Pink (film)

Pink (Hangul: 핑크) is a 2011 South Korean drama film directed by Jeon Soo-il.

Cast

References

External links

Pink

Pink is a pale red color, which takes its name from the flower of the same name. According to surveys in Europe and the United States, pink is the color most often associated with love, beauty, charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and the romantic. When combined with violet or black, it is associated with eroticism and seduction.

Pink was first used as a color name in the late 17th century.

In nature and culture

The color pink takes its name from the flowers called pinks, members of the genus Dianthus.

The color pink takes its name from the flowers called pinks, members of the genus Dianthus.

In most European languages, pink is called rose or rosa, after the rose flower.

In most European languages, pink is called rose or rosa, after the rose flower.

Cherry blossoms in Senai, Miyagi, Japan. The Japanese language has different words for the pink of cherry blossoms (sakura-iro), and peach blossoms (momo-iro). Recently the word pinku has also become popular.

Pink (Boris album)

Pink is the tenth album by Japanese experimental band Boris. The album was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by the US label, Southern Lord Records. Upon release the album received very favorable reviews, largely for taking a more melodic and accessible direction than the band's previous work.

The original version of the album released in Japan in 2005 presents itself with a different cover (shown on the right side), track names, and length. All of these elements were subsequently modified on the first reissue of the album. The album's length was extended significantly on the LP version of the album. Additionally, a music video was shot for the title track which was limited to 100 copies on DVD. Since then, the music video has been included in the limited edition of the album Smile, also published by Southern Lord.

The full-length version of the track "Farewell" from the vinyl edition appears on Boris / Variations + Live in Japan. It was also re-recorded for the collaborative studio album with Merzbow, Gensho.

Pink (song)

"Pink" is a song by American hard rock band Aerosmith. It was written by Steven Tyler and professional songwriters Richie Supa and Glen Ballard. It was released as the third major single from Nine Lives in 1997.

Chart positions

The song reached No. 27 on the Billboard Hot 100, No. 38 in the United Kingdom, and No. 19 in Latvia. It also topped the Mainstream Rock Tracks chart for four weeks.

The band re-released the song in the United Kingdom in 1999. The re-released version did much better, reaching No. 13.

Song structure

The song is highlighted by a harmonica performance by Steven Tyler at the beginning, as well as a strong bass rhythm throughout the song, and a mix of acoustic guitars and jangling electric guitars throughout the verses.

Many of the lines in the verses start with the word "pink" (i.e. "Pink it's my new obsession ", "Pink it's not even a question", "Pink on the lips of your lover", etc.). The song is also highly suggestive, in that the origin of the fascination with pink stems from the admiration of a woman's reproductive organs, particularly the inner side of the outer lips – the "pink in the middle" –, and also the man's penis – "I wanna wrap you in rubber" and "my favorite crayon".

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography

Television film

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).