Paul Bley

Paul Bley recording solo piano in 2006
Background information
Birth name Paul Bley
Born (1932-11-10) November 10, 1932 (age 79)
Origin Montreal, Canada
Genres Free jazz
Avant-garde jazz
Post bop
Instruments Piano
Associated acts Charlie Parker, Lester Young, Charles Mingus, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Steve Swallow, Chet Baker, Gary Peacock, Paul Motian, Annette Peacock, Charlie Haden, John Scofield, Niels-Henning Ørsted Pedersen, Bill Frisell, John Abercrombie, Michael Urbaniak, Pat Metheny, Jaco Pastorius
Notable instruments
piano, Moog synthesizer, ARP synthesizer, Fender Rhodes

Paul Bley, CM (born November 10, 1932) is a pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing.

Contents

Biography [link]

Paul Bley was born in Montreal, Canada, his parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.[1][2] Bley has been a long-time resident of the United States. His music characteristically features strong senses both of melodic voicing and space.

In the 1950s he founded the Jazz Workshop in Montreal, performing and recording there with Charlie Parker. He also performed with Lester Young and Ben Webster at that time.

In 1953 he conducted for Charles Mingus on the Charles Mingus and his Orchestra album and the same year Mingus produced the Introducing Paul Bley album with Mingus and Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.

In 1958, he hired Don Cherry, Ornette Coleman, Charlie Haden and Billy Higgins to play at the Hillcrest Club in California.

In the early 1960s he was part of the Jimmy Giuffre 3, a clarinet, piano and bass trio with bassist Steve Swallow. The quiet understatement of this music makes it possible to overlook its degree of innovation. As well as a repertoire introducing compositions by his ex-wife Carla Bley, the group's music moved towards free improvisation based on close empathy.

During the same period Bley was touring and recording with Sonny Rollins, which culminated with the RCA Victor album, Sonny Meets Hawk! with Coleman Hawkins.

In 1964 Bley was instrumental in the formation of the Jazz Composers Guild - a co-operative organisation which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, his ex-wife Carla Bley, Michael Mantler, Sun Ra, among others. The guild organized weekly concerts and created a forum for the "jazz revolution" of 1964.[3]

Bley had long been interested in expanding the palette of his music using unconventional sounds (such as playing directly on the piano-strings). It was therefore consistent that he took an interest in new electronic possibilities appearing in the late 1960s. He pioneered the use of Moog synthesizers, performing with them before a live audience for the first time at Philharmonic Hall in New York City on Dec. 26, 1969.[4]

This led into a period of the "Bley-Peacock Synthesizer Show", a group where he worked with songwriter Annette Peacock.

Subsequently Bley returned to a predominant focus on the piano itself.

During the 1970s, Bley, in partnership with videographer Carol Goss, was responsible for an important multi-media initiative, Improvising Artists which issued LPs and videos documenting the solo piano recordings by Sun Ra and other works of free jazz with Jimmy Giuffre, Lee Konitz, Gary Peacock, Lester Bowie, John Gilmore, Jaco Pastorius, Pat Metheny, Steve Lacy and others.

Bley and Goss are credited in a Billboard Magazine cover story with the first "music video" as a result of the recorded and live performance collaborations they produced with jazz musicians and video artists.

Bley was featured in the 1981 documentary film Imagine the Sound, in which he performs and discusses the history of his music.

Bley has continued to tour internationally and record prodigiously, with well over a hundred CDs released. In 1999 his autobiography, Stopping Time: Paul Bley and the Transformation of Jazz was published. In 2003 Time Will Tell: Conversations with Paul Bley was published. And in 2004 Paul Bley: la logica del caso (Paul Bley: The Logic of Chance) was published in Italian. In 2008, he was made a Member of the Order of Canada.[5]

Discography [link]

As leader [link]

America Records
  • 1971: The Fabulous Paul Bley Quintet (Live recording from Hillcrest Club, Los Angeles 1958)
  • 1972: Improvisie
ECM Records
Freedom
Improvising Artists (Bley's own label)
  • 1974: Jaco
  • 1975: Quiet Song
  • 1975: Alone, Again
  • 1975: Turning Point (with John Gilmore, Gary Peacock, Paul Motian), orig. Savoy mono recordings, March 9, 1964
  • 1976: Virtuosi
  • 1977: Japan Suite
  • 1977: Coleman Classics Vol. 1 (Four more tracks of the Hillcrest Club recording from 1958)
  • 1977: Axis
  • 1978: IAI Festival
Justin Time Records
  • 1987: Solo
  • 1991: A Musing (with Jon Ballantyne)
  • 1993: Sweet Time
  • 1993: Double Time
  • 1993: Know Time
  • 1994: Outside in
  • 1996: Touche (with Kenny Wheeler)
  • 2001: Basics
  • 2004: Nothing to Declare
  • 2008: About Time
Postcards Records
Soul Note
SteepleChase Records
  • 1972: Solo Piano
  • 1973: Paul Bley/NHØP (with Niels-Henning Ørsted Pedersen)
  • 1985: Questions
  • 1985: My Standard
  • 1986: Live & Live Again
  • 1987: Indian Summer
  • 1988: Solo Piano
  • 1988: The Nearness of You
  • 1989: Rejoicing
  • 1989: Bebopbebopbebopbebop
  • 1991: Plays Carla Bley
  • 1992: Caravan Suite
  • 1992: At Copenhagen Jazz House
  • 1993: If We May
  • 1994: Speachless
  • 1995: Reality Check
  • 1998: Notes on Ornette
Other labels

As sideman [link]

With Jimmy Giuffre

  • Thesis (1961)
  • Free Fall (1962)
  • Fusion (1962) all rereleased on ECM
  • Emphasis & Flight 1961
  • The Life of a Trio 2 volumes
  • Fly Away Little Bird
  • Conversations with a Goose, Owl Records

With Sonny Rollins

With Marion Brown

With Charlie Haden

With John Surman

References [link]

  1. ^ Paul Bley with David Lee (January 1999). Stopping Time: Paul Bley and the Transformation of Jazz. Véhicule Press. p. 10. ISBN 1-55065-111-0. 
  2. ^ Bley Paul biography www.jazz.com
  3. ^ Paul Bley with David Lee: Stopping Time. Paul Bley and the Transformation of Jazz. Vehicule Press 1999.
  4. ^ Stopping Time
  5. ^ "Governor General Announces New Appointments to the Order of Canada". https://www.gg.ca/media/doc.asp?lang=e&DocID=5447. 
  6. ^ Allmusic review

External links [link]


https://wn.com/Paul_Bley

Paul Bley (album)

Paul Bley is the second album by Canadian jazz pianist Paul Bley featuring tracks recorded in 1954 and released on the EmArcy label.

Reception

Allmusic awarded the album 4 stars stating "Pick a personality trait of the Paul Bley style and chances are it won't be found anywhere here, as lovely a piano trio jazz record as this is... For the most part the tone of the pianist remains almost frigid in its consistency; volume level rarely varies and the direction of the improvisations is solidly mainstream... The obvious problem with someone like Bley or Jimi Hendrix is that once they developed their totally unique musical personality, their earlier work starts to sound a little boring".The Penguin Guide to Jazz said "At this stage of his career, he's a very orthodox bopper, aware of the blues but certainly not restricted by them, possibly exploring aspects of Tristano's evolution as well, and certainly listening to classical pianists for technique and harmonic ideas".

Track listing

Podcasts:

Paul Bley

ALBUMS

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