Baseball field

A baseball field, also called a ball field or a baseball diamond, is the field upon which the game of baseball is played. The term is also used as a metonym for baseball park.

Specifications

The starting point for much of the action on the field is home plate, which is a five-sided slab of whitened rubber, 17 inches square with two of the corners removed so that one edge is 17 inches long, two adjacent sides are 8½ inches and the remaining two sides are 12 inches and set at an angle to make a point. Adjacent to each of the two parallel 8½-inch sides is a batter's box. The point of home plate where the two 12-inch sides meet at right angles is at one corner of a ninety-foot square. The other three corners of the square, in counterclockwise order from home plate, are called first base, second base, and third base. Three canvas bags fifteen inches (38 cm) square mark the three bases. These three bags along with home plate form the four points at the corners of the infield.

All the bases, including home plate, lie entirely within fair territory. Thus, any batted ball that touches those bases must necessarily be in fair territory. While the first and third base bags are placed so that they lie inside the 90 foot square formed by the bases, the second base bag is placed so that its center (unlike first, third and home) coincides exactly with the "point" of the ninety-foot infield square. Thus, although the "points" of the bases are 90 feet apart, the physical distance between each successive pair of base markers is closer to 88 feet.

Mound

A mound is an artificial heaped pile of earth, gravel, sand, rocks, or debris. The most common use is in reference to natural earthen formation such as hills and mountains, particularly if they appear artificial. The term may also be applied to any rounded area of topographically higher elevation on any surface. Artificial mounds have been created for a variety of reasons throughout history, including ceremonial (platform mound), burial (tumulus), and commemorative purposes (e.g. Kościuszko Mound).

Archaeology

North American archaeology

In the archaeology of the United States and Canada, the term "mound" has specific and technical connotations. In this sense, a mound is a deliberately constructed elevated earthen structure or earthwork, intended for a range of potential uses. In European and Asian archaeology, the word "tumulus" may be used as a synonym for an artificial hill, particularly if the hill is related to particular burial customs.

While the term "mound" may be applied to historic constructions, most mounds in the United States are pre-Columbian earthworks, built by Native American peoples. Native Americans built a variety of mounds, including flat-topped pyramids or cones known as platform mounds, rounded cones, and ridge or loaf-shaped mounds. Some mounds took on unusual shapes, such as the outline of cosmologically significant animals. These are known as effigy mounds. Some mounds, such as a few in Wisconsin, have rock formations, or petroforms within them, on them, or near them.

Mound (disambiguation)

A mound is an artificial heap or pile, especially of earth, rocks, or sand.

Mound and Mounds may also refer to:

In places:

See also:

Rift (album)

Rift is the fourth official studio album by the American rock band Phish. It is the band's second concept album, the first being The Man Who Stepped into Yesterday in 1987, which has never been officially released. Rift's songs convey the experience of a man dreaming about the rift in his relationship with his girlfriend. Recorded in September and October 1992 and produced by Muscle Shoals music veteran Barry Beckett, the album was released by Elektra Records on February 2, 1993.

All songs were written by Trey Anastasio and Phish lyricist Tom Marshall except "Mound" and "Weigh" by bass guitarist Mike Gordon and "Lengthwise" by drummer Jon Fishman.

The instrumental, "All Things Reconsidered", is an intentional variation on the theme to the National Public Radio news show All Things Considered, and has been featured on the show itself several times. An orchestral version of the song appears on Trey Anastasio's 2004 solo album Seis De Mayo.

The cover art was created by New York-based painter David Welker, who worked closely with the band during winter 1993 in order to visually depict each of the album's tracks in a single image, with the notable exception of "The Horse". (For this reason, a horse intentionally appears on the cover of Phish's next album, Hoist). Relix magazine listed Rift as one of the most iconic album covers of all time in 2007.