Pinocchio (1940 film)

Pinocchio is a 1940 American animated musical fantasy film produced by Walt Disney Productions and based on the Italian children's novel The Adventures of Pinocchio by Carlo Collodi. It was the second animated feature film produced by Disney, made after the success of Snow White and the Seven Dwarfs (1937).

The plot of the film involves an old wood-carver named Geppetto who carves a wooden puppet named Pinocchio. The puppet is brought to life by a blue fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's efforts to become a real boy involve encounters with a host of unsavory characters. The film was adapted by Aurelius Battaglia, William Cottrell, Otto Englander, Erdman Penner, Joseph Sabo, Ted Sears, and Webb Smith from Collodi's book. The production was supervised by Ben Sharpsteen and Hamilton Luske, and the film's sequences were directed by Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, and Bill Roberts. Pinocchio was a groundbreaking achievement in the area of effects animation, giving realistic movement to vehicles, machinery and natural elements such as rain, lightning, smoke, shadows and water. The film was released to theaters by RKO Radio Pictures on February 23, 1940.

1940 in film

The year 1940 in film involved some significant events, including the premieres of the Walt Disney classics Pinocchio and Fantasia.

Events

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography

Boris Eifman

Boris Eifman (Борис Яковлевич Эйфман) (born 22 July 1946) is one of the few, if not the only Russian choreographer whose energetic life in art has been going on for several decades. He has done more than fifty ballet performances.

Eifman was born in Siberia and graduated from the Leningrad Conservatory. In 1977 he founded the Leningrad Ballet Ensemble at the age of 30 and he remained there for over 35 years.

Honours and awards

Footnotes

External links

Pinocchio (disambiguation)

Pinocchio is the boy-puppet from the 1883 novel The Adventures of Pinocchio.

Pinocchio may also refer to:

Awards

Characters in multiple media venues

Film and television productions and characters

[Note: This is an incomplete list of adaptations and articles; see also the main article on the title subject. Also, unless specified as character only, the entry refers to both a production title, and a character in that title.]