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Calliope Zina (Greek: Καλλιόπη Ζήνα; born 8 March 1975), known professionally as Peggy Zina, is a Greek singer. She made her recording debut in 1995 with her self-titled album. She has since released twelve studio albums and is a high-profile artist in the Greek music industry. On 14 March 2010, Alpha TV ranked Zina the 24th top-certified female artist in the nation's phonographic era (since 1960), totalling nine (five at the time) platinum and two gold records.
Peggy Zina was born in Athens on March 8, 1975. She began piano lessons at the age of five and studied dancing, particularly the jazz genre. During her teens, Peggy Zina participated in many artistic school activities, including theater and choir. She graduated from the Jeanne D'Arc Academy of Athens. Herfather died when she was 14 years old at the age of 56. Her mother, Stella Chrysikopoulou, remarried Nikos Tsiftelis, who Zina has credited with raising and supporting her as if he were "her real father."
Peggy Zina (Greek: Πέγκυ Ζήνα) is the first album by popular Greek artist Peggy Zina, released in October 1995 by BMG Greece. The album includes her first hit which created controversy with the title: "An Pas Me Alli Tha Sou Spaso To Kefali" (If You Go with Another Woman I Will Break Your Head).
I'll leave the lights down low
so she knows I mean business
And maybe we could talk this over
Cause I could be your best bet
Let alone your worst ex
And let alone your worst...
I wanna hate you so bad
But I can't (but I can't) stop this
anymore than you can
So honestly, how could you say those things
when you know they don't mean anything
And you know very well
that I can't keep my hands to myself,
hands to myself
I wanna hate you so bad
But I can't (but I can't) stop this
anymore than you can
This is all wrong and it shows
There's certain things I promised not to let you know,
(I've got a silly way of keepin me up on the edge of my seat,
I've got a silly way of keepin me up on the...)
not to let you know
I never, never...
You've got this silly way
of keeping me on the edge of my seat
But you're only counting the clock against the train
And I'm miserable, oh
(I've got a silly way of keepin me up on the edge of my seat,
I've got a silly way of keepin me up on the...)
And you're just getting started
I'm miserable, oh
You've got me right where you want me
(let's never talk) Let's never talk, let's never,
let's never talk about this again because...
I didn't want it to mean that much to me
I didn't want it to mean that much to me
I didn't want it to mean that much to me
I didn't want it to mean that much to me