Piet (foaled 1945) was an American Thoroughbred racehorse best known for winning three consecutive runnings of the Jamaica Handicap. Bred by Charles B. Bohn and Peter A. Markey, they raced him under their nom de course, BoMar Stable. Piet was sired by multiple stakes winner, Grand Slam, a son of 1927 American Horse of the Year, Chance Play. His dam was Valdina Lark, a daughter of the U.S. Racing Hall of Fame inductee who is considered one of the greatest broodmare sires of all time, Blue Larkspur.
At age two, Piet won two races in Maryland, taking the 1947 Spalding Lowe Jenkins Stakes and the Richard Johnson Stakes at Laurel Park Race Course but got his most important victory of the year at Chicago's Arlington Park when he won the Arlington Futurity.
In his three-year-old debut, Piet won the Ral Parr Stakes at Pimlico Race Course. His other significant win of 1948 saw him defeat Coaltown in capturing the Skokie Handicap at Washington Park Race Track. In 1949, Piet won the first of his three straight editions of the Jamaica Handicap at Jamaica Racetrack. The following year, in addition to another Jamaica Handicap, Piet also won the Whitney, Toboggan, and Bay Shore Handicaps.
The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Hyracotherium, into the large, single-toed animal of today. Humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated, such as the endangered Przewalski's horse, a separate subspecies, and the only remaining true wild horse. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.
Horses' anatomy enables them to make use of speed to escape predators and they have a well-developed sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down. Female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.
Uma (馬, also known as Horse) is a 1941 black-and-white Japanese film directed by Kajiro Yamamoto and starring Hideko Takamine, whom Yamamoto had directed in his film Composition Class (Tsuzurikata Kyōshitsu) three years before. Uma was actually completed by assistant director Akira Kurosawa. It follows the story of Ine Onoda, the eldest daughter of a poor family of farmers, who raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
The film is a tale about a young girl and the colt she raises from its birth. But it is also about the struggle of farmers existing on the edge of poverty. Akira Kurosawa is credited as the film's production coordinator, which is equivalent to first assistant director. But Kurosawa's signature is all over this work and is the last film he was to work on as an assistant before starting his own directing career. The film took three years to plan and a year to film. Kajiro Yamamoto had to commute to the far mountainous location but had to turn his attention to his money making comedies in Tokyo and so he left production in the hands of his assistant, Kurosawa.
The Horse (馬 午) is one of the 12-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar. There is a long tradition of the horse in Chinese mythology. Certain characteristics of the Horse nature are supposed to be typical of or to be associated with either a year of the Horse and its events, or in regard to the personality of someone born in such a year. Horse aspects can also enter by other chronomantic factors or measures, such as hourly.
People born within these date ranges can be said to have been born in the "Year of the Horse", while also bearing the following elemental sign:
Horses are thought to be particularly incompatible with Rat and Ox personalities; and to be particularly compatible with people of the Tiger and Dog type.
Pietà is a collection of essays by the Hungarian-Swedish biologist, George Klein, first published in Sweden in 1989. It includes nine essays by Klein, several touching broadly on the theme of whether life is worth living. The introduction opens with a quote from Albert Camus in The Myth of Sisyphus (1942): "There is but one truly philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy."
After the introduction, the first essay, "Pista," is about the suicide of a cousin and childhood friend in Hungary. It is followed by essays on the poet Attila Jozsef; the power of poetry and literature, with discussions on Rainer Maria Rilke, Friedrich Nietzsche, Thomas Mann, and Edgar Allan Poe; the role of German scientists during the Holocaust; an interview with Rudolf Vrba (the Auschwitz escapee); essays on AIDS and biological individuality; and reflections on Klein's own experience of the Holocaust in Budapest.
Pietà (Maltese: Tal-Pietà) is a small town Central Region of Malta, located on the outskirts of the capital city Valletta. Pietà is the suburb next-closest to the capital after Floriana and Msida. Its name is derived from Italian and signifies "Mercy".
The former Maltese national hospital, St. Luke's, is located in Tal-Pietà, as well as the University of Malta Medical School. Tal-Pietà is a coastal town, and an old boathouse of notable historic interest (now in use as a restaurant) is located on the waterfront. Also of historic interest, and visible in several old prints, is the little chapel of Our Lady of Sorrows, which dates from the seventeenth century, still in active use today. The parish church, however, goes back only to 1968. It is dedicated to Our Lady of Fatima and is run by the Dominican Order.
The town also hosts St. Augustine's College, run by the Augustinian Order. A couple of streets nearby bear the names of St. Augustine and his mother, St. Monica. Tal-Pietà is a departure point for ferries to Gozo, and the patrol boat depot of the Armed Forces of Malta is located at the Hay Wharf in nearby Floriana. Also within the boundaries of Pietà are St. Ursula's Orphanage; PBS, the national broadcaster; Villa Guardamangia, which served as the residence of then Princess Elizabeth of Great Britain (later Queen Elizabeth II), when she lived in Malta between 1949 and 1951; the Ta' Braxia Cemetery Complex is a Commonwealth Landmark Site and where many World War I garrison veterans from the British army and navy are buried; and the headquarters of the Nationalist Party. The party built its base here in 1969. Tal-Pietà is regarded as a suburb of Ħamrun, Msida, and Valletta. Most of its resident population over the past 30 years hails from this area.
The Pietà (Italian: [pjeˈta]; 1498–1499) is a work of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica, Vatican City. It is the first of a number of works of the same theme by the artist. The statue was commissioned for the French Cardinal Jean de Bilhères, who was a representative in Rome. The sculpture, in Carrara marble, was made for the cardinal's funeral monument, but was moved to its current location, the first chapel on the right as one enters the basilica, in the 18th century. It is the only piece Michelangelo ever signed.
This famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. The theme is of Northern origin, popular by that time in France but not yet in Italy. Michelangelo's interpretation of the Pietà is unprecedented in Italian sculpture. It is an important work as it balances the Renaissance ideals of classical beauty with naturalism.
The structure is pyramidal, and the vertex coincides with Mary's head. The statue widens progressively down the drapery of Mary's dress, to the base, the rock of Golgotha. The figures are quite out of proportion, owing to the difficulty of depicting a fully-grown man cradled full-length in a woman's lap. Much of Mary's body is concealed by her monumental drapery, and the relationship of the figures appears quite natural. Michelangelo's interpretation of the Pietà was far different from those previously created by other artists, as he sculpted a young and beautiful Mary rather than an older woman around 50 years of age.