1550–539 BC). In 64 BC, the region came under the rule of the Roman Empire, and eventually became one of the Empire's leading centers of Christianity. In the Mount Lebanon range a monastic tradition known as the Maronite Church was established. As the Arab Muslims conquered the region, the Maronites held onto their religion and identity. However, a new religious group, the Druze, established themselves in Mount Lebanon as well, generating a religious divide that has lasted for centuries. During the Crusades, the Maronites re-established contact with the Roman Catholic Church and asserted their communion with Rome. The ties they established with the Latins have influenced the region into the modern era.
Lebanon is a mural size painting by Nabil Kanso depicting the Lebanese Civil War in a scene invoking the spirit and character of the people in the midst of horror and violence gripping the country. Amid the scene of chaos and devastation, two central figures reach across toward each other symbolically to represent the appeal for unity in defiance of the forces of division, destruction, and terror.
Painted in oil on linen and completed in 1983, the painting Lebanon measures 28 feet (8.5 meters) long by 10 feet (3meters) tall. Its composition delineates three sections. At the center, two leaping female figures reach toward each other, almost touching. They are within grasp of a tiny pearl of white green light at the center of the canvas. In the foreground plane forming the base of the two converging figures, an appealing mother carrying a child appears bursting out from a torched pyramidal structure serving to balance and heighten the overall impact of the central scene.
Amanda Jo Abizaid is an American Lebanese singer/songwriter best known for her vocal performance on the theme song of the US TV series The 4400.
Abizaid was born in Beirut, Lebanon, to an American mother and a Mexican/Lebanese father. She traveled the Middle East and Europe with her family before the age of ten, when she moved with her mother and brother to the United States. Along with her four sisters, she formed a band and developed a talent for harmonies. Her first exposure to music was Middle Eastern music combined with the late 1970s American influences of Alice Cooper, Elton John, Crosby, Stills and Nash, and The Beatles.
After moving to the US, she lived in Poughkeepsie, NY until moving to Great Falls, Virginia for high school. She later attended the Corcoran School of Art in Georgetown and then transferred to The Catholic University of America to study drama and music, while pursuing a career in hairstyling. She dropped out of college to work as a runway model with designers such as Jacques Fath, Nina Ricci, Oscar de la Renta, Alberta Ferretti, Badgley Mischka, Chloe and Bill Blass. She traveled to Paris and Germany and modeled for London designer Zandra Rhodes in the UK. Afterward, she returned to the US to live in Miami, Florida. In Miami, she met musician/songwriter Shane Soloski in the late 90's and decided to move to Los Angeles to form a band with him.
Take me
Mexican Caravan
South of
South of the Rio Grande
Take me to that amigo town
Where I can score some of that heroin brown
Take me
Mexican Caravan
South of
South of anywhere you can
Push me in through the garbage can
Teach this white boy to be Mexican
Take me
Mexican Caravan
Let's score some of that heroin
You know the way to make the white boy say
Make me Mexican
Take me
Mexican Caravan
Push me into the Rio Grande
You know the way to make the white boy say
Make me Mexican
Take me
Take me
Take me