Pigsty (film)
Pigsty (Italian: Porcile) is a 1969 Italian film, written and directed by Pier Paolo Pasolini and starring Jean-Pierre Léaud, Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Alberto Lionello, Franco Citti, and Anne Wiazemsky.
Plot
The film features two parallel stories. The first one is set in an unknown past time and is about a young man (Clémenti) who wanders in a volcanic landscape (shot around Etna) and turns into a cannibal. The man joins forces with a thug (Citti) and ravages the countryside. At the end, his company gets arrested and during his execution, he recites the famous tagline of the film: "I killed my father, I ate human flesh and I quiver with joy." The story is about the human capacity of destruction and a rebellion against the social prerequisites implied against it.
The second story is about Herr Klotz (Lionelli), a German industrialist and his young son Julian (Léaud) who live in 1960s Germany. Julian, instead of passing time with his radically politicised fiancée Ida (Wiazemsky), prefers to build relationships with pigs. Herr Klotz, on the other hand, with his loyal aide Hans Guenther (Ferreri), tries to solve his rivalry with fellow industrialist Herdhitze (Tognazzi). The two industrialists join forces while Julian gets eaten by pigs in the sty. Herdhitze intends to conceal the event. The story attempts to provide a link between the Third Reich and Wirtschaftswunder Germany.
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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