Footprints (or footmarks) are the impressions or images left behind by a person walking or running. Hoofprints and pawprints are those left by animals with hooves or paws rather than feet, while "shoeprints" is the specific term for prints made by shoes. They may either be indentations in the ground or something placed onto the surface that was stuck to the bottom of the foot. A "trackway" is set of footprints in soft earth left by a life-form; animal tracks are the footprints, hoofprints, or pawprints of an animal.
Footprints can be followed when tracking during a hunt or can provide evidence of activities. Some footprints remain unexplained, with several famous stories from mythology and legend. Others have provided evidence of prehistoric life and behaviours.
The print left behind at a crime scene can give vital evidence to the perpetrator of the crime. Shoes have many different prints based on the sole design and the wear that it has received – this can help to identify suspects. Photographs or castings of footprints can be taken to preserve the finding. Analysis of footprints and shoeprints is a specialist part of forensic science.
Print may refer to:
A release print is a copy of a film that is provided to a movie theater for exhibition.
Release prints are not to be confused with other types of print used in the photochemical post-production process:
Print, A Quarterly Journal of the Graphic Arts was a limited edition quarterly periodical begun in 1940 and continued under different names up to the present day as Print, a bimonthly American magazine about visual culture and design.
In its current format, Print documents and critiques commercial, social, and environmental design from every angle: the good (how New York’s public-school libraries are being reinvented through bold graphics), the bad (how Tylenol flubbed its disastrous ad campaign for suspicious hipsters), and the ugly (how Russia relies on Soviet symbolism to promote sausage and real estate).
Print is a general-interest magazine, written by cultural reporters and critics who look at design in its social, political, and historical contexts. From newspapers and book covers to Web-based motion graphics, from corporate branding to indie-rock posters, from exhibitions to cars to monuments, Print shows its audience of designers, art directors, illustrators, photographers, educators, students, and enthusiasts of popular culture why our world looks the way it looks, and why the way it looks matters. Print underwent a complete redesign in 2005.
A paw is the soft foot of a mammal, generally a quadruped, that has claws.
The paw is characterised by thin, pigmented, keratinised, hairless epidermis covering subcutaneous, collagenous, and adipose tissue, which make up the pads. These pads act as a cushion for the load-bearing limbs of the animal. The paw consists of the large, heart-shaped metacarpal or palmar pad (forelimb) or metatarsal or plantar pad (rear limb), and generally four load-bearing digital pads, although there can be five or six toes in the case of domestic cats and bears (including giant panda). A carpal pad is also found on the forelimb which is used for additional traction when stopping or descending a slope in digitigrade species. Additional dewclaws can also be present.
The paw also includes a horn-like, beak shaped claw on each digit. Though usually hairless, certain animals do have fur on the soles of their paws. An example is the red panda, whose furry soles help insulate them in their snowy habitat.
SMS language or textese (also known as txt-speak, txtese, chatspeak, txt, txtspk, txtk, txto, texting language, txt lingo, SMSish, txtslang, txt talk) is a term for the abbreviations and slang commonly used with mobile phone text messaging, but sometimes used with other Internet-based communication such as email and instant messaging.
Three features of early mobile phone messaging encouraged users to use abbreviations: (a) Text entry was difficult, requiring multiple key presses on a small keypad to generate each letter; (b) Messages were limited to 160 characters, and (c) it made texting faster.
Once it became popular it took on a life of its own and was often used outside of its original context. At its peak, it was the cause of vigorous debate about its potentially detrimental effect on literacy, but with the advent of alphabetic keyboards on smartphones its use, and the controversies surrounding it, have receded.
SMS language is similar to that used by those sending telegraphs that charged by the word. It seeks to use the fewest number of letters to produce ultra-concise words and sentiments in dealing with space, time and cost constraints of text messaging. This follows from how early SMS permitted only 160 characters and some carriers charge messages by the number of characters sent.
Paw may refer to:
Paws may refer to:
PAW may refer to:
Musicologo sin miedo
Si yo te digo "I Love You" Tú me crees?
Jeje
Menes, Musicolgo!
Hey baby, juro que me vuelves crazy
Un perfume fenomenal
I Love You baby
Te juro que me vuelves crazy
Hey baby, sabes que te quiero y lo que quiero es que te pongas crazy
Calentitos los dos todos los hombres son iguales el diferente soy yo
Ma' oyelo, bien bien, yo no ando en busca de aventura
Quien te dijo, quien quien?
Soy un hombre de verdad como todo aquel fiel
Si sabes ya, te doy no, tengo mala miel, miel
Oye baby! Si quieres yo te lo juro pero ven, ven y pégate
Por el piso tire el orgullo en la tuya relájate
Aunque después viene lo tuyo con todo el peso, prepárate
Seguro que mi corazón echulao que viene a darte
Una rosa para ti, una rosa detrás de ti
Un tequila para mi, un orgasmo rico pa' ti
Ya pasamos de Prestige, si quieres sexo on the beach
Mira, ya hasta al perro se le soltó el lichs!
Hey baby, calentitos los dos
I Love You baby
Te juro que me vuelves crazy
Yo te lo doy to', lo que tú me pidas enseguida
Te lo busco si tu quieres, la luna yo te la bajo
Hacemos de to' no dejemos na al descubierto
Explorar lo que los dos estamos sintiendo
Luego baby, calentitos los dos
I Love You Baby
Yo te lo juro que me vuelves crazy
Daddy Yankee
Nota Loca
Once Again!
Vamonos a fuego, yo soy tuyo primero
Tú sabes que yo te quiero, meto miedo, soy sincero
Escucha a tus amigas que toditas te tienen celos
Porque...
Soy un caballero, pero, a veces un bandolero, lero
Tu eres como google, tienes lo que quiero y quiero
Que reviva el muerto, nos fuimos 1, 2, 3
Yo te invito a comer pero si me sueltas el postre
Te traje los mariachis, la ropa de Versace
También traje canje pa' calentar ese hibace
Tenemos la verde escuchando un poco de Camela
Después de todo el romance, vas conocer la pose
Ya le muestro la maquina, del rey de la estamina
Si esto fuera la una, ma' tú fueras la máxima
No estamos pa' lagrima, tampoco pa' lastima
Tú buscas lo mismo que yo, pasemos la página
Luego baby, calentitos los dos
I Love You Baby
Yo te lo juro que me vuelves crazy
Hey baby, sabes que te quiero y lo que quiero es que te pongas crazy
Calentitos los dos todos los hombres son iguales el diferente soy yo
Si lo hacemos es porque somos los dueños De La Nazza
Tira para adelante mami, tira para adelante haber que pasa
Dile que le queremos comer toda la masa
Tira para adelante mami, tira para adelante haber que pasa
Inventao' por nosotros
Se le agradece el apoyo Al Jefe
Prestige