Broken Frames

Broken Frames is the third studio album by American rock band Eyes Set to Kill. The album was released on June 8, 2010 by Break Silence Records. The album consists of 12 songs and DVD of their interviews and music videos from Reach to Deadly Weapons. This is the first album to not feature screaming vocalist Brandon Anderson, who departed the band in early 2010, shortly before recording began.

The album was announced after the release of the lead single, All You Ever Knew released on April 1, 2010. Title-track "Broken Frames" was released as the follow-up second single accompanied with a music video. Let Me In was released as Lexia's first single under her solo album, Underground Sounds.

The album is Eyes Set to Kill's highest debut to date in the Independent Albums, and the first to enter Top Hard Rock Albums. The album was ranked fifth of "Locals Only: The Best Albums and EPs in 2010."

Track listing

All songs written and composed by Eyes Set to Kill. 

Singles

"All You Ever Knew" was released April 1, 2010 as the lead single prior of the album. No music video was filmed.
"Broken Frames", the title track, was released July 2010 as the second single with a music video premiered on the 29th of July 2010.

The Listening (Little Brother album)

The Listening is the debut album of North Carolina trio Little Brother. It was released in early 2003 on ABB Records. The album became a surprise word-of-mouth sensation among underground rap fans, despite its lack of promotion, guest appearances, or extensive distribution.

Overview

As the main producer for the group, 9th Wonder's instrumentals consist of chopped and manipulated samples of old soul records, reminiscent of Pete Rock and DJ Premier. Complimenting the backdrops are MC's Phonte and Rapper Big Pooh with their tag-team wordplay and raps. On "Speed", they rap about the pressures of working a regular job while trying to survive in the rat race, while on "Make Me Hot", they make fun of people who hassle them for beats and studio time. They also do some uncanny impressions of old school era MC's on "So Fabulous".

The underlying theme of The Listening concerns the group's effort to engage their listeners on a deeper level, and their frustration at casual listeners who pay little attention to lyrics and content and simply want to hear a "hot song". The interludes are performed by the members of a fictional radio station called WJLR (Justus League Radio). On the last song, "The Listening", the group addresses the album's main theme directly: they abruptly stop the song, exchange dialogue, then restart.

The Listening (film)

The Listening (In ascolto) is a movie based on the mass surveillance operations conducted by the National Security Agency (NSA) with the aid of private corporations. It was Italian director Giacomo Martelli's debut movie and explored the dire consequences that can arise due to excessive corporate influence on a government agency set up for mass surveillance.

Plot

In the late 1990s, the National Security Agency (NSA) and a computer software firm, Wendell Crenshaw work together to implement a surveillance technology, the Echelon, which enables NSA to monitor almost anybody in the world. When classified information about the Echelon system accidentally finds its way into a young woman's hands, a terrible clash occurs in the opinions of a top-executive at Wendell Crenshaw and an NSA operative, the former determined to find out what the lady knows even if it means using violence and the latter, equally determined to save an innocent woman's life

ECHELON

Making a film specifically on ECHELON offered the possibility of exploring the issues of interception, violation of privacy, and the interference of corporate interests in matters of national as well as international security simultaneously.

Lounge

Lounge may refer to:

In architecture:

In music:

In other fields:

See also

The Lonesome Crowded West

The Lonesome Crowded West is the second full-length album recorded by alternative rockband Modest Mouse. The album was released on Up Records on November 18, 1997, on both compact disc and vinyl LP.

Many consider the album to be one of the best indie rock albums of the 1990s: Pitchfork Media ranked it #29 in their list 100 Greatest Albums of the 1990s, and the song "Trailer Trash" #63 in their list of the 200 Greatest Songs of the decade. Spin ranked it #59 in their list the 100 Greatest Albums, 1985–2005, and Entertainment Weekly included the album in their list The Indie Rock 25.The A.V. Club has described the album as the band's breakthrough recording. In June 2012, Pitchfork.tv released a forty-five-minute documentary on the album. The documentary included archival footage taken during live performances and original recording/mix sessions.

The album was reissued on CD and vinyl by Isaac Brock's Glacial Pace record label in 2014 along with This Is A Long Drive For Someone With Nothing To Think About.

Lounge music

Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space-age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music. Contemporaneously, the term lounge music may also be used to describe the types of music played in hotels (the lounge, the bar), casinos, several restaurants, and piano bars.

Retrospective usage

Exotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed lounge. The term lounge does not appear in textual documentation of the period, such as Billboard magazine or long playing album covers, but has been retrospectively applied.

Per

Per is a Latin preposition which means "through" or "for each", as in per capita.

Per or PER may also refer to:

Places

Math and statistics

Science

Media and entertainment

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