A pilgrimage is a journey or search of moral or spiritual significance. Typically, it is a journey to a shrine or other location of importance to a person's beliefs and faith, although sometimes it can be a metaphorical journey into someone's own beliefs. Many religions attach spiritual importance to particular places: the place of birth or death of founders or saints, or to the place of their "calling" or spiritual awakening, or of their connection (visual or verbal) with the divine, to locations where miracles were performed or witnessed, or locations where a deity is said to live or be "housed," or any site that is seen to have special spiritual powers. Such sites may be commemorated with shrines or temples that devotees are encouraged to visit for their own spiritual benefit: to be healed or have questions answered or to achieve some other spiritual benefit. A person who makes such a journey is called a pilgrim. As a common human experience, pilgrimage has been proposed as a Jungian archetype by Wallace Clift and Jean Dalby Clift.
Pilgrimage is the third studio album by the band Om. It is the band's first release for the Southern Lord label. It was recorded at Electrical Audio by Steve Albini. It is the final studio album to feature Chris Hakius on drums.
Pilgrimage is the second studio album by the rock band Wishbone Ash. The album focuses more on folk and acoustic music as opposed to the blues rock sound that dominated the first album. The album also contains an instrumental jazz workout ("Vas Dis") and a four-part harmony vocal track in the spirit of Crosby, Stills, Nash, and Young ("Valediction").
The album sold well, reaching no.14 in the UK charts, but the band would reach their creative and commercial peak with their next studio album release.
All songs composed by Martin Turner, Steve Upton, Ted Turner and Andy Powell, except where noted.
In music, a reprise (/rəˈpriːz/ rə-PREEZ) is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.
Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album The Dark Side of the Moon, which contains a reprise of "Breathe", the second song of the same album.
This is a glossary of terms used in fencing.
Parries generally cover one of the 'lines' of the body. The simplest parries move the blade in a straight line. Other parries move the blade in a circular, semicircular, or diagonal manner. There are eight basic parries, and many derivatives of these eight. (see #Prime, #Seconde, #Tierce, #Quarte, #Quinte, #Sixte, #Septime, #Octave, #Neuvieme). See also #Lines.
In foil, the opponent's blade should not only be deflected away from the target, but away from off-target areas as well. An attack that is deflected off the valid target but onto invalid target still retains right-of-way. In sabre, the opponent's blade need only be deflected away from valid target, since off-target touches do not stop the phrase. Sabre parries must be particularly clean and clear to avoid the possibility of whip-over touches. In épée, a good parry is simply any one that gains enough time for the riposte; opposition parries and prise-de-fer are commonly used, since they do not release the opponent's blade to allow a remise.<-- No such section yet.
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Note that the vocabulary here is primarily a glossary of modern fencing terms. Over time, the teminology has evolved, and different terminology may be found in Medieval and Renaissance sources. In many cases, English, French, and Italian terminology may be used (often interchangeably) for the same thing.
Reprise is the third album by British tenor Russell Watson released in 2002.
Covering shroud of effulgent light discard before the feet of holy legion.
Premise of pained experiencer attained now shifts before the salving sun.
Cherubim stands the pilgrim kneels in tears immerse identity negated.
Reacher of state of non-return; the stream attained in non-duality.
Ensues yogic benediction.
Grace of the luminary prevails.
Astral, causal realms relinquished.