The passepied (French pronunciation: [pasˈpje], "pass-foot", from a characteristic dance step) is a French court dance. Originating as a kind of Breton branle, it was adapted to courtly use in the 16th century and is found frequently in 18th-century French opera and ballet, particularly in pastoral scenes, and latterly also in baroque instrumental suites of dances. In English the passepied has been called "paspy", a phonetic approximation of the French pronunciation.
The earliest historical mention of the passepied was by Noël du Fail in 1548, who said it was common at Breton courts. François Rabelais and Thoinot Arbeau, writing later in the 16th century, identify the dance as a type of branle characteristic of Brittany. At this time it was a fast duple-time dance with three-bar phrases, therefore of the branle simple type (Little 2001). Like many folk-dances it was popular at the court of Louis XIV (Scholes 1970).
The passepied was remodelled by Jean-Baptiste Lully as a pastoral concert dance, first appearing in the 1680s as a faster minuet (Sutton 1985, 146). It is accounted the fastest of the triple-time dances of the time, usually with a time signature of 3
8 (also occasionally 6
8 or 3
4), its phrases starting upon the last beat of the measure. Its phrasing had to divide into four measures to accommodate the four characteristic tiny steps over two measures. It used the steps of the minuet, which Lully had long before similarly adapted, to quite different effect, moving lightly and tracing elaborate patterns upon the floor.(Little and Jenne 2001).
Passepied (パスピエ, pasupie) is a five-member Japanese pop-rock band formed Tokyo in 2009. They are signed with Warner Music Japan.
Passepied was formed by Tokyo University of Art graduate and keyboardist, Narita Haneda.
This article is translated from the Japanese article.
P-square whoo
See see whoo
We run things whoo
Things don't run we whoo
Huk up in da club who
Give them a run whoo
Give them a jump whoo
With your bizzy body yeeah
Verse 1
When I first saw her
She was looking like an angel light
She blow me nami mind like a dynamite
She flash like a light in ani candle light
And then she said
(All this on me)
Girl you know say when you
Move your body hold am tight
Make you no try to hurt no body
Make u dey watch your side
I begi biko biko
Omoge no bi fight and she said
(All this on me)
Boy u know say if I give you body
You go soji
You no go fit rock the M.I.C
Cos u go loose control hey
No ooh oh
With your bizy body
You go soji
I go de still rock the M.I.C
I no go loose control
Boy you go loose control
Girl I no go loose control
Boy you go loose control
Chorus
If I catch you
I go turn you on
When I grab you
To the breaking down
You go loose control
Bizzy body oh oh oh x2
Verse 2
Na me say ready or not
Here I come, you can't hide
Cos if I catch you I go take
You slowly
You can't run away
I will do my way oh baby
Oh baby
I go take off my cloths
And get ready for you (rrrude boy)
Any where you go (oh oh ooooh)
I will be right there oh baby
Oh baby I go take my time
And get down for you
I love the way you move your
Bombom hey
You make me really wanna
Touch your hair
Bar bye bar bye bar bye bye
Oh lord
Boy u know say if I give you body
You go soji
You no go fit rock the M.I.C
Cos u go loose control hey
No ooh oh
With your bizy body
You go soji
I go de still rock the M.I.C
I no go loose control
Boy you go loose control
Girl I no go loose control
Boy you go loose control
(Chorus)
P-square whoo
See see whoo
We run things whoo
Things don't run we whoo
Huk up in da club who
Give them a run whoo
Give them a jump whoo
We be da don whoo
P-square whoo
See see whoo
We run things whoo
Things don't run we whoo
Huk up in da club who
Give them a run whoo
Give them a jump whoo
Boy u know say if I give you body
You go soji
You no go fit rock the M.I.C
Cos u go loose control hey
No... ooh oh
With your bizy body
You go soji
I go de still rock the M.I.C
I no go loose control
Boy you go loose control
Girl I no go loose control
Boy you go loose control