Piano

The piano (Italian pronunciation: [ˈpjaːno]; an abbreviation of pianoforte [pjanoˈfɔrte]) is a musical instrument played using a keyboard. It is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, and for composing and rehearsal. Although the piano is not portable and often expensive, its versatility and ubiquity have made it one of the world's most familiar musical instruments.

An acoustic piano usually has a protective wooden case surrounding the soundboard and metal strings, and a row of 88 black and white keys (52 white, 36 black). The strings are sounded when the keys are pressed, and silenced when the keys are released. The note can be sustained, even when the keys are released, by the use of pedals.

Pressing a key on the piano's keyboard causes a padded (often with felt) hammer to strike strings. The hammer rebounds, and the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air. When the key is released, a damper stops the strings' vibration, ending the sound. Although an acoustic piano has strings, it is usually classified as a percussion instrument because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel-Sachs system of instrument classification, pianos are considered chordophones. With technological advances, electric, electronic, and digital pianos have also been developed.

Dynamics (music)

In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.

Relative loudness

The two basic dynamic indications in music are:

More subtle degrees of loudness or softness are indicated by:

Beyond f and p, there are also

And so on.

Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.

Piano (Wynton Kelly album)

Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly released on the Riverside label featuring performances by Kelly with Kenny Burrell, Paul Chambers, and Philly Joe Jones recorded in 1958.

Reception

The Allmusic review by Scott Yanow states "Kelly became a major influence on pianists of the 1960s and 1970s and one can hear the genesis of many other players in these swinging performances".

Track listing

Personnel

References

Role

A role (also rôle or social role) is a set of connected behaviours, rights, obligations, beliefs, and norms as conceptualized by people in a social situation. It is an expected or free or continuously changing behaviour and may have a given individual social status or social position. It is vital to both functionalist and interactionist understandings of society. Social role posits the following about social behaviour:

Trait (computer programming)

In computer programming, a trait is a concept used in object-oriented programming, which represents a set of methods that can be used to extend the functionality of a class.

Characteristics

Traits both provide a set of methods that implement behaviour to a class and require that the class implement a set of methods that parameterize the provided behaviour.

For inter-object communication and sharing, traits are somewhat between an object-oriented protocol (interface) and a mixin. An interface may define one or more behaviors via method signatures, while a trait defines behaviors via full method definitions: i.e., it includes the body of the methods. In contrast, mixins include full method definitions and may also carry state through member variable, while traits usually don't.

Hence an object defined as a trait is created as the composition of methods, which can be used by other classes without requiring multiple inheritance. In case of a naming collision, when more than one trait to be used by a class has a method with the same name, the programmer must explicitly disambiguate which one of those methods will be used in the class; thus manually solving the diamond problem of multiple inheritance. This is different from other composition methods in object-oriented programming, where conflicting names are automatically resolved by scoping rules.

Character (arts)

A character (or fictional character) is a person in a narrative work of art (such as a novel, play, television series or film). Derived from the ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualised. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts.