A phosphor, most generally, is a substance that exhibits the phenomenon of luminescence. Somewhat confusingly, this includes both phosphorescent materials, which show a slow decay in brightness (> 1 ms), and fluorescent materials, where the emission decay takes place over tens of nanoseconds. Phosphorescent materials are known for their use in radar screens and glow-in-the-dark toys, whereas fluorescent materials are common in cathode ray tube (CRT) and plasma video display screens, sensors, and white LEDs.
Phosphors are often transition metal compounds or rare earth compounds of various types. The most common uses of phosphors are in CRT displays and fluorescent lights. CRT phosphors were standardized beginning around World War II and designated by the letter "P" followed by a number.
Phosphorus, the chemical element named for its light-emitting behavior, emits light due to chemiluminescence, not phosphorescence;
A material can emit light either through incandescence, where all atoms radiate, or by luminescence, where only a small fraction of atoms, called emission centers or luminescence centers, emit light. In inorganic phosphors, these inhomogeneities in the crystal structure are created usually by addition of a trace amount of dopants, impurities called activators. (In rare cases dislocations or other crystal defects can play the role of the impurity.) The wavelength emitted by the emission center is dependent on the atom itself, and on the surrounding crystal structure.
Phosphor is the first studio album released by the Neue Deutsche Härte band Unheilig. It was released in 2001. All of the artwork for the album is taken from the Unheilig music video Sage Ja!. This is the only album by Unheilig with songs sung in English with the exception of a few singles and remixes.
In July 2009, Phosphor was re-released with new artwork and a remastered audio track.
Feint is a French term that entered English via the discipline of swordsmanship and fencing. Feints are maneuvers designed to distract or mislead, done by giving the impression that a certain maneuver will take place, while in fact another, or even none, will. In military tactics and many types of combat, there are two types of feints: feint attacks and feint retreats.
A feint attack is designed to draw defensive action towards the point under assault. It is usually used as a diversion to force the enemy to concentrate more manpower in a given area, to weaken the opposing force in another area. Unlike a related diversionary maneuver, the demonstration, a feint involves actual contact with the enemy.
A feint retreat is performed by briefly engaging the enemy, then retreating. It is intended to draw the enemy pursuit into a prepared ambush, or to cause disarray. For example, the Battle of Hastings was lost when Saxons pursued the Norman cavalry. This forfeited the advantage of height and the line was broken, providing the opportunity to fight in single handed combat on a neutral vantage point, a battle for which the Saxons were not ready. The Parthian shot is another example of a feint retreat, where mounted Parthian archers would retreat from a battle and then, while still riding, turn their bodies back to shoot at the pursuing enemy.
The Phantom Agony is the first full-length studio album by Dutch symphonic metal band Epica. It was released in 2003 by the Dutch label Transmission Records. It is the first album recorded by guitarist Mark Jansen after his departure from the band After Forever. On this album, Mark Jansen continues with the collection of songs that make up "The Embrace That Smothers". The first three parts can be found on Prison of Desire (2000), After Forever's debut album, and the following three parts can be found on The Divine Conspiracy (2007), Epica's third album. These songs deal with the dangers of organized religion.
The album was re-released on 23 March 2013, which coincided with Epica’s 10th anniversary Retrospect show, as a 2-disc expanded edition by Epica’s former record label Transmission Records.
"The Phantom Agony" was the first single of the eponymous album. It was released in October 2003.