KLAX may refer to:
Klax is a 1989 computer puzzle game designed by Dave Akers and Mark Stephen Pierce. The object is to line up colored blocks into rows of similar colors to make them disappear, to which the object of Columns is similar. Atari Games originally released it as a coin-op follow up to Tetris, about which they were tangled in a legal dispute at the time.
Klax features a conveyor belt at the top of the screen. It constantly rolls toward the playing area, delivering a steady supply of blocks. The player controls a small device which sits at the interface between the conveyor belt and the playing area, which can be moved left and right to catch the blocks and deposit them either in the playing area (which can hold 25 blocks in a 5X5 arrangement) or push them back up the conveyor belt. The device can hold up to five blocks. An uncaught block is considered a "drop". A flashing block can be used as a wildcard on any colour. In the playing area, blocks can be eliminated by arranging three or more of the same color into a continuous line, known as a "Klax." The line may be horizontal, vertical, or diagonal. A multiple grouping (e.g., one vertical and horizontal) counts as multiple Klaxes, as does Klaxes of four same-colored blocks (two Klaxes) or five same-colored blocks (three Klaxes). Once the goal is reached, bonus points are awarded for remaining blocks on the conveyor belt and device, and empty spaces in the bin (also, on levels where a certain point total is required, points in excess of the required amount are counted both in the scoring and as bonus points).
KLAX-FM (97.9 FM, "La Raza") is an American commercial radio station located in East Los Angeles, California, broadcasting to the Greater Los Angeles area. KLAX-FM airs a regional Mexican music format branded as "La Raza". The station has studios in the Century City district of Los Angeles, and its transmitter is based in Glendale.
From 1983 to 1992, this station was known as "Super KQ", with the call sign KSKQ, and played Spanish-language hit music. For about two decades before that, this was KNOB, which played beautiful music and adult contemporary formats. KNOB's studios and offices were in Long Beach, California, which was then its city of license.
In 1992, under the direction of general manager Alfredo Rodriguez, KSKQ was turned into a Banda music station KLAX, simply called "La Equis," the station became the first Spanish-language station in Los Angeles to attain the number one rated highest station in the market.
In 2002, KLAX dropped the contemporary hits and went to the more focused regional format, and became "La Raza."
Procuring or pandering is the facilitation or provision of a prostitute or sex worker in the arrangement of a sex act with a customer. A procurer, colloquially called a pimp (if male) or a madam (if female), is an agent for prostitutes who collects part of their earnings. The procurer may receive this money in return for advertising services, physical protection, or for providing, and possibly monopolizing, a location where the prostitute may engage clients. Like prostitution, the legality of certain actions of a madam or a pimp vary from one region to the next.
Examples of procuring include:
Procuring can often take abusive forms. Pimps may punish clients for physical abuse or failure to pay, and enforce exclusive rights to 'turf' where their prostitutes may advertise and operate with less competition. In the many places where prostitution is outlawed, sex workers have decreased incentive to report abuse for fear of self-incrimination, and increased motivation to seek any physical protection from clients and law enforcement that a pimp might provide.
A pimp is someone who finds and manages clients for prostitutes and engages them in prostitution in order to profit from their earnings.
Pimp or pimping may also refer to:
"P.I.M.P." is a song by American hip-hop artist 50 Cent, recorded for his debut studio album Get Rich or Die Tryin' (2003). The song features production from Shady label-mate, Mr. Porter and Brandon Parrott. A remixed version of the song, featuring fellow rappers Snoop Dogg, Lloyd Banks and Young Buck, was released as the album's third official single on August 12, 2003, although the remix was not initially part of the track listing: it was later added as a bonus track to some digital editions of the album.
Upon its release, the song was a significant commercial success, especially in the United States, where it peaked at #3 on the Billboard Hot 100 and reached the top ten of many national charts worldwide. The song was later certified Gold by the RIAA for sales of 500,000+ copies.
Musically, the song is based on a highly steel-drum-prominent production from Brandon Parrott and Porter, and although it is predominantly a rap song, features elements of other genres, especially reggae, or music similar to that of the Caribbeans, within the steel drum-based production. Lyrically, the song glorifies 50 Cent's supposed involvement in the 'pimp' lifestyle.
Play on, play on, play on
Play on, play on, play on
Play on, play on, play on
To the players
Pimp on, pimp on, pimp on
Pimp on, pimp on, pimp on
Pimp on, pimp on, pimp on
To the players
Roll on, roll on, roll on
Roll on, roll on, roll on
Roll on, roll on, roll on
To the players
Ride on, ride on, ride on
Ride on, ride on, ride on
Ride on, ride on, ride on
To the players
For sure lil' one
Benz 600 on dubs my man
Playing TVs and DVs these niggas ain't playing
20 inch. change the paint I'll do that quick
Doing donuts in the Lam get your roll on slick
Bought a brand new car
Steering wheel in the middle
With the passenger side on both sides my nigga
Got a brand new Jag with a brand new Vet
Going to the MGM six to point nigga bet
Got a brand new house with my platinum mouth
Got 500 chicken and I'm fronting em' out
Got 5 bad bitches till' I turned em' out
Got 5 new cars till' I burnt em' out
I got a Rover with 8 size a Jag with 6
Got the matching Benz wagon with Lorenzo kit
Got a cell-phone sattelite I love this shit
Drive a 2002 Lexus coupe you bitch
Play boy
I'ma get it how I live and by me a quater
And put about 10 inches up in somebody daughter
I'm M.F. nigga
Nothin less nigga
Running in a race with me
You gotta catch your breath nigga
I love sex nigga
Got a complex nigga
Got your head hurting, taking contracts nigga
Y'all doing good lil' one
I'm doing better
Your 2000 got cloth interior, mine got leather
See hit her get her grab her man I get with her
Split her quit her jab her man in a shit her
Doing like it should be done
I'm the mack
Make it feel just like a gun
Up in your back
Tell the truth I know you know baby
I don't need em
Ask a bitch or ask a hoe just how I treat em
You handcuffing these broads
Bring them hoes up in for questioning
Captain save a broad find another profession
Like
Ha bro
Catch me getting out my Rover
With ice all over
With a pair black Girbauds
And some fresh white Soldiers
I'm the #1 hoe bitch you know who I am
Got about a 150 worth a shit in my hand
Got about a 150 hard bricks in the van
With about a 150 nasty bitches my man
It's that hot boy Atrice no one do it harder
A block off the interstate
Doing donuts in my Ferrari
Now why you over there looking at me?
Could I be the player that you trying to be?
I been pimping young stuns since 83
Ask your mamma and they mammas
Sonny they know me
#1 reppers, hot like pepper
Flossy type steppers, dog bitch check us
I heard you gone persue her
She telling the world you chew her