Phradmon (Gr. Φράδμων) was a little-known sculptor from Argos, whom Pliny places as the contemporary of Polykleitos, Myron, Pythagoras, Scopas, and Perelius, at Olympiad 90 in 420 BCE, in giving an anecdotal description of a competition for a Wounded Amazon for the temple of Artemis at Ephesus: in Pliny's anecdote, the fifth place was won by Phradmon, whom Pliny admits was younger than any of the four who were preferred to him. Trusting in Pliny's anecdote, scholars have often hopefully assigned the "Lansdowne" type of Wounded Amazon to Phradmon.
Adolf Furtwängler identified the obscure Phradmon as a follower of Polykleitos, but Brunilde Sismondo Ridgway made a case for Phradmon's being a 4th-century BCE sculptor, in which case, for those who are convinced, "the possibility of contemporaneity collapses and with it the entire anecdote of the contest".
Pausanias mentions his statue of the Olympic victor Amertas of Elis, and there is an epigram attributed to Theodoridas of Syracuse, in the Greek Anthology, on a group of twelve bronze cows, made by Phradmon and dedicated to Athena Itonia, that is, Athena as worshiped at Iton in Thessaly, after an Illyrian campaign in 356 or 336 BCE. Phradmon is also mentioned by Columella.
Old man sits in an apricot tree
He sees I and I sees he
Old man sweet as the fruit he's picking
Knows the rhythm of nature's ticking
Gives a smile of tooth and metal
Winks an eye like a falling petal
Face a furrowed field of life tracks
The years of the living knife
He I love, he I know
Seasons come, so fruitman go Through the crowd I enter in
See the head of virgin skin
Frail the old man's hand I take
Peace be with you Sunday shake
Sweet old man he turns to me
Tries to tell me what's to be
He don't say no words at all
Tears from him like fruit do fall
He I love, he I know
See sons that come, so fruitman go