Percy (film)

Percy is a British comedy film directed by Ralph Thomas starring Hywel Bennett, Denholm Elliott, Elke Sommer and Britt Ekland.

Edwin (Bennett), an innocent and shy young man, is hit by a nude man falling from a high-rise building while carrying a chandelier. Edwin's penis is mutilated in the accident and has to be amputated; the falling man is killed.

Edwin becomes the recipient of the world's first penis transplant: he receives the very large penis of the womanizer killed in the same accident. With his new bit of anatomy (which he names "Percy"), Edwin follows the womanizer's footsteps, meeting all his women friends, before settling happily with the donor's mistreated widow.

The film is based on a novel of the same name by Raymond Hitchcock (father of musician Robyn Hitchcock), and is today remembered for its soundtrack by The Kinks. It was followed by a 1974 sequel, Percy's Progress.

Cast

Percy (soundtrack)

Percy is a 1971 film soundtrack for the British comedy film Percy performed by English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers.

Singles and compilations

"God's Children" was issued as a single (b/w either "Moments" or "The Way Love Used to Be", depending on the country) in April 1971. In the UK a 4-track EP was also released featuring "God's Children", "The Way Love Used To Be", "Moments" and "Dreams". This was the Kinks' last release with Pye while they were still under contract. Unlike the album, the single was released in the US (in July) but failed to chart there or in the UK. It was a minor hit in Australia (reaching #53) and New Zealand (#21). In the US the tracks "God's Children" and "Willesden Green" were included on The Kink Kronikles compilation in 1972. "The Way Love Used to Be" was included on 1973's The Great Lost Kinks Album.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: