Phaser may refer to:
See also:
The Star Trek fictional universe contains a variety of weapons, ranging from missiles (the classic photon torpedo) to melee (primarily used by the Klingons, a race of aliens in the Star Trek universe).
A directed-energy weapon emits energy in an aimed direction without the means of a projectile. It transfers energy to a target for a desired effect. Intended effects may be non-lethal or lethal. For example, in Star Trek, a hand phaser can be set to "stun" or "kill".
Lasers are a sidearm in the original Star Trek pilot "The Cage", and laser pistols appear in several Original Series episodes, although later episodes in The Next Generation seemed to indicate that the laser's use as a weapon was outdated. In one instance, the ship-mounted lasers of two spacecraft were incapable of overcoming even the navigational shields of the USS Enterprise-D, though on at least two other occasions it was threatened with destruction by laser-armed spacecraft. The Borg cutter weapon is a laser, as mentioned in the Star Trek: The Next Generation episode "Q Who" and is apparently incapable of directly penetrating Federation shielding. (Although it is effective at making 'surgical' incisions into a ship's hull.)
The Transformers (トランスフォーマー, Toransufomā) is a line of toys produced by the Japanese company Takara (now known as Takara Tomy) and American toy company Hasbro. The Transformers toyline was created from toy molds mostly produced by Japanese company Takara in the toylines Diaclone and Microman. Other toy molds from other companies such as Bandai were used as well. In 1984, Hasbro bought the distribution rights to the molds and rebranded them as the Transformers for distribution in North America. Hasbro would go on to buy the entire toy line from Takara, giving them sole ownership of the Transformers toy-line, branding rights, and copyrights, while in exchange, Takara was given the rights to produce the toys and the rights to distribute them in the Japanese market. The premise behind the Transformers toyline is that an individual toy's parts can be shifted about to change it from a vehicle, a device, or an animal, to a robot action figure and back again. The taglines "More Than Meets The Eye" and "Robots In Disguise" reflect this ability.
Sway may refer to:
Sway is a 2014 young adult fiction book by American author Kat Spears and her debut novel. The work was first published on 16 September 2014 through St. Martin's Griffin and is a modern take on the story of Cyrano de Bergerac.
Jesse "Sway" Alderman is a boy who can get you whatever you want, be it fake IDs, term papers, or a date with that one person that seems to be completely unattainable. As a result Jesse has developed a reputation for being calm, collected, and never letting anything deter him from successfully completing his transactions. This resolve is tested when Ken, the school's football captain, asks Jessie to help him win over Bridget, a good girl that has already rebuffed his advances. No one is more surprised than Jesse when he finds himself developing feelings for Bridget and he's even more shocked when he finds himself bonding with Bridget's brother Pete, as Jesse goes out of his way to avoid making any real friendships. Pete has cerebral palsy and as a result, has a limp, an asymmetrical face, a huge problem with low self-esteem, and a massive chip on his shoulder regarding what he sees as people (including his own sister) being nice to him only out of pity and his parents constantly comparing him to Bridget, who they view as practically perfect.
The term sway has a specific meaning in the technique of ballroom dances. Sway describes a dancer's body position in which the entire body gracefully deflects from the vertical. Entrance to and exit from this position are matters of fine technical detail and differ in various dance figures.
Sway may be an element of both stationary and moving dance figures. In moving figures, sway is commonly achieved as a natural result of body swing, but small amounts from other sources may be useful as an inflection. Sway comes primarily from an incline of the entire body, but a portion may also come from gradual bending of the trunk. It is customary to consider any bending of the trunk to occur more as a stretching of one side of the rib cage more than as a compression of the other side. This description helps to produce sway without the body line breaking awkwardly at the waist. Substantial abdominal strength may be needed to fully utilize this technique.
Possible angles of sway range from having the upper body substantially trailing the lower through a movement, to having the upper body a very small amount in advance. The purposes of sway are both better control of dance motion and aesthetics.
Staring on into night
Complete synapse
I switched on something I did not see
May I leave? I believe I might
This sweet collapse
Baby, I cannot get me free
When you've got your fazer eyes on me
Driving on into where I do not know
Shores that once were by the sea
I'm seeing something that is not there
It's so fast it's slow
And it's playing with my memory
And you've got your fazer eyes on me
Accustomed to the frequency of glow, oh yeah
You won't be frightened of the real thing after the show