NBA Jam

NBA Jam is a basketball arcade game published and developed by Midway in 1993. It is the first entry in the NBA Jam series. The main designer and programmer for this game was Mark Turmell. Midway had previously released such sports games as Arch Rivals in 1989, High Impact in 1990, and Super High Impact in 1991. The gameplay of NBA Jam is based on Arch Rivals, another 2-on-2 basketball video game. However, it was the release of NBA Jam that brought mainstream success to the genre.

The game became exceptionally popular, and generated a significant amount of money for arcades after its release, creating revenue of $1 billion in quarters. In early 1994, the Amusement & Music Operators Association reported that NBA Jam had become the highest-earning arcade game of all time.

The release of NBA Jam gave rise to a new genre of sports games which were based around fast, action-packed gameplay and exaggerated realism, a formula which Midway would also later apply to the sports of football (NFL Blitz), and hockey (2 on 2 Open Ice Challenge).

On Fire (Stefanie Heinzmann song)

"On Fire" is a song by Swiss recording artist Stefanie Heinzmann. It was written by Joachim Persson, Audra Mae, Johan Carl Axel Alkenas, and Niclas Molinder for her fourth studio album Chance of Rain (2015), while production was helmed by production collective Electric. The song was released as the album's second single in July 2015 and has since reached the top fifty of the Swiss Singles Chart.

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On Fire (Peter Furler album)

On Fire is the first studio album released by Australian Christian musician Peter Furler. It marks Furler's solo debut after his departure from Newsboys in 2009. After some date changes, the album was finally released 21 June 2011.

Critical reception

On Fire garnered generally positive reception from music critics. Peter Timmis of Cross Rhythms rated the album a nine out of ten, stating that the album is "an uplifting and intelligent debut that seems sure to propel Furler to the very top of the CCM tree." Matt Conner of CCM Magazine rated the album three stars out of five, and according to him "It doesn't all work, but it's always interesting." At HM, Dan MacIntosh rated the album three stars out of five, saying that "Some are quite good", however he says some songs are "bad idea[s]." Andy Argyrakis of Christianity Today rated the album three stars, stating that "While Furler's creative spark and satire may have softened, he's still a catchy songwriter", yet on this release "Everything's likeable but nothing's remarkable". At Allmusic, William Ruhlmann rated the album three-and-a-half stars out of five, saying that the release "gets Furler's solo career off with a bang".

Fire!!

Fire!! was an African-American literary magazine published in New York City in 1926 during the Harlem Renaissance. The publication was started by Wallace Thurman, Zora Neale Hurston, Aaron Douglas, John P. Davis, Richard Bruce Nugent, Gwendolyn Bennett, Lewis Grandison Alexander, Countee Cullen, and Langston Hughes. After it published one issue, its quarters burned down, and the magazine ended.

History

Fire!! was conceived to express the African-American experience during the Harlem Renaissance in a modern and realistic fashion, using literature as a vehicle of enlightenment. The magazine's founders wanted to express the changing attitudes of younger African Americans. In Fire!! they explored edgy issues in the Black community, such as homosexuality, bisexuality, interracial relationships, promiscuity, prostitution, and color prejudice.

Langston Hughes wrote that the name was intended to symbolize their goal "to burn up a lot of the old, dead conventional Negro-white ideas of the past ... into a realization of the existence of the younger Negro writers and artists, and provide us with an outlet for publication not available in the limited pages of the small Negro magazines then existing.". The magazine's headquarters burned to the ground shortly after it published its first issue. It ended operations.

Fire (Yes, Yes Y'all)

"Fire (Yes, Yes Y'all)" (simply known as "Fire") is a song by American rapper Joe Budden, featuring Busta Rhymes. Produced by Just Blaze, the song is the second single from Budden's 2003 eponymous debut album.

The song was featured during the party scene in the movie Mean Girls. It was also featured in the pool scene of the pilot episode of Entourage. Joe Budden had made a remix with Paul Cain and Fabolous which appeared on the latter's mixtape, "More Street Dreams, Pt. 2: The Mixtape".

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Kelis Was Here

Kelis Was Here is the fourth studio album by American singer-songwriter Kelis, released August 22, 2006 by Jive Records. It features production by Bangladesh, Raphael Saadiq, Max Martin, Sean Garrett, and Scott Storch, among others, and also features collaborations with will.i.am, Nas, Cee-Lo, Too Short, and Spragga Benz. The album received a nomination for Best Contemporary R&B Album at the 2007 Grammy Awards and is notable for being the first Kelis record to feature no production from longtime collaborators The Neptunes.

Release and promotion

The album's lead single, "Bossy", features rapper Too Short. The song peaked at number 16 on the Billboard Hot 100 and was certified double platinum by the Recording Industry Association of America (RIAA) on December 11, 2006. The second single from the album, "Blindfold Me", featuring Nas, was released solely in the United States. It failed to enter the Billboard Hot 100, while peaking at number 91 on the Hot R&B/Hip-Hop Songs chart. "Lil Star", which features Cee-Lo of the duo Gnarls Barkley, was released internationally as the album's third and final single. The track reached number three on the UK Singles Chart, earning Kelis her fifth UK top-five hit as a lead artist.

Pin (computer program)

Pin is a platform for creating analysis tools. A pin tool comprises instrumentation, analysis and callback routines. Instrumentation routines are called when code that has not yet been recompiled is about to be run, and enable the insertion of analysis routines. Analysis routines are called when the code associated with them is run. Callback routines are only called when specific conditions are met, or when a certain event has occurred. Pin provides an extensive application programming interface (API) for instrumentation at different abstraction levels, from one instruction to an entire binary module. It also supports callbacks for many events such as library loads, system calls, signals/exceptions and thread creation events.

Pin performs instrumentation by taking control of the program just after it loads into the memory. Then just-in-time recompiles (JIT) small sections of the binary code using pin just before it is ran. New instructions to perform analysis are added to the recompiled code. These new instructions come from the Pintool. A large array of optimization techniques are used to obtain the lowest possible running time and memory use overhead. As of June 2010, Pin's average base overhead is 30 percent (without running a pintool).