The Sigma is an experimental glider developed in Britain from 1966 by a team led by Nicholas Goodhart. After disappointing performance during flight testing the Sigma was passed on to a Canadian group which carried out modifications, making the Sigma more competitive.
Designed to compete in the 1970 World Championships, the team aimed to develop a wing that would climb well through a high lift coefficient and a large wing area, but equally had the "maximum possible reduction of area for cruise at low lift coefficients". At the same time for the minimum possible drag they aimed for "extensive" laminar flow. To achieve this they employed flaps that would alter both wing area and wing camber. Based on analysis of the nature of thermals encountered in cross-country flying, they reasoned that by having a slow turning circle, their sailplane could stay close to the central (and strongest) part of the thermal and gain maximum benefit.
Its unusual feature is its ability to vary its wing area using Fowler flaps. It had been tried before by the Hannover Akaflieg in 1938 with their AFH-4, the South African Beatty-Johl BJ-2 Assegai and the SZD Zefir gliders.
Sigma in cosmology was a property of galaxies used when trying to work out the mystery of galaxies and their supermassive black holes.
In the late 1990s the NUKER experts had made observations with a spectroscope of two galaxies, one of an active galaxy with an active galactic nucleus called NGC10-68 and a dormant galaxy next door to us named Andromeda.
The observations are shown. The light from the centre in Andromeda galaxy was distorted proving the existence of super-massive black holes.
Other observations proved most galaxies had a similar centre whether it be active or dormant.
They then realised that the black holes must have something to do with a galaxy's formation, so they turned to something they thought was useless: the speed of the stars around the edge of the galaxy. This was Sigma, the speed of the stars at the edge of the galaxy supposedly unaffected by the mass of the black hole at the centre.
The NUKER team calculated the sigma of several stars in different galaxies and the mass of the black hole at the (nucleus) centre. They expected no correlation what so ever. But when plotting their results on a Scatter diagram and drawing a line of best fit they ended up with a positive correlation. It appeared that the heavier the black hole at the centre was the faster the stars within the galaxy travelled.
Sigma is an English drum and bass duo consisting of Cameron Edwards and Joe Lenzie. They met at Leeds University at drum and bass nights. Their 2010 collaboration with DJ Fresh, "Lassitude", peaked at number 98 on the UK Singles Chart. Their single "Nobody to Love" topped the UK Singles Chart, becoming their first UK number one. Follow-up single "Changing", featuring Paloma Faith, also got to number one.
Lenzie and Edwards met in 2006 at Leeds University; Cameron was working in local record store Tribe Records and with Echo Location's Obi running local night Event Horizon, while Lenzie was DJing hip-hop and warming up Event Horizon for such acts as Rahzel and Grandmaster Flash. Once they had finished in Leeds, they relocated to London and became a three-piece with Edwards' school friend Ben Mauerhoff, being signed under DJ Fresh's Breakbeat Kaos. After a while, long distances took their toll – Edwards and Mauerhoff were based in Surrey, whereas Lenzie was based in Harpenden, Hertfordshire and they couldn't get three people into the Harpenden studio – and Mauerhoff left. In December 2008 they formed their own record label, Life Recordings (so called because, according to Lenzie, the industry demanded that it be their life). Its inaugural release was a VIP mix of their early Bingo Beats single "El Presidente".
"P.I.M.P." is a song by American hip-hop artist 50 Cent, recorded for his debut studio album Get Rich or Die Tryin' (2003). The song features production from Shady label-mate, Mr. Porter and Brandon Parrott. A remixed version of the song, featuring fellow rappers Snoop Dogg, Lloyd Banks and Young Buck, was released as the album's third official single on August 12, 2003, although the remix was not initially part of the track listing: it was later added as a bonus track to some digital editions of the album.
Upon its release, the song was a significant commercial success, especially in the United States, where it peaked at #3 on the Billboard Hot 100 and reached the top ten of many national charts worldwide. The song was later certified Gold by the RIAA for sales of 500,000+ copies.
Musically, the song is based on a highly steel-drum-prominent production from Brandon Parrott and Porter, and although it is predominantly a rap song, features elements of other genres, especially reggae, or music similar to that of the Caribbeans, within the steel drum-based production. Lyrically, the song glorifies 50 Cent's supposed involvement in the 'pimp' lifestyle.
Pimp: The Backhanding is a card game published in 2004 by Arthaus Games, an imprint of White Wolf Publishing.as part of their One Hit Wonders line. Game design by J.C. Lira, with art by Skottie Young and Brian Glass. Pimp: The Backhanding can be played by two to four players using a single box set, as it contains the all the cards and game pieces required, with the exception of dice. Release of Pimp: The Backhanding created some controversy over the game's subject matter by individuals from the White Wolf Publishing Community Forums who felt the game was disrespectful to women and advocated workers in the illegal sex trade industry.
The game represents a media-stereotyped passage of 1970's American pimp culture, with players assuming the roles of typecast pimps who seek consolidation of their criminal holdings and prostitutes to become the largest criminal ring in the city. Score points are symbolized as profit earned from prostitutes peddling their trade.
So what are you sayin Todd?
So what are you sayin Todd?
Beyotch!!
Ha-ha-ha-ha yeah
$hort Dog still in this mothafucka for the nine-six,
Like this
Here comes the ho with the big nuts,
He's flowin like the breeze
I said here comes the ho with the big nuts,
And he's flowin like a breeze
Too $hort:
This aint Halloween, aint no trick or treat,
You young silly ass hoes can't get shit for free
I give a fuck about what niggas been buyin you,
I'm $hort Dog bitch, I aint tryin to
Get on your good side, you better get with me,
So we can roll in luxury
Around the world, gettin money,
I'm pimpin hoes on Sunday
I'm the kind of nigga you'll work all night fo',
Won't discriminate, I'll pimp a Chinese-White ho
You never seen money with a black man's face,
But I swear mothafucka I done had my taste
Can't slow down, full speed ahead,
I'm laughin at you squares sayin pimpin is dead
They say sex can kill, you catch AIDS and shit,
But the fact stands, hoes get paid from tricks
I'll never let a hoe, pimp me
I'll never let a hoe, pimp me
And all my hoes say (pimp me daddy)
Kool-Ace:
I'll never ever, be pimped again,
I had to be played once to really understand
But I appreciate it, $hort cause I'm related,
I probably stuck game and participated
Got baptised, it wasn't a dream,
Now I'm mackin with the Dangerous Crew, and smokin green
Hit old school playas up, on their help,
And we all decided to take a trip
We on a world tour, checkin our clientele,
Wanna see how much pussy these hoes can sell
Feds say this crew is scandelous,
Wanna charge us all for pimpin and panderin
>From the Mississippi Valley to the A-T-L to Chi-town, Oakland,
These bitches will understand
P-I till the day I D-I-E
Ha-ha you'll never pimp me!!
I'll never let a hoe, pimp me
I'll never let a hoe, pimp me
And all my hoes say (pimp me daddy)
*Sir Captain & Sir Charles Talking*
Sir Charles: Ahh Sir Captain...
Sir Captain: Yeah what's goin on Sir Charles?
Sir Charles: Man what ever happened to that pretty fine bitch
you had the other day?
Sir Captain: Yeah, that old bitch come to me the other day man,
talkin about she wanna do an old pimp, I knocked that
bitch down man, I asked that bitch "What part that you
understand bitch? Because I don't undertstand none of it,
ho, you just a ho to me bitch, you nasty ho ho ho...
Sir Charles: So what you sayin, you never let a bitch pimp you man?
Sir Captain: Never man. Hey Sir Charles, what ever happened to that
expensive broad I seen you with, that little cutie-pie,
that little
baby girl?
Sir Charles: Oh you talkin bout Unique, my little-bitty bitch...
Sir Captain: Yeah, she that little old six-pence lookin girl, you know she
be lookin kinda fine to me...
Sir Charles: Man that girl went to work the other night and brought me $999
off the street...
Sir Captain: You go boy...
Sir Charles: She asked me would I loan her $10 so she can get me a grand,
I said bitch you got to be crazy, go turn another date and
my money in my mothafuckin hand...
Sir Captain: Ah man, aint never pimpin...
Sir Charles: This aint no joke, I'll never let a bitch pimp me...
Sir Captain: Never, never...
Sir Charles: Say man we rollin with this Dangerous Crew...
Sir Captain: Oh yeah, with ol' $hort Dog, he good with the pimpin
Sir Charles: He got ol' Suga Ray and Ace over there
Sir Captain: Now Goldy comin back in here, Goldy comin back in now
Sir Charles: Oh shit, it's gonna be big pimpin in this Atlanta, G-A
Goldy:
I be flippin hoes like a spatula, rakin em in like a new Acura,
Bitin em with this game makin em mines for life like Dracula
It's like hypnosis, I pimps your mother, I pimps yo' sis,
Hoes be nothin but slaves for me, ready to go to their graves for me
I'm lookin for a ho to knock, hit em with a Goldy lock,
Get at the ho, spit at the ho, now I got ho rollin cock
Pimpin aint easy, I went from jeans, t-shirts, and tennis shoes,
To gators and suits and zebra hats, my pimpin tools, I win or lose
My hoes be bringin me hoes, now I got more hoes than a golf course,
With ass like a soft horse, I get em with game and never with all force
With a pimp stick on a pimp throne, that lazy ho better get goin,
Ho aint workin on Daddy's scratch, she bout to feel the grill of a Cadillac
I was yours when the ho wouldn't leave me, cause an agry ho would decieve me,
But I'm ten G's ahead of that ho, you want your shit better get it and go
But I be laughin with Sir Captain cause he always handle what happen,
Fall in love with the pimpin and gettin ho money and be like fuck this rappin
I'll never let a hoe, pimp me
I'll never let a hoe, pimp me
And all my hoes say (pimp me daddy)
*Sir Captain & Sir Charles Talking Until Fade*
Sir Charles: Hey Captain, aint you glad pimpin aint dead?
Sir Captain: Yeah, one time I thought the pimpin was dead man, all the
bitches of mine ran off, I called the Pimp God right, and he put
me on hold and said his bitch run off. I thought pimpin' was dead