Payola

Payola, in the music industry, is the illegal practice of payment or other inducement by record companies for the broadcast of recordings on commercial radio in which the song is presented as being part of the normal day's broadcast. Under U.S. law, 47 U.S.C. § 317, a radio station can play a specific song in exchange for money, but this must be disclosed on the air as being sponsored airtime, and that play of the song should not be counted as a "regular airplay".

The term has come to refer to any secret payment made to cast a product in a favorable light (such as obtaining positive reviews).

Some radio stations report spins of the newest and most popular songs to industry publications. The number of times the songs are played can influence the perceived popularity of a song.

The term payola is a combination of "pay" and "-ola" a common suffix of product names in the early 20th century, such as Pianola, Victrola, Amberola, Crayola, or brands such as the radio equipment manufacturer Motorola. Payola has come to mean the payment of a bribe in commerce and in law to say or do a certain thing against the rules of law, but more specifically a commercial bribe. The FCC defines "payola" as a violation of the sponsorship identification rule that in 2005-06 resulted in tens of millions of dollars in fines to cable corporations in New York.

Payola (band)

Payola are a six-piece folk/rock/soul band from Auckland, New Zealand.

The band have been described as a combination of Motown meets AC/DC/The Chambers Brothers meets Funkadelic/Led Zeppelin meets Solomon Burke with Primal Scream supporting. In addition, their musical influences include Tom Waits, The Staple Singers, Neil Young and Sly Stone.

The group's first release was the album Gone To Ground in 2005. Lead vocalist Solomon Cole had exited his prior band, Auckland based Rootskonductor, to release a solo album through Wellington label Jayrem Records. The album was to be titled "PAYOLA".

Cole enlisted the help of drummer and childhood friend Adrian Bergman and jazz keyboardist Timothy William, a musician introduced through Rootskonductor manager Stephen O'hoy. UK bassist Lee Catlin (formerly of Orange Can) joined shortly after, having responded to an advert posted on the internet. He, in turn, introduced the band to Manchester percussionist Nick Wood to complement the recordings. Rehearsals took place in Mamaku, a remote suburb of Rotorua. The group of players proceeded to form a "band" as the focus of the solo record shifted. The original name of the record was adopted as the band moniker.

Payola (album)

Payola is the second studio album by the American rock band Desaparecidos, released on June 23, 2015, through Epitaph Records.

Background and recording

While Read Music/Speak Spanish, the band's first album, focused on themes relating to socioeconomics, marriage, and the American workforce, Payola consciously tackles a wider range of political issues. Payola is a cohesive body of raw, loud, and angry songs about endemic injustice, racial profiling, the mistreatment of immigrants, corporate greed, and domestic spying.

The band reunited in 2010 to play a Concert For Equality in its hometown of Omaha—an event organized by lead singer Conor Oberst to promote the repeal of then-recently enacted measures to prohibit businesses and landlords from hiring or renting to undocumented immigrants in Fremont, Nebraska. In 2012, the band worked with Mike Mogis to record some singles, and in the subsequent years recorded all the material for Payola.

Critical reception

Track listing

Personnel

Payolas

The Payolas (or Payola$) were part of Vancouver's new wave of bands and active in the Canadian music scene for a decade from the late 1970s, recording several albums and singles that were Canadian chart hits. They disbanded in 1988, but reformed again from 2003 to 2008, issuing a new EP in 2007.

The band's name is a reference to the payola scandal in the United States in the early 1960s. The group was based in Vancouver, British Columbia, and recorded mostly at Vancouver's Little Mountain Sound Studios. Through several lineup changes and name changes (the band also played as The Payola$, Paul Hyde and the Payolas and Rock and Hyde), the Payolas core members remained Paul Hyde and Bob Rock, who together wrote virtually all of the band's songs. As well, Rock engineered and mixed virtually every Payolas recording.

Although in the 1980s the Payolas always seemed poised for a big international breakthrough, the band never quite broke out despite their artistic growth and popular success in Canada. They were, however, one of the most prominent and successful platinum-selling Canadian bands of the early 1980s.