Pawn may refer to:
Pawn is a 2013 film directed by David A. Armstrong.
An old gangster, with a hard drive containing records of who he paid off, is targeted by a competition between dirty cops, internal affairs, etc. The dirty cops hire a thug to get into the safe (in the back of a diner) at midnight. But he brings his friends and goes too early for the time-release lock. Another crooked cop shows up (for uncertain reasons). The shooting ensues and during hostage negotiations the thug tries to put the blame onto an ex-con who just got out of jail, so that no one notices the real target is the hard drive.
A pledge is a bailment that conveys possessory title to property owned by a debtor (the pledgor) to a creditor (the pledgee) to secure repayment for some debt or obligation and to the mutual benefit of both parties. The term is also used to denote the property which constitutes the security. A pledge is type of security interest.
Pledge is the pignus of Roman law, from which most of the modern European-based law on the subject is derived, but is generally a feature of even the most basic legal systems. It differs from hypothecation and from the more usual mortgage in that the pledge is in the possession of the pledgee. It is similar, however, in that all three can apply to personal and real property. A pledge of personal property is known as a pawn and that of real property is called an antichresis.
In earlier medieval law, especially in Germanic law, two types of pledge existed, being either possessory (cf. Old English wed, Old French gage, Old High German wetti, Latin pignus depositum), i.e. delivered from the outset, or non-possessory (cf. OE bād, OFr nam, nant, OHG pfant, L pignus oppositum), i.e. distrained on the maturity date, and the latter essentially gave rise to the legal principle of distraint. This distinction still remains in some systems, e.g. French gage vs. nantissement and Dutch vuistpand vs. stil pand. Token, symbolic reciprocal pledges were commonly incorporated into formal ceremonies as a way of solidifying agreements and other transactions.
The Custard Factory is an independent shopping destination and creative and digital business workspace location in Digbeth Birmingham, England (grid reference SP078864).
Located on the site of what was the Bird's Custard factory in the industrial district of Digbeth, it is now home to a thriving working community of creative & digital businesses, independent shops and cafes and bars. They include hundreds of small and medium-sized businesses and some larger ones like Asos. The project was set up by Bennie Gray in 1992 and substantially expanded by his son Lucan Gray, who owns and runs the project.
The Custard Factory complex is set in fifteen acres (60,000 m²) of factory buildings, originally constructed by Sir Alfred Frederick Bird (1849–1922), the son of Alfred Bird (1811–1878), the inventor of egg-free instant custard. The architectural firm commissioned to design the building was Hamblins. The architect may have been Augustus William Brenchley Macer-Wright who married Ellen Kate Hamblin, known as Jenny, who was the daughter of the man behind the Architect Firm's name. There is no positive evidence in Birmingham City Archive. At one time, a thousand people worked there.
Kitchen (キッチン)is a novel written by Japanese author Banana Yoshimoto (吉本ばなな)in 1988 and translated into English in 1993 by Megan Backus.
Although one may notice a certain Western influence in Yoshimoto's style, Kitchen is still critically recognized as an example of contemporary Japanese literature; The Independent, The Times and The New Yorker have all reviewed the novel favorably.
Most editions also include a novella entitled Moonlight Shadow, which is also a tragedy dealing with loss and love.
There have been two films made of the story, a Japanese TV movie in 1989 and a more widely released version produced in Hong Kong by Yim Ho in 1997.
In Kitchen, a young Japanese woman named Mikage Sakurai struggles to overcome the death of her grandmother. She gradually grows close to one of her grandmother's friends, Yuichi, from a flower shop and ends up staying with him and his transgender mother, Eriko.
From Mikage's love of kitchens to her job as a culinary teacher's assistant to the multiple scenes in which food is merely present, Kitchen is a short window into the life of a young Japanese woman and her discoveries about food and love amongst a background of tragedy.
Kitchen as a surname may refer to:
Brakins gotta be taken
It's gotta keep movin' along to fight the demons that are in my head
Rage has gotta be taken
It's gotta keep movin along to fight the demons that are in my head
Wait on something, want something, need something
I can see, yes I can see that you're not my friend at all
And you say you want me
I feel you, I see you, fall into your own direction yeah
You say that you want me
Rage has gotta be taken
It's gotta keep moving along to fight the demons that are in your head
Love has gotta be taken a little more seriously
To fight the demons that are in your head
Wait on something, want something, need something
I can see, yes I can see that you're not my friend at all
And you say that you want me
I feel you, I feel you fall into your own direction
And you say that you want me
You kick me down but you won't keep me down
I feel you, you kick me down but you won't keep me down
Rage has gotta be taken
It's gotta keep movin along to fight the demons that are in your head
Love has gotta be taken a little more seriously