Piter | |
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Author(s) | Shimun Vrochek |
Country | Russia |
Language | Russian (Original), Polish, German and Spanish |
Series | Universe of Metro 2033 |
Genre(s) | Post-apocalyptic |
Publication date | February 2010 |
Media type | Print (Hardcover and Paperback) |
Pages | 384 (Russian original), 595 (Polish version), 624 (German version) |
Piter (Russian: Питер) is a novel written by Russian author Shimun Vrochek.[1][2] Piter is part of Universe of Metro 2033, a long-running series of short stories, novellas, and novels, spanning a variety of genres including post-apocalyptic action, and rarely, romance, written by several different authors.[3] Piter was originally published in February of 2010.[4] Although there is currently no English version of the book, Piter has been translated into a number of other European languages, such as German,[5] Polish[6] and Spanish.[7] The novel was translated to Polish by Paweł Podmiotko.[8]
The book itself is a bit different from Dmitry Glukhovsky's original works, giving the reader a look at what happened after the Catastrophe in another part of Russia, whilst maintaining the original ideas and atmosphere behind Metro 2033. It is one of the longer novels in the Universe series.
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This plot summary may be a hook or written as if for a listings magazine. (January 2013) |
Just like the people of Moscow in the fictional world of Metro 2033, a fraction of St. Petersburg's citizens have fled to the underground tunnels of their hometown's metro moments before the nuclear bombs were dropped on the city. Piter (Russian slang for St. Petersburg) tells the story of Ivan Merkulov, a twenty-six year old fighter and stalker who experiences many trials and adventures as he travels through places both in the subway system of Saint Petersburg, as well as those above on the surface of post-apocalyptic Earth. The novel begins with the protagonist about to get married. The ceremony is interrupted when the engine-generator that powers the necessities of life on Vasileostrovskaya (Ivan's home station) is stolen. Sozonov - friend and member of Merkulov's team of stalkers - believes that the residents of several nearby stations, who originate from Moscow, are responsible for the crime. A war begins between those stations and an alliance that Vasileostrovskaya is part of.[9]
As is revealed later on in the story, things are much more complex than Ivan thought. He is dragged into something much bigger than the local conflict between the two factions, and the lines between friend and foe become very blurry as he continues his task. Merkulov's mission takes him to various locations, through numerous dangers and oddities, as he travels through the metro and beyond.[9]
In Russia, Piter was received with mostly positive feedback from critics and fans of the book series alike.[10] Although some believed that it was written in a very similar style to that of the original author of Metro 2033[11], others thought the exact opposite and claimed that the novel was "teenage drivel" (even though Shimun Vrochek is older than Dmitry Glukhovsky).[12] Piter was also met with positive responses from Polish readers.[13] Critics from the Fantasta.pl website claimed that Piter is "a worthy representative of post-apocalyptic literature" and is easy to read for those who have never read a book from the Metro series before.[14] Editor Monika "Katriona" Doerre, from kawerna.pl, recommended Piter for fans of the Fallout and Hellgate video game series.[15]
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*** is Michael Brodsky's fifth novel. The title consists of precisely three asterisks, as mentioned on the book's copyright page as part of its Library of Congress cataloguing information.
The book centers on Stu Potts, working for Dov Grey, captain of industry, creating ***s out of raws. No underlying meanings for "***", nor for "raw", both of which occur frequently in the text, are directly suggested. Readers are left to struggle on their own. One reviewer suggested "*** seem to be (depending on the passage and on the mood of the reader) archetypal widgets, phenotypes or, occasionally, art."
*** is also metafictional. The novel begins with a "PROLOGUE" title page. No other title page appears in the novel, as if the entire novel is prologue. Early on, a short chapter consisting of instructions on the assembly of the book's "thought packets" is provided, offering contradictory advice. Towards the end, alternative plot lines are suggested and discarded, left for "the next time the story is told."
A novel is a long narrative, normally in prose, which describes fictional characters and events, usually in the form of a sequential story.
The genre has also been described as possessing "a continuous and comprehensive history of about two thousand years". This view sees the novel's origins in Classical Greece and Rome, medieval, early modern romance, and the tradition of the novella. The latter, an Italian word used to describe short stories, supplied the present generic English term in the 18th century. Ian Watt, however, in The Rise of the Novel (1957) suggests that the novel first came into being in the early 18th century,
Miguel de Cervantes, author of Don Quixote, is frequently cited as the first significant European novelist of the modern era; the first part of Don Quixote was published in 1605.
The romance is a closely related long prose narrative. Walter Scott defined it as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", whereas in the novel "the events are accommodated to the ordinary train of human events and the modern state of society". However, many romances, including the historical romances of Scott,Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". Romance, as defined here, should not be confused with the genre fiction love romance or romance novel. Other European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo."
Moon of Israel is a novel by Rider Haggard, first published in 1918 by John Murray. The novel narrates the events of the Biblical Exodus from Egypt told from the perspective of a scribe named Ana.
Haggard dedicated his novel to Sir Gaston Maspero, a distinguished Egyptologist and director of Cairo Museum.
His novel was the basis of a script by Ladislaus Vajda, for film-director Michael Curtiz in his 1924 Austrian epic known as Die Sklavenkönigin, or "Queen of the Slaves".