A Paso (Spanish: "Episode of the Passion of Christ") is an elaborate float made for religious processions. They are carried by porters on staves, like a litter or sedan chair, and are usually followed or escorted by a band. Some have long skirts that cover the bearers entirely, giving the impression that the statue is floating on its own power.
The porters are called costaleros, cargadores or portadores and their leader is called a capataz ("Foreman" or "Head Man"). The capataz sets the chicotá, the period of time between a paso being lifted and set down again; the costaleros cannot pick up or set down the paso except by his leave. This is signalled by the llamador ("crier"), a knocker on the front of the float.
During Semana Santa ("Holy Week", the week preceding Easter Sunday) the custom is to make pasos adorned with large wooden statues of Jesus Christ, the Virgin Mary, saints and biblical personalities from the Passion.
"Paso (The Nini Anthem)" is a song by Spanish disc jockey and producer Sak Noel. It was released on 10 January 2012, was written and produced by Sak Noel. The song has peaked to number 45 on the Austrian Singles Chart.
A music video to accompany the release of "Paso (The Nini Anthem)" was first released onto YouTube on 8 December 2011 at a total length of four minutes and twenty seconds.
Paso or PASO may refer to:
Firme is the second studio album by Voodoo Glow Skulls. Released on October 10, 1995, it is the band's first release on Epitaph Records. "Firme" is Chicano slang meaning "cool" or "hot". All the songs were written by Voodoo Glow Skulls, except "Charlie Brown" which is a traditional song played by The Coasters.
Firme's lyrics are almost exclusively in English except for the track "El Coo Cooi", sung entirely in Spanish. A Spanish-language version of the album was released on March 26, 1996. Inversely, the album featured an alternate English version of "El Coo Cooi".
The song "Shoot the Moon" was used in the Pauly Shore movie Bio-Dome.
All songs written and composed by Frank Casillas and Eddie Casillas, except where noted.
Marisol is a Spanish name, a shortened form of María de la Soledad ("Mary of [the] Solitude"), a title given to the Virgin Mary. Marisol may refer to:
Marisol (Spanish pronunciation: [maɾiˈsol]) is a 1996 Mexican telenovela, starring Erika Buenfil and Eduardo Santamarina with the antagonic role of the star actress Claudia Islas. It was produced by Televisa. This telenovela contained 145 episodes and is a remake of Marcha nupcial.
Famous and beloved Enrique Álvarez Félix died after he finished his work in Marisol.
Marisol has a pain-ridden life. She has a disfiguring scar on her face from a piece of a broken mirror she had fallen on when she was a little girl. Her mother is dying and Marisol must sell paper flowers to make money in order to support herself and her mother.
Sofia, Marisol’s mother, is carrying a heavy secret and she realizes she must tell Marisol the truth before she dies and leaves her alone (especially with Marisol’s sleazy boyfriend Mario). Unfortunately, Sofia dies without revealing that Marisol is really the granddaughter of Don Alonso Garcés del Valle, the patriarch of a very rich family, which includes the handsome and amiable painter, José Andrés, also one of Alonso’s grandchildren – or is he?
Maria Sol Escobar (born May 22, 1930), otherwise known simply as Marisol, is a sculptor born in Paris of Venezuelan lineage, working in New York City.
Marisol studied art at the Jepson Art Institute, École des Beaux-Arts, the Art Students League of New York, at the New School for Social Research and she was a student of artist Hans Hofmann. The pop art culture in the 1960s found Marisol as one of its members, enhancing her recognition and popularity. Marisol concentrates her work on three-dimensional portraits, using inspiration “found in photographs or gleaned from personal memories”.
Marisol’s religious beliefs might very well have had a great deal of influence upon her character and tendencies toward the arts. Her father moved Marisol, at age 16, and her brother (Gustavo Escobar) to Los Angeles where Marisol began her study in the arts, after World War II and also their mother’s suicide. She began practice in painting and drawing during her teen years. It was during these years she admitted self-inflicted acts of penance upon herself. She walked on her knees until they bled, kept silent for long periods and tied ropes tightly around her waist in emulation of saints and martyrs.