Peggy

Peggy is most commonly a diminutive of the female given name Margaret. It is sometimes spelled Peggie.

Beyond this, Peggy may refer to:

See also

JoJo's Bizarre Adventure

JoJo's Bizarre Adventure (Japanese: ジョジョの奇妙な冒険, Hepburn: JoJo no Kimyō na Bōken) is a Japanese manga series written and illustrated by Hirohiko Araki. It was originally serialized in Weekly Shōnen Jump from 1986 to 2004, before being transferred to the monthly seinen magazine Ultra Jump in 2005. The current story arc, JoJolion, started in 2011. JoJo's Bizarre Adventure is currently Shueisha's second largest manga series with its chapters collected into 115 tankōbon volumes and counting (only Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo, with over 190, has more).

A six-volume original video animation adaptation of the later half of the series' third story arc was released from 1993 to 1994 by studio A.P.P.P., followed by another seven-volume series covering earlier parts of the arc from 2000 to 2002. A.P.P.P. also produced a theatrical film of the first arc in 2007. In 2012, an anime television series produced by David Production began broadcast on Tokyo MX, and covered the first two story arcs of the manga in 26 episodes. A second 48-episode season covering the third arc was broadcast in 2014 and 2015.

Peggy (given name)

Peggy is a female first name (often curtailed to "Peg") derived from Meggy, a diminutive version of the name Margaret. It may refer to:

In literature:

In entertainment:

In music:

In fiction:

CATA

CATA may refer to:

Cata may refer to:

See also

Alfonso Catá

Alfonso Catá (3 October 1937 – 15 September 1990) was a Cuban ballet dancer, choreographer, teacher, and company director, active in the United States, Switzerland, Germany, and France.

Early life and training

Born in Havana, Alfonso Catá was the son of a diplomat in service to the government of Fulgencio Batista, president of Cuba from 1933 to 1959. When Alfonso was a boy, his father was posted to Geneva, Switzerland, and he was educated in private schools there, adding French and English to his native Spanish. Details of his early life are obscure, but he may also have begun his ballet training with Swiss teachers. In any case, when his family moved to the United States about 1950 and settled in New York City, his interest in dance was strong enough to cause him to enroll at the School of American Ballet. There, he was trained in the principles of classical ballet technique developed by George Balanchine, to whom he would remain devoted for the rest of his life.

Performing career