Jean Patou

M. Jean Patou.
Born (1880-08-19)August 19, 1880
Normandy, France
Died March 8, 1936(1936-03-08) (aged 55)
Paris, France
Nationality French
Occupation Fashion designer
Labels Jean Patou

Jean Patou (pronounced: [ʒɑ̃ pa.tu]; August 19, 1887 - March 8, 1936) was a French fashion designer.

Contents

Early life [link]

Patou was born in Normandy, France in 1880. Patou's family's business was tanning and furs. Patou worked with his uncle in Normandy, then moved to Paris in 1910, intent on becoming a couturier.

1910s - World War I and later [link]

In 1912, he opened a small dressmaking salon called "Maison Parry". His entire 1914 collection was purchased by a single American buyer.[citation needed] Patou's work as was interrupted by World War I. He was mobilised in August 1914, shorty after the German invasion of Belgium. Patou served as a Captain in the Zouaves [1] Reopening his couture house in 1919, he became known for eradicating the flapper look by lengthening the skirt and designing sportswear for women and is considered the inventor of the knitted swimwear and the tennis skirt.[citation needed] He, notably, designed the then-daring sleeveless and knee-length cut tennis wear for Suzanne Lenglen.[citation needed] He also was the first designer to popularize the cardigan and moved fashion towards the natural and comfortable.[citation needed]

Suzanne Lenglen, la divine

1920s [link]

Jean Patou invented the designer tie in the 1920s[citation needed]. He used women's dress material for his ties and they were displayed in department stores next to women's perfume counter. The designer tie style is still prominent amongst contemporary fashion designers, such as Louis Feraud, Timothy Everest, Duchamp and Paul Smith and Patrick McMurray

In 1928, Jean Patou created "Huile de Chaldée", the first sun tan oil.

1930s [link]

Patou's clothes were marketed mostly to rich American women.[citation needed] When the stock market crashed, however, so did the market for luxury fashion. The House of Patou survived through its perfumes, which remain well known today.[who?] The best known of Patou's perfumes is "Joy," a heavy floral scent, based on the most precious rose and jasmine, that remained the costliest perfume in the world, until the House of Patou introduced "1000" (a heavy, earthy floral perfume, based on a rare osmanthus) in 1972. Before Joy, the House of Patou released many other perfumes, many which were to celebrate particular events. For example, Normandie (an oriental forerunner to perfumes such as Yves Saint Laurent's Opium) celebrated the French ocean liner of the same name, and Vacances (a mixture of green and lilac notes) celebrated the first French paid national holidays. Other Patou perfumes of the same time were Amour Amour (the forerunner of Joy, using the same rose notes, but without the jasmine), Adieu Sagesse, Que Sais-Je? (these three were released at the same time; Patou's idea was that the light floral Amour Amour was suitable for blondes; the tart, spicy Adieu Sagesse for redheads, and the heavy floral Que Sais-Je? for brunettes), L'Heure Attendue (a wonderful, unique oriental perfume), Divine Folie (a floral vanilla), Câline (a wonderful chypre perfume, similar to the much later Diorling by Christian Dior), Moment Suprême (a perfume based on lavender), Colony (which had a strong pineapple note), Chaldée (Patou's Huile de Chaldée sun oil had become so popular, many customers were buying it purely for its smell, therefore, Chaldée the perfume (a dry musk) was produced), Le Sien (one of the first perfumes for men and women), and Cocktail (literally a floral cocktail). All these, with the exception of Le Sien, were re-released during the 1980s (under the name Ma Collection), and were available until recently, all in a 50ml Eau de Toilette Spray, 75ml Eau de Toilette bottle, and 30ml pure perfume bottle, each with a unique art deco box. A Jean Patou silk scarf, printed in a pattern complementing that of the box was included with the pure perfume. Joy remains the world's second best-selling scent (the first is Chanel No. 5), Joy was created by Henri Alméras for Patou at the height of the Great Depression (1935) for Patou's former clients who could no longer afford his haute couture clothing line.

Legacy [link]

Patou died in 1936. His sister Madeleine and her husband Raymond Barbas continued the House of Patou, which remained a family-owned enterprise until September 2001 when it was bought by Procter & Gamble Company. Other designers to have been associated with this house are Jean Kerléo and Karl Lagerfeld. Jean Patou has continued to produce perfumes, which have included Eau de Patou, Ma Liberté, Un Amour de Patou, Sublime, Patou Forever, EnJoy, and Sira des Indes. Also three men's perfumes, Patou Pour Homme (a spicy chypre), Patou Pour Homme Privé (not dissimilar to Ma Liberté), and Voyageur (a fresh, much more modern scent) have been available. Recent years have seen the discontinuation of Ma Collection, Eau de Patou, Ma Liberté, Un Amour de Patou, as well as a reduction of the products available in the Joy and "1000" ranges. Since Procter & Gamble's takeover of Jean Patou, Joy has dropped in price: prior to the takeover, 15ml of Joy pure perfume cost £175.00; afterwards it dropped £30.00 to £145.00. Part of the explanation may reside in the fact that since the takeover, many Jean Patou products are now manufactured outside France and probably involve less costly, more industrial, processes.

The latest chapter in the history of the brand is its acquisition in 2011 by Designer Parfums Ltd., a UK-based firm with other high end fragrance brands such as Scherrer and Worth already in its portfolio. Word has it that they have approached Jean Kerléo, Patou's former master-perfumer, to hopefully assist them in restoring Patou's presence in perfumery to its former, pre-Procter & Gamble glory.

References [link]

  1. ^ "Saga Jean Patou". https://www.prodimarques.com/index.php prodimarques.com]. https://www.prodimarques.com/sagas_marques/jean_patou/jean_patou.php. Retrieved 2008-06-08. 
  • Caroline Evans, "Jean Patou’s American Mannequins: Early Fashion Shows and Modernism," in Modernism/modernity 15:2 ([1] April 2008), 243-63.

External links [link]


https://wn.com/Jean_Patou

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