Period (music)
In music, period refers to certain types of recurrence in small-scale formal structure. In twentieth-century music scholarship, the term is usually used as defined by the Oxford Companion to Music: "a period consists of two phrases, antecedent and consequent, each of which begins with the same basic motif." Earlier usage varied somewhat, but usually referred to a similar notions of symmetry, recurrence, and closure. The concept of a musical period originates in comparisons between music structure and rhetoric at least as early as the 16th century.
Western art music
In Western art music or Classical music, a period is a group of phrases consisting usually of at least one antecedent phrase and one consequent phrase totaling about 8 measures in length (though this varies depending on meter and tempo). Generally, the antecedent ends in a weaker and the consequent in a stronger cadence; often, the antecedent ends in a half cadence while the consequent ends in an authentic cadence. Frequently, the consequent strongly parallels the antecedent, even sharing most of the material save the final measures. In other cases, the consequent may differ greatly (for example, the period in the beginning of the second movement of the Pathetique Sonata).